Adabiyyāt: Jurnal Bahasa dan Sastra
type: channel
description: Adabiyyāt: Jurnal Bahasa dan Sastra focuses on the studies of language, literature, translation (Arabic, English, and Bahasa Indonesia), and philology. The articles must be written in Arabic, English, or Bahasa Indonesia. Adabiyyāt: Jurnal Bahasa dan Sastra is published twice a year the Faculty of Adab and Cultural Sciences, the State Islamic University of Sunan Kalijaga since 2002. Adabiyyāt: Jurnal Bahasa dan Sastra is an accredited journal with 2 rank, approved by the Ministry of National Education of the Republic of Indonesia in Keputusan Menteri Pendidikan dan Kebudayaan Republik Indonesia, No. 040/P/2014. Now, Adabiyyāt: Jurnal Bahasa dan Sastra is a reaccredited journal with 2 rank, approved by the Ministry of National Education of the Republic of Indonesia in Keputusan Menteri Pendidikan dan Kebudayaan Republik Indonesia, No. 225/E/KPT/2022. Adabiyyāt: Jurnal Bahasa dan Sastra has been indexed in Sinta (Science and Technology Index).
publisher: Sunan Kalijaga State Islamic University Yogyakarta
language: ar
publication name: Adabiyyāt: Jurnal Bahasa dan Sastra
issn: 2549-1482
copyright: Adabiyyāt: Jurnal Bahasa dan Sastra publishes all articles entirely in full text. It is permissible for readers to download and to use it for scientific purposes and scientific dissemination. The author can re-publish the article that has been published by the Adabiyyāt: Jurnal Bahasa dan Sastra after obtaining written permission from the editor. This letter can be obtained by submitting a request letter for permission to republish the article to Adabiyyāt: Jurnal Bahasa dan Sastra via email adabiyyat@uin-suka.ac.id. In the second publication, the author is required to include information that the article was firstly published by the Adabiyyāt: Jurnal Bahasa dan Sastra.
items: IMAJI KESETARAAN DALAM BINGKAI NEGARA: REPRESENTASI TANGGUNG JAWAB PEREMPUAN PADA TEMA HARI IBU DI INDONESIA
items: POSTCOLONIAL MELANCHOLY AND FEMINIST AESTHETICS IN SITI RUKIAH’S 1950 NOVEL KEJATUHAN DAN HATI: A SUBVERSIVE TENDERNESS
items: موضوع المقاومة في رواية الأجنحة المتكسرة وأولاد حارتنا: دراسة أدبية مقارنة
items: عبد القاهر الجرجاني مادحًا نظام الملك: استغلال الفضاء الأدبي للدعم السياسي وعلاقة المثقّف بالسلطة في الإسلام الكلاسيكي
items: A CRITICAL DISCOURSE ANALYSIS OF KING SALMAN’S SPEECH AT THE G20 RIYADH SUMMIT
items: LINGUISTIC LANDSCAPE IN TOURISM SPACES IN PUNCAK
items: DECONSTRUCTION OF THE PATRIARCHAL MYTH OF ADAM AND EVE IN CONTEMPORARY ARABIC LITERATURE
items: WOMEN, NATURE, FANTASY: DUAL REPRESENTATION IN THE GIRL WHO DRANK THE MOON
items: BLACK WOMEN’S OPPRESSION AND RESISTANCE IN EVARISTO’S GIRL, WOMAN, OTHER: A FEMINIST STUDY
items: FIGURASI النسآء/AL-NISĀ’/ DALAM MEDIA MASSA ARAB BBC NEWS ARABIC (TINJAUAN SEMANTIK PROSODI)
items: KONSEP NARATOLOGI DALAM HIKAYAT PAK BELALANG: KAJIAN SASTRA BANDING
items: “M3GAN YANG MEMBADAI”: MENYINGKAP MORAL STATUS POSHUMANISME DALAM FILM M3GAN (2022)
items: IDENTITAS BUDAYA LOMBOK DALAM PUISI INDONESIA
items: KONSTRUKSI YAHUDI DI BARAT DAN TIMUR: ANALISIS MULTIMODAL HALLIDAY PADA NOVEL GRAFIS
items: PEREMPUAN SEBAGAI OBJEK MALE GAZE PEMBACA: TELAAH KRITIS KARYA SASTRA FEMINIS PEREMPUAN INDONESIA
items: UNVEILING VULNERABILITY: TRAUMA’S REFLECTION ON MASCULINITY IN MOONLIGHT (2016) AND KUCUMBU TUBUH INDAHKU (2018)
items: UNSUR-UNSUR KESASTRAAN DALAM PUISI NAHJ AL-BURDAH KARYA ’ABD AL-ḤAMĪD IBN AḤMAD AL-KHAṬĪB
items: ANALISIS KOMPARASI KAJIAN TERJEMAHAN INGGRIS-ARAB DAN INGGRIS-INDONESIA PADA LIRIK LAGU BTS
items: CROSS-CULTURAL ROMANCE: DIGITAL FICTION FORMULA IN LIBYA’S LA’NAT AL-‘ISHQ AND INDONESIA’S ABIGHEA
items: WE ARE [TRULY] DIFFERENT: OTHERING IN INTER-ETNIC RELATION IN ROYYAN JULIAN’S SHORT STORY
items: REPRESENTASI KEKERASAN TERHADAP PEREMPUAN DALAM EKRANISASI NOVEL SEPERTI DENDAM, RINDU HARUS DIBAYAR TUNTAS
items: TIPOLOGI STRATEGI PENAMBAHAN PETER NEWMARK DALAM PENERJEMAHAN KITAB UṢŪL AL-FIQH SYARḤ AL-WARAQĀT
items: SOCIAL IDENTITY CONSTRUCTION OF THE DISABLED IN FORREST GUMP NOVEL
items: MASCULINITY AND CORRUPTION IN MINIATURE: A STUDY OF PENTIGRAF
items: IRONI, PARODI, DAN PASTICHE DALAM PUISI “TANAH AIR MATA” KARYA SUTARDJI CALZOUM BACHRI (Kajian Posmodernisme)
items: KEKHASAN DIKSI VALENTINO SIMANJUNTAK PADA PIALA PRESIDEN 2017
items: KEHIDUPAN MEMBIARA DAN JEBAKAN TAKDIR: SUBJEKTIVITAS ROMO YB MANGUNWIJAYA DALAM PERSPEKTIF SLAVOJ ŽIŽEK
items: THE REPRESENTATIONS OF TOXIC MASCULINITY IN THINGS FALL APART (1959)
items: DOMINASI BAHASA ARAB DAN EFEK BAHASA GLOBAL PADA LANSKAP PEMASARAN PRODUK MUSLIM
items: PROSEDUR PENERJEMAHAN METAFORA KONSEPTUAL DALAM PIDATO PRESIDEN JOKO WIDODO

IMAJI KESETARAAN DALAM BINGKAI NEGARA: REPRESENTASI TANGGUNG JAWAB PEREMPUAN PADA TEMA HARI IBU DI INDONESIA
type: item
description: Peringatan Hari Ibu di Indonesia merupakan momen reflektif yang sarat makna historis dan ideologis. Seiring waktu, Hari Ibu mengalami pergeseran makna dalam konteks sosial dan politik. Tema-tema yang diusung oleh Kementerian Pemberdayaan Perempuan dan Perlindungan Anak Republik Indonesia (KPPPA) dalam memperingati Hari Ibu mencerminkan dinamika pemikiran tentang perempuan dan perannya dalam masyarakat. Penelitian ini menganalisis representasi tanggung jawab perempuan dalam tema-tema resmi peringatan Hari Ibu di Indonesia selama dua dekade terakhir (2005–2024). Dengan menggunakan metode kualitatif deskriptif-analitis dan pendekatan analisis wacana kritis feminisme dari Sara Mills, studi ini menelaah bagaimana negara membentuk konstruksi sosial mengenai peran perempuan melalui bahasa yang digunakan dalam tema-tema tersebut. Data dikumpulkan melalui dokumentasi tema yang dirilis oleh KPPPA serta ditopang oleh sumber sekunder. Hasil analisis menunjukkan bahwa meskipun perempuan diposisikan sebagai subjek aktif dalam perubahan sosial, negara tetap mengontrol narasi tentang peran ideal perempuan. Bahasa dalam tema-tema ini berfungsi sebagai instrumen kekuasaan yang mengatur makna kesetaraan, sehingga tanggung jawab perempuan ditampilkan secara ambivalen: antara pengakuan terhadap agensi dan reproduksi nilai-nilai ideologis yang normatif.
subject: Articles
  topic: section
subject: Hari Ibu
  topic: keywords
subject: tanggung jawab perempuan
  topic: keywords
subject: tema Hari Ibu
  topic: keywords
creator: Barkatun Nisa Alfia Alfia
creator: Dadang Anshori
rights: الحقوق الفكرية (c) 2026 Barkatun Nisa Alfia, Dadang Anshori http://creativecommons.org/licenses/by-sa/4.0
date: 2026-06-25
publication date: 2026-06-25
starting page: 53
ending page: 78
doi: 10.14421/ajbs.2026.3811

POSTCOLONIAL MELANCHOLY AND FEMINIST AESTHETICS IN SITI RUKIAH’S 1950 NOVEL KEJATUHAN DAN HATI: A SUBVERSIVE TENDERNESS
type: item
description: This study reexamines Kejatuhan dan Hati (1950) by Siti Rukiah Kertapati as a foundational yet neglected work in Indonesian literary modernity. Departing from the masculinist and nationalist revolutionary narratives of its time, the novel articulates postcolonial melancholy through emotional interiority, intimate loss, and the crisis of female subjectivity. Using qualitative textual analysis informed by feminist narratology and postcolonial theory, the study investigates how Rukiah’s fragmented, epistolary form constructs a feminine interiority that resists nationalist and patriarchal ideologies. The analysis draws on the critiques of gendered silencing by Chandra Talpade Mohanty and Trinh T. Minh-ha to interpret Susi’s psychological fragmentation as an act of affective and epistemic resistance. The results reveal that Rukiah transforms vulnerability and melancholy into political agency, redefining emotion as a site of historical meaning. Her narrative techniques—fragmentation, introspection, and affective honesty—subvert the masculine heroism of socialist realism, asserting tenderness as a radical feminist aesthetic. The article also traces the novel’s critical reception, from early marginalization to later reevaluation by scholars such as Annabel Teh Gallop and Yerry Wirawan. As an affective archive of postcolonial disillusionment and feminine resistance, Kejatuhan dan Hati emerges as a politically potent reimagining of nationhood through gendered emotion.
subject: Articles
  topic: section
subject: Feminist aesthetics
  topic: keywords
subject: postcolonial melancholy
  topic: keywords
subject: Indonesian literature
  topic: keywords
subject: women’s subjectivity
  topic: keywords
subject: resistance
  topic: keywords
creator: Dewi Candraningrum
creator: Titis Setyabudi
creator: Kania Bening Rahmayna
rights: الحقوق الفكرية (c) 2026 Dewi Candraningrum, Titis Setyabudi, Kania Bening Rahmayna http://creativecommons.org/licenses/by-sa/4.0
date: 2025-12-30
publication date: 2025-12-30
starting page: 227
ending page: 246
doi: 10.14421/ajbs.2025.090204

موضوع المقاومة في رواية الأجنحة المتكسرة وأولاد حارتنا: دراسة أدبية مقارنة
type: item
description: تهدف هذه الدراسة إلى تصوير المقاومة في عملين أدبيين عربيين معاصرين نشأا من خلفيات اجتماعية وثقافية مختلفة. هذان العملان هما رواية "الأجنحة المتكسرة" لخليل جبران (1912) من تراث المهجر ورواية "أولاد حارتنا" لنجيب محفوظ (1959) من الشرق الأوسط. النقطة الرئيسية في هذه الدراسة هي معرفة كيف يستخدم كلا المؤلفين رواياتهما لإظهار كيفية مقاومتهما لهياكل السلطة القمعية في حياتهما الخاصة. يمثل جبران المقاومة من خلال انتقاد السلطة الدينية والبنية الأبوية للمجتمع في بلاد الشام الاستعمارية، بينما يمثل محفوظ المقاومة من خلال إظهار المجتمع المصري المضطهد اجتماعيًا وسياسيًا بعد الثورة التي حكمها الطغيان. تم استخدام المنهج الأدبي المقارن لسوزان بوسنت لفحص موضوع المقاومة في كلتا الروايتين وصