Adabiyyāt: Jurnal Bahasa dan Sastra focuses on the studies of language, literature, translation (Arabic, English, and Bahasa Indonesia), and philology. The articles must be written in Arabic, English, or Bahasa Indonesia. Adabiyyāt: Jurnal Bahasa dan Sastra is published twice a year the Faculty of Adab and Cultural Sciences, the State Islamic University of Sunan Kalijaga since 2002. Adabiyyāt: Jurnal Bahasa dan Sastra is an accredited journal with 2 rank, approved by the Ministry of National Education of the Republic of Indonesia in Keputusan Menteri Pendidikan dan Kebudayaan Republik Indonesia, No. 040/P/2014. Now, Adabiyyāt: Jurnal Bahasa dan Sastra is a reaccredited journal with 2 rank, approved by the Ministry of National Education of the Republic of Indonesia in Keputusan Menteri Pendidikan dan Kebudayaan Republik Indonesia, No. 225/E/KPT/2022. Adabiyyāt: Jurnal Bahasa dan Sastra has been indexed in Sinta (Science and Technology Index).
Sunan Kalijaga State Islamic University Yogyakarta
Adabiyyāt: Jurnal Bahasa dan Sastra publishes all articles entirely in full text. It is permissible for readers to download and to use it for scientific purposes and scientific dissemination. The author can re-publish the article that has been published by the Adabiyyāt: Jurnal Bahasa dan Sastra after obtaining written permission from the editor. This letter can be obtained by submitting a request letter for permission to republish the article to Adabiyyāt: Jurnal Bahasa dan Sastra via email adabiyyat@uin-suka.ac.id. In the second publication, the author is required to include information that the article was firstly published by the Adabiyyāt: Jurnal Bahasa dan Sastra.
POSTCOLONIAL MELANCHOLY AND FEMINIST AESTHETICS IN SITI RUKIAH’S 1950 NOVEL KEJATUHAN DAN HATI: A SUBVERSIVE TENDERNESS
This study reexamines Kejatuhan dan Hati (1950) by Siti Rukiah Kertapati as a foundational yet neglected work in Indonesian literary modernity. Departing from the masculinist and nationalist revolutionary narratives of its time, the novel articulates postcolonial melancholy through emotional interiority, intimate loss, and the crisis of female subjectivity. Using qualitative textual analysis informed by feminist narratology and postcolonial theory, the study investigates how Rukiah’s fragmented, epistolary form constructs a feminine interiority that resists nationalist and patriarchal ideologies. The analysis draws on the critiques of gendered silencing by Chandra Talpade Mohanty and Trinh T. Minh-ha to interpret Susi’s psychological fragmentation as an act of affective and epistemic resistance. The results reveal that Rukiah transforms vulnerability and melancholy into political agency, redefining emotion as a site of historical meaning. Her narrative techniques—fragmentation, introspection, and affective honesty—subvert the masculine heroism of socialist realism, asserting tenderness as a radical feminist aesthetic. The article also traces the novel’s critical reception, from early marginalization to later reevaluation by scholars such as Annabel Teh Gallop and Yerry Wirawan. As an affective archive of postcolonial disillusionment and feminine resistance, Kejatuhan dan Hati emerges as a politically potent reimagining of nationhood through gendered emotion.
الحقوق الفكرية (c) 2026 Dewi Candraningrum, Titis Setyabudi, Kania Bening Rahmayna http://creativecommons.org/licenses/by-sa/4.0
عبد القاهر الجرجاني مادحًا نظام الملك: استغلال الفضاء الأدبي للدعم السياسي وعلاقة المثقّف بالسلطة في الإسلام الكلاسيكي
اشتهر عبد القاهر الجرجاني بوصفه أبرز منظري البلاغة العربية. غير أن سيرته الذاتية لم تزل شحيحة بالمعلومات عن حياته، لا سيما فيما يتعلق بالجوانب الاجتماعية والسياسية المحيطة به. ومن الجدير بالدراسة قيامه بمدح نظام الملك - الوزير السلجوقي - من خلال أبيات شعرية. وهذا مثير للتساؤل، إذ إنه، إلى جانب كونه لغويا، كان معروفًا أيضًا بالزهد، الأمر الذي تناقض في الظاهر مع مدحه للحاكم. علاوة على ذلك، استخدم الجرجاني في مدحه الشعر، وهو أهمّ أشكال أدبية تتمتع بالمكانة العليا في نظام التواصل العربي. ستُجيب هذه الدراسة على سبب إنشاء الجرجاني أبياتا شعرية في مدح نظام الملك، بالرغم من تناقضها مع نزعته الزهدية، وكيف تبلورت العلاقة بين المثقفين والسلطة السياسية في هذه الحالة. بعد تحليل المعطيات بواسطة مقاربة تحليل الخطاب النقدي، توصّل الباحث إلى أن شعر الجرجاني تم صياغته كدعم فكري للنظام الذي دعم الخطاب الديني المشترك بين الكيانين، حيث يتمثّل ذلك في المذهبين الشافعي والأشعري. وتسفر العلاقة بين الجرجاني ونظام الملك تناغمًا متبادلًا بين السلطتين المعرفية والسياسية في الإسلام الكلاسيكي. فكان النظام بحاجة إلى دعم المثقّفين لكسب الشرعية والشعبية؛ وفي المقابل، قامت السلطة السياسية بدعم المثقّفين من خلال الترسيم الأيديولوجي لمدرستهم الفكرية، الأمر الذي يمكّن من انتشار الأيديولوجيا التي يتبناها المثقفون.
الحقوق الفكرية (c) 2026 Ahmad Muhdhor http://creativecommons.org/licenses/by-sa/4.0
DECONSTRUCTION OF THE PATRIARCHAL MYTH OF ADAM AND EVE IN CONTEMPORARY ARABIC LITERATURE
This study aims to highlight Arab women’s autonomy by elaborating the feminist meaning in the literary code that challenges the patriarchal myth of Adam and Eve in three contemporary Arabic literary works. Through a feminist literary criticism approach, this study reveals the form of deconstruction and criticism of the binary opposition. Hence, Eve (woman) becomes a complete subject who gives birth and not who is born. The narrative-symbolic argument of these works is based on historical-logical-scientific and theological-rationalistic thinking styles. The purpose of the deconstruction in them is to create the autonomy of women with noble dignity as human beings, as men are. The deconstruction reflects the thought of progressive muslim authors who believe in and advocate for the substantive value of the holy Koran, particularly its emphasis on egalitarianism in the myth of Adam and Eve.
الحقوق الفكرية (c) 2025 Yulia Nasrul Latifi http://creativecommons.org/licenses/by-sa/4.0
WOMEN, NATURE, FANTASY: DUAL REPRESENTATION IN THE GIRL WHO DRANK THE MOON
This article examines the dual representation of the woman-nature connection represented by the author through elements of fantasy and the secondary world in The Girl Who Drank the Moon. This research uses a descriptive qualitative method and the lens of ecofeminism and fantasy theory to analyze data relevant to the woman-nature connection in the novel. The results show that the author uses three female characters to represent the connection between women and nature, namely Xan (witch), Luna (moon baby), and Madwoman (Adora). The connection between women and nature is depicted through two different sides. On the one hand, women and nature are depicted as loving, caring, and connected entities; but on the other hand, women and nature are depicted as dangerous entities. The use of fantasy elements such as supernatural creatures, magic, and the creation of a secondary world in The Girl Who Drank the Moon plays an important role in providing a new perspective as well as an alternative escape for readers to transcend the boundaries of various injustices against women and nature that have been normalized in the real world.
الحقوق الفكرية (c) 2025 Emma Rifki Amalia http://creativecommons.org/licenses/by-sa/4.0
BLACK WOMEN’S OPPRESSION AND RESISTANCE IN EVARISTO’S GIRL, WOMAN, OTHER: A FEMINIST STUDY
This study provides a reading of Evaristo’s Girl, Woman, Other in the light of Patricia Hill Collins’ framework of the Matrix of Domination to see how the novel generates Black women's discourse. This study aims to analyse the operation of the matrix of domination whereby the complex and interlocking oppression of Black women emerges in every domain of power. This study also attempts to reveal the forms of resistance as depicted throughout the storyline. A qualitative method was applied as the approach of this study, as the data are in the form of words and utterances. The writer collected the data by close-reading and coding the utterances and the narrator’s narration. The results of this study showed that the matrix of domination reappears in various forms of complex and interlocking oppression. Moreover, the study reveals the ways and strategies that Black women employ to resist entrenched interlocking oppression and reclaim cultural narratives through various means, including self-definition, educating Black daughters, and voicing Black aspirations and achievements.
الحقوق الفكرية (c) 2025 Zakiyatul Mufidah http://creativecommons.org/licenses/by-sa/4.0
FIGURASI النسآء/AL-NISĀ’/ DALAM MEDIA MASSA ARAB BBC NEWS ARABIC (TINJAUAN SEMANTIK PROSODI)
Isu perempuan dalam wacana daring semakin urgen untuk diteliti. Hal ini karena semakin banyak narasi yang mengisukan problematika perempuan lebih kompleks dan sentimen, sebab ruang bahasa semakin luas (dunia maya). Oleh karena itu, penting untuk mengkaji figurasi النسآء/al-Nisā’sebagai diksi yang mewakili “perempuan”, spesifiknya dalam media massa Arab BBC News Arabic dengan pendekatan semantik prosodi. Tujuannya adalah menyingkap figurasi perempuan dengan jelas dan menjadi acuan bagi publik menanggapi isu perempuan dengan bijaksana, bahkan responsif. Adapun data penelitian ini adalah kata kunci النسآء/al-Nisā’ dan satuan lingual yang relevan. Sumber data penelitian ini adalah situs media massa BBC News Arabic pada kolom شؤون المرأة (https://www.bbc.com/arabic/topics/c404vr23qydt) sepanjang Januari-Oktober 2023. Metode pengumpulan data ialah dengan proses perkomputeran software LanscBox dan Antcont. Kemudian dianalisis dengan pendekatan semantik prosodi perspektif John Sinclair melalui penelaahan kolokasi dan konkordansi. Hasil penelitian menunjukkan jika dari 340 file pemberitaan sepanjang Januari-Oktober 2023, kata dengan frekuensi 20 tertinggi cenderung memfigurasikan perempuan dalam nilai yang negatif, relasi intimidatif, dan subordinatif. Baik dalam posisi sebagai subjek maupun objek, yang cenderung direfleksikan dari situasi perempuan Timur Tengah.
الحقوق الفكرية (c) 2025 Annisa Khairunnisa, Mardjoko Idris, Reflinaldi Reflinaldi http://creativecommons.org/licenses/by-sa/4.0
KONSEP NARATOLOGI DALAM HIKAYAT PAK BELALANG: KAJIAN SASTRA BANDING
Sastra Banding berperan dalam menemukan korelasi antar teks. Oleh karena itu, diperlukan penelitian yang menghubungkan cerita rakyat dengan sumber yang dirancu. Penelitian ini membahas mengenai persamaan dan perbedaan teks Hikayat Pak Belalang dengan Cerita Rakyat Pak Belalang. Fokus permasalahan dipusatkan pada keterkaitan antar teks melalui unsur perbedaan dan persamaan. Unsur tersebut dirangkum menggunakan teori naratologi untuk memudahkan penelitian. Hikayat dan cerita rakyat merupakan data utama sebagai kajian banding. Sumber penelitiannya adalah Hikayat Pak Belalang dan Cerita Rakyat Pak Belalang. Teori naratologi mengkaji permasalahan menjadi 5 pokok pembahasan, yaitu: 1)order, 2)duration, 3)frequency, 4)moods, 5)voices. Melalui kelima unsur tersebut, ditemukan perbedaan pada order, moods, dan voices. Sementara itu, ditemukan perbedaan dalam unsur duration dan frequency.
الحقوق الفكرية (c) 2025 Febriyanti Tri Wahyuningtyas http://creativecommons.org/licenses/by-sa/4.0
“M3GAN YANG MEMBADAI”: MENYINGKAP MORAL STATUS POSHUMANISME DALAM FILM M3GAN (2022)
Superintelligence brings the latest discourse of posthumanism theory. In this sense, the researcher discussed posthumanism studies in M3GAN movie (2022). The study focused on the moral status of artificial intelligence assembled on robotic prototypes by humans, namely M3GAN. In other words, how is protocol system be implemented on M3GAN? Does M3GAN has moral status in suffering, pain, autonomy, interactivity, and adaptivity? How did the humans unveil the technology in this movie in the posthumanism era? This article used the posthumanism theory from Robert Pepperell to analyze and answer the research questions. In doing so, the method of the study used descriptive qualitative where the data was obtained from the dialog scene and the visual was taken by the screenshot which represented the analyzed result. The result of the study showed that M3GAN prototype artificial intelligence has moral status such as autonomy, interactivity, and suffering. It becomes a dystopian reality for the robotic creator. Furthermore, the ethics of artificial intelligence or superintelligence must be unveiled wisely in the implementation.
الحقوق الفكرية (c) 2024 Aji Royan Nugroho http://creativecommons.org/licenses/by-sa/4.0
UNVEILING VULNERABILITY: TRAUMA’S REFLECTION ON MASCULINITY IN MOONLIGHT (2016) AND KUCUMBU TUBUH INDAHKU (2018)
This research aims to compare and investigate the trauma that affects men's masculinity in two different movies from America and Indonesia. This research compares two male characters who both experienced traumatic experiences but, in contrast, have different masculinities due to the influence of the trauma as well as the socio-cultural context they experienced. The objects of comparison for this research are the character Juno from the movie Kucumbu Tubuh Indahku (2018) and the character Chiron from the movie Moonlight (2016). The two characters share similarities in the causes of trauma, but they express different masculinities. To analyze this research, the comparative literature method, the theory of trauma by Levine (2008) and the theory of masculinity by R.W. Connell (2005) were used. The research results show that social-cultural influences play an important role in dealing with a person's trauma which can ultimately affect their masculinity. Juno does not receive social support from the people around him. He remains in subordinate masculinity. Meanwhile, Chiron, who received social support, experienced a change in his masculinity from subordinate masculinity to hegemonic masculinity.
الحقوق الفكرية (c) 2024 Sri Widia Anggriati, Danial Hidayatullah http://creativecommons.org/licenses/by-sa/4.0
PEREMPUAN SEBAGAI OBJEK MALE GAZE PEMBACA: TELAAH KRITIS KARYA SASTRA FEMINIS PEREMPUAN INDONESIA
Since the fall of Suharto in May 1998, women's involvement in literature has increased rapidly, causing a rush of feminist themes and content in literary works in this period. However, the literary works of women writers, even female feminists, are still unable to escape the tendency to objectify women. This research will show that in the works of female feminist writers, female characters are still displayed as objects of the reader’s male gaze. Four novels will be studied, namely Perempuan Berkalung Sorban and Geni Jora by Abidah El Khalieqy, and Tabula Rasa and Gadis Kretek by Ratih Kumala. This study is descriptive qualitative. Data collection techniques were carried out using the literature study method, namely by reading carefully and thoroughly the four material object novels. Collected data will be analyzed using the Male Gaze Theory by Laura Mulvey. According to the Male Gaze Theory, women are constantly looked at, watched, and displayed, with a certain appearance that has a strong visual and sexual influence so that they are referred to as to-be-looked-at-ness. The results of this study show that in the four novels, there are two repeated patterns, that consistently place women as objects of the reader’s male gaze, namely (1) the exposure of women's intimate organs in an erotic context and (2) beautiful and detailed descriptions of women's faces and bodies.
الحقوق الفكرية (c) 2024 Anggit Febrianto, Wening Udasmoro http://creativecommons.org/licenses/by-sa/4.0
KONSTRUKSI YAHUDI DI BARAT DAN TIMUR: ANALISIS MULTIMODAL HALLIDAY PADA NOVEL GRAFIS
This research aims to analyze how Jewish identity is constructed in the West and the East, as represented in the graphic novels Fagin the Jew by Will Eisner and The Last Jew in Penang by Zayn Gregory and Arif Rafhan , using Halliday's multimodal approach. This approach focuses on various modes of communication, such as verbal, visual, gestural, and spatial, in constructing the narrative of Jewish identity in both novels. Fagin the Jew portrays Jewish identity in the Western context, specifically in 19th-century London, emphasizing antisemitic stereotypes and social marginalization. In contrast, The Last Jew in Penang depicts Jewish identity in the multicultural environment of Southeast Asia, where Jewish identity is more accepted and assimilated into the local community. The findings reveal that cultural differences significantly influence the representation of Jewish identity in these two novels. Through an analysis of verbal, visual, gestural, and spatial modes, it is found that Western graphic novels tend to depict Jewish identity in narratives of prejudice and alienation, while Eastern graphic novels highlight narratives of coexistence and adaptation. This research concludes that multimodality plays a crucial role in reflecting the complexity of Jewish identity shaped by differing historical, social, and cultural contexts in the West and the East.
الحقوق الفكرية (c) 2024 Asyipa Nursani, Aprillia Firmonasari http://creativecommons.org/licenses/by-sa/4.0
IDENTITAS BUDAYA LOMBOK DALAM PUISI INDONESIA
This article aims to explain the construction of Lombok's cultural identity in three Indonesian poems. Cultural identity is considered a continuous production. In that approach, identity is a construct. Identity is constructed through language. Language is understood as a sign system. Therefore, the analysis of poetry uses sign analysis and semiotic analysis. In this analysis, signs can only be understood in the context of Lombok culture, in the context of the conceptual map of Indonesian society in Lombok. Signs can only be found in the cultural context of Lombok. The data were gathered from three different Lombok poems. The research result shows that in Perang Gurantang poems, Lombok cultural identity is different from Bali's cultural identity. Moreover, Di Gili Tak Ada yang Mengenal Pagi and Kemidi Rudat poems reveal hybrid cultural identity. Finally, Lombok cultural identity has a multicultural identity that gives respect to the differences between Lombok and Bali cultures. The acceptance of West and Malay-Islam culture forms Lombok cultural identity.
الحقوق الفكرية (c) 2024 Dwi Rohman Soleh, V. Teguh Suharto, Asri Musandi Waraulia, Dharma - Satrya HD http://creativecommons.org/licenses/by-sa/4.0
UNSUR-UNSUR KESASTRAAN DALAM PUISI NAHJ AL-BURDAH KARYA ’ABD AL-ḤAMĪD IBN AḤMAD AL-KHAṬĪB
This article examines Nahj al-Burdah, a work by the Saudi Arabian poet 'Abd al-Ḥamīd ibn Aḥmad al-Khaṭīb (d. 1381 H). This article aims to discuss the literary aspects based on Ahmad Amin's concept. This concept includes analysis of emotions, meaning, imagination, and stylistics. According to Amin, the stylistics includes aspects of rhythm and rhyme. The analysis results show that this madḥ al-Nabī work has a distinctive characteristic: expressing love for Allah SWT before expressing love for Prophet Muhammad Saw. This madḥ of the Prophet contains eleven themes, including the poet's nostalgia, good news for the soul, repentance, surrender, and hope, praise for the Prophet, the birth of the Prophet, the miracles of the Prophet, the glory of the Qur'an, struggles in jihad, the Isrā' and Mi'rāj, seeking forgiveness from Allah, and al-munājāh. The emotional expressions of love in the poem include feelings of love, fear, regret, satisfaction, and submission to Allah SWT. The imagination that emerges in this poem focuses on visualizing the depiction of angels delivering revelation to the Prophet. The language style used by the poet includes tasybīh, majāz, and kināyah. The poet chooses the rhythm of baḥr basīṭ and the rhyme of mīm.
الحقوق الفكرية (c) 2023 ROSA LINDA LINDA http://creativecommons.org/licenses/by-sa/4.0
CROSS-CULTURAL ROMANCE: DIGITAL FICTION FORMULA IN LIBYA’S LA’NAT AL-‘ISHQ AND INDONESIA’S ABIGHEA
The popularity of the digital literary platform Wattpad has been recognized globally, including in Indonesia and Libya. Among various studies on fiction published through Wattpad, this research focuses on a comparative analysis of romance formulas written by popular Wattpad authors from two countries: La'nat al-'Ishq by Hams Yosef in Libya and Abighea by Chelsea Karina Aelia in Indonesia. The main issue addressed in this study is whether romance stories in digital fiction from these countries share the same narrative formula despite the cultural differences between the authors and their readers. The comparison is conducted using John G. Cawelti’s theory of formulaic literature and a descriptive-analytical method. The findings indicate that the dominant formulas in both fictions are the idealization of the main characters, love triangles, and happy endings. This suggests that, although these works are set in different cultural and linguistic contexts, their romance formulas reflect universal desires and expectations of young readers concerning the romance genre.
الحقوق الفكرية (c) 2023 Reza Sukma Nugraha, Eva Farhah, Azka Nurzanah http://creativecommons.org/licenses/by-sa/4.0
ANALISIS KOMPARASI KAJIAN TERJEMAHAN INGGRIS-ARAB DAN INGGRIS-INDONESIA PADA LIRIK LAGU BTS
Subtitles on YouTube are automatically machine-translated and sometimes the translations are difficult to understand. One of the applications is done on BTS song lyrics. The purpose of this study is to compare the application of techniques as well as the tendency of English-Arabic and English-Indonesian translation methods and ideologies in BTS song lyrics. This research is a descriptive qualitative research. The translation theories underlying this research are translation techniques, methods, and ideologies. The data in this study are clauses or sentences in the lyrics of BTS songs and their translations in Arabic and Indonesian. The data collection technique was done by listening and noting. The data were analyzed by combining two analysis models, namely interactive (Miles and Huberman) and ethnographic (Spradley) models. The results of this study show that the dominant application of translation techniques in English-Arabic translation is the established equivalent technique, while in English-Indonesian translation it is the literal technique. Meanwhile, the English-Arabic translation method is target language-oriented, while the English-Indonesian translation method is source language-oriented. This affects the domestication ideology orientation in English-Arabic translation and the foreignization ideology orientation in English-Indonesian translation.
الحقوق الفكرية (c) 2023 Khoirunnisa Rahmawati, Abdul Malik http://creativecommons.org/licenses/by-sa/4.0
WE ARE [TRULY] DIFFERENT: OTHERING IN INTER-ETNIC RELATION IN ROYYAN JULIAN’S SHORT STORY
Royyan Julian’s short story entitled “Di Malam Bulan Darah, Mogut Menyantap Jenazah Orang Kafir” [On the Night of the Blood Moon, Mogut Eats the Body of Infidel] (2019) captures the relationship among different ethnic groups, religions and gender in Madura. Set in Madura Island, the story uncovers more than just relation between Chinese and Madurese people and between female and male characters. This paper is focusing on inter-ethnic and inter-religion relation in the short story. This analysis used qualitative method and data collection used close-reading. Drawing theoretical inspiration from Simone de Beauvoir with a particular emphasis on the Other and Richard Jenkins’ theory on Social Identity, this study reveals how different identities bring different treatment, evaluation, and prejudice which led to othering. Through his short story, Royyan Julian discloses binary opposition related to ethnicities, religions, and gender. The hierarchy and power imbalance imposed on male and female characters in the story bring devastated impact on female character just because she has different identity from the majority of Muslims in Madura.
الحقوق الفكرية (c) 2023 Erika Citra Sari Hartanto, Rif'ah Inayati http://creativecommons.org/licenses/by-sa/4.0
REPRESENTASI KEKERASAN TERHADAP PEREMPUAN DALAM EKRANISASI NOVEL SEPERTI DENDAM, RINDU HARUS DIBAYAR TUNTAS
Violence against women through narratives and scenes becomes one of the interesting discussions, especially in the novel adapted into the film Seperti Dendam, Rindu Harus Dibayar Tuntas. This research aims to uncover the representation of violence against women in the adaptation process from novel to film. This research is qualitative with a descriptive method. The approach used in this research is to look at the narrative aspects of the novel, relationships, and correlations of violence against women. Violence against women in film uses the concepts of cinematography, vehicle transfer, and narrative, in building visuals of violence against women. The results of this study show the representation of violence against women through Iteung and Rona Merah. Iteung shows the relationship between her childhood and the formation of masculine character in adolescence. This also shows the ecranisation in the form of reduction in the film. Rona Merah provides an image as an object of sexual violence who experiences psychological disorders as a form of trauma in the past. New media other than film are the caricatures on the tailgate of a truck, which are closely related to the problems of men and women.
الحقوق الفكرية (c) 2023 Diki Febrianto http://creativecommons.org/licenses/by-sa/4.0
SOCIAL IDENTITY CONSTRUCTION OF THE DISABLED IN FORREST GUMP NOVEL
Superintelligence plays an important role in the development of discourse about posthumanism. In this context, the researcher discussed posthumanism studies in the movie M3GAN (2022). The study focused on the moral status of artificial intelligence embodied robotic prototypes created by humans, namely M3GAN. In other words, how can the protocol system be implemented on M3GAN? Does M3GAN possess moral status regarding suffering, pain, autonomy, interactivity, and adaptivity? How did the humans reveal and interact with this technology in the posthumanism era as depicted in the movie? This article used the posthumanism theory from Robert Pepperell to analyze and answer the research questions. The study used descriptive qualitative data from the dialogue scenes and visual screenshots to represent the analysis results. The results of this research show that artificial intelligence in the form of the M3GAN prototype has moral status, such as autonomy, interactivity, and suffering. It becomes a dystopian reality for the robotic creator. Furthermore, the ethics of artificial intelligence or superintelligence must be unveiled wisely in the implementation.
الحقوق الفكرية (c) 2024 Bambang Margo Susanto http://creativecommons.org/licenses/by-sa/4.0
MASCULINITY AND CORRUPTION IN MINIATURE: A STUDY OF PENTIGRAF
Pentigraf is a three-paragraph short story produced by a creative writing community called Kampung Pentigraf Indonesia (the Indonesian Pentigraf Village or KPI). By composing Pentigraf, the authors can articulate the social phenomena such as corruption with greater clarity. Since the 1970s, corruption has become a problem in Indonesia. KPI published a Pentigraf anthology entitled Hanya Nol Koma Satu (Only Zero Point One) in 2020 to express concerns about corruption. KPI has more than 3,000 members on Facebook from diverse backgrounds, including female homemakers, who, in this anthology, discuss masculine dominance themes connected to corruption. This study shows how masculine norms and gendered perspectives contribute to the perpetuation of corruption, as articulated through Pentigraf, written by female homemakers. This study gathered the data from fifteen Pentigrafs written by female homemakers. Employing Bourdieu’s theory of masculine domination, this document analysis analyzes the intrinsic structure of pentigraf by homemakers in Hanya Nol Koma Satu to deconstruct how masculine standards correlate with textual representations of corruption. The results show that male characters in the Pentigrafs have the personalities of being desirous and indifferent to the suffering of others because they cling to wealth achievement and supremacy. Pentigraf is a mini-fiction that is not easy to analyze deeply. Nevertheless, it can articulate moral teachings and capture social phenomena.
الحقوق الفكرية (c) 2024 Melania Shinta Harendika, Cahyaningrum Dewojati http://creativecommons.org/licenses/by-sa/4.0
IRONI, PARODI, DAN PASTICHE DALAM PUISI “TANAH AIR MATA” KARYA SUTARDJI CALZOUM BACHRI (Kajian Posmodernisme)
Penelitian ini mengkaji penggunaan ironi, parodi, dan pastiche dalam puisi Tanah Air Mata karya Sutardji Calzoum Bachri melalui pendekatan posmodernisme. Latar belakang penelitian menekankan peran karya sastra dalam menyampaikan makna mendalam dan kritik. Sutardji, seorang penyair kontemporer ternama Indonesia, sering mengangkat tema ketidakadilan sosial. Penelitian ini bertujuan untuk memberikan analisis komprehensif tentang bagaimana elemen posmodern digunakan dalam puisi untuk mengkritik isu sosial dan politik. Metode deskriptif kualitatif dengan analisis teks diterapkan, dengan fokus pada data primer dari puisi dan data sekunder dari literatur terkait. Hasil penelitian menunjukkan bahwa ironi, elemen yang paling mendominasi dalam puisi ini, menyoroti ketidaksesuaian antara harapan dan kenyataan berupa kesenjangan antara penderitaan masyarakat di tengah suburnya Indonesia. Parodi mengimitasi narasi dominan dalam lirik lagu wajib Indonesia, dan pastiche menggabungkan elemen tradisional dan modern untuk menciptakan makna berlapis. Selain itu, intertekstualitas menjadi inti dari penggunaan elemen-elemen ini, menghubungkan teks puisi dengan narasi besar dan simbol budaya lain, menciptakan dialog yang memperkaya makna serta menggugah pembaca untuk melihat realitas sosial secara kritis. Pendekatan ini memperkaya pemahaman tentang puisi berjudul Tanah Air Mata dan menunjukkan kekuatan estetika posmodern dalam puisi kontemporer untuk menyoroti dan mengkritik ketidakadilan sosial.
الحقوق الفكرية (c) 2025 Diyah Herawati, Else Liliani, Widyastuti Purbani http://creativecommons.org/licenses/by-sa/4.0
KEKHASAN DIKSI VALENTINO SIMANJUNTAK PADA PIALA PRESIDEN 2017
This research aims to explain the meaning and style of the unique dictions of langauge by Valentino Simanjuntak (VS) in the 2017 Presidential Cup and to explain the context of the underlying discourse. The research data is the unique diction list that VS often said in commenting on the match. The researcher uses the techniques of listening, noting, recording, transcripting, and documenting. In analyzing the data, researchers uses descriptive method. The results shows that the emergence of the unique dictions of VS is based on 3 contexts; namely physical, social, and epistemic context. The meaning analysis finds that VS uses the dictions to comment about what is happening in the pitch. He describes the events in the soccer matches by associating events in the pitch with events from various domains. The referred domains are household, romance, law, transportation. From the 24 data findings, the researcher finds 16 nouns dictions, 5 verbal dictions, a numeral diction, a minor phrases, and a sound imitations. VS’s dictions also have 2 pictoral meanings, 16 figurative meanings, 3 referential meanings, and 3 connotative meanings. VS uses 15 styles of metaphor and 5 styles of personification. There are 4 dictions that do not use any style.
الحقوق الفكرية (c) 2017 Nur Rochman Fatoni
KEHIDUPAN MEMBIARA DAN JEBAKAN TAKDIR: SUBJEKTIVITAS ROMO YB MANGUNWIJAYA DALAM PERSPEKTIF SLAVOJ ŽIŽEK
The monastic life for celibate individuals is not a problem-free life choice. As human beings, individuals who choose the monastic life face various biological, sociological, and psychological upheavals that are not easily overcome. These upheavals can lead to a crisis of faith. This study aims to uncover the issues faced by celibate individuals as depicted in the novel "Romo Rahardi" by YB Mangunwijaya. The study will employ Slavoj Žižek's symbolic discursive theory to unravel the symbolic entanglements that constrain the subjects and reveal the characters' positions in confronting their lives as celibate individuals. This research is a qualitative descriptive study that utilizes a discursive approach. The findings of this research reveal fractures and disorientation in the subjective realm. When Rahadi reaches the age of puberty, he becomes aware of the extraordinary sexual attraction towards the opposite sex, and he views this phenomenon as something good, natural, and positive. However, this awareness becomes a tremendous black hole as Rahadi enters the symbolic order. The celibate lifestyle confines him without the opportunity to explore alternative paths. In the real realm, when Rahadi reflects on the reality of his life as a spiritual person, he discovers a fragmented and incomplete subjective condition that is far from ideal—a primordial and absurd alienation. There exists a homology between Romo Rahadi and Romo YB Mangunwijaya.
الحقوق الفكرية (c) 2023 Yoseph Yapi Taum
THE REPRESENTATIONS OF TOXIC MASCULINITY IN THINGS FALL APART (1959)
Toxic masculinity refers to certain masculine behaviors and traits that can have adverse effects on both men and those around them. This study aimed to identify the concept of masculinity, forms, causes, and impacts of toxic masculinity on the protagonist, Okonkwo, and those around him in Chinua Achebe’s Things Fall Apart, based on Connell’s hegemonic masculinity theory. This qualitative study employed a textual analysis method and a close reading approach. The primary data for this study were drawn from the novel Things Fall Apart. The results indicated that in Igbo culture, masculinity is defined by the man’s role as the primary leader and decision-maker within the family unit. Okonkwo exhibits several forms of toxic masculinity, including physical violence, dominance over women, misogyny, coercion, and homicide. Various factors, such as a dysfunctional family, exposure to violence, peer rejection, bullying, fear of weakness, and fear of failure influenced Okonkwo’s behaviors. As a consequence, he suffered from depression, anxiety, and encouragement to violence, which ultimately led him to be aggressive to those around him, and this culminates in his suicide.
الحقوق الفكرية (c) 2025 Muhlisin Muhlisin http://creativecommons.org/licenses/by-sa/4.0
DOMINASI BAHASA ARAB DAN EFEK BAHASA GLOBAL PADA LANSKAP PEMASARAN PRODUK MUSLIM
Yogyakarta, kota dengan populasi muslim yang sangat besar, menyaksikan peningkatan jumlah toko produk muslim yang melayani permintaan konsumen lokal dan global. Toko-toko ini menggunakan sumber daya kebahasaan yang beragam untuk menarik basis pelanggan yang luas, hal ini mencerminkan pengaruh nilai-nilai budaya lokal dan tren komersial global. Penelitian ini bertujuan menggali bagaimana bahasa digunakan dalam penamaan toko-toko produk muslim di kota tersebut. Penelitian ini dilakukan untuk 1) mendeskripsikan penggunaan bahasa dalam nama-nama toko produk muslim, 2) menjelaskan pola penggunaan bahasa pada nama-nama toko, dan 3) mengidentifikasi sintaksis unik nama-nama toko. Penelitian ini mengadopsi pendekatan kualitatif-deskriptif, dengan metode survei. Data dikumpulkan dengan mengamati toko-toko produk muslim di kota Yogyakarta dan merekam data etalase/fasad toko dengan merekamnya dengan kamera digital pada ponsel. Selain itu, pengumpulan data juga dilakukan melalui survei digital melalui Google Maps. Hal ini dilakukan untuk melengkapi hasil survei konvensional dan juga sebagai langkah verifikasi data. Secara khusus, penelitian ini secara khusus akan fokus pada data tekstual nama-nama toko. Data dianalisis secara interaktif untuk dikategorikan berdasarkan bentuk linguistik, unsur-unsur pembentuk, dan pola sintaksis nama-nama toko. Berdasarkan hasil analisis, dapat disimpulkan 1) empat bahasa digunakan dalam nama toko: bahasa Indonesia, bahasa Inggris, bahasa Arab, bahasa Jawa. Keempat bahasa tersebut digunakan dalam tanda nama ekabahasa, dwibahasa, dan tribahasa, 2) penamaan toko menunjukkan unsur-unsur nama, produk, kualitas, dan target konsumen; umumnya nama identitas dalam bahasa Arab, dan produk dalam bahasa Inggris, dan 3) secara struktural, frasa nama toko bahasa Indonesia menggunakan kaidah bahasa Inggris, sehingga polanya menyimpang, yang menyiratkan adanya pengaruh kuat dari bahasa global tersebut, yakni dari pola normal DM menjadi MD, seperti pada Ahsan Kijing, dan Elzatta Hijab.
الحقوق الفكرية (c) 2025 Arif Budiman, Khristianto Khristianto http://creativecommons.org/licenses/by-sa/4.0
PROSEDUR PENERJEMAHAN METAFORA KONSEPTUAL DALAM PIDATO PRESIDEN JOKO WIDODO
Artikel penelitian ini bertujuan untuk meneliti bagaimana juru bahasa menerjemahkan metafora konseptual dalam pidato presiden Joko Widodo dalam pertemuan KTT G20 2022 di Bali. Penelitian ini didasari oleh teori metafora konseptual milik Lakoff dan Johnson (1980), serta teori prosedur penerjemahan metafora oleh Broeck (1981) dalam analisisnya. Penelitian menggunakan metode penelitian deskriptif dengan pendekatan kualitatif. Data dalam penelitian ini didapatkan dari pidato Presiden Joko Widodo dalam KTT G20 di Bali yang diunggah oleh KOMPASTV. Penelitian ini memiliki tiga tahapan: tahap pengumpulan data, tahap analisis data, dan tahap penyajian hasil analisis data. Dari hasil penelitian yang telah dilakukan, peneliti menemukan 76 data metafora konseptual pada pidato presiden Joko Widodo dalam pertemuan KTT G20 tahun 2022. Dari 76 metafora konseptual tersebut, terdapat 53 (69.7%) metafora yang citranya dipertahankan, 13 (17.1%) metafora yang citranya diubah, dan 10 (13.2%) metafora yang citranya dihilangkan. Secara keseluruhan, sebagian besar metafora dalam pidato ini diterjemahkan dengan mempertahankan citra asli BSu (69.7%).
الحقوق الفكرية (c) 2023 Amirul Hakim, Adi Sutrisno http://creativecommons.org/licenses/by-sa/4.0
PEMAKNAAN PUISI DALAM SEMIOTIKA RIFFATERRE DAN PENERAPANNYA DALAM SAJAK DOA KARYA CHAIRIL ANWAR
الحقوق الفكرية (c) 2007 Yulia Nasrul Latifi
الحقوق الفكرية (c) 2007 M. Wakhid Hidayat
FORMAT PUISI ARAB KLASIK (TELAAH WAZAN DAN PROBLEMATIKANYA)
MADZHAB SASTRA ARAB ANDALUSIA KECENDERUNGAN TAKLID YANG DIMODIFIKASI
الحقوق الفكرية (c) 2007 Musthofa Musthofa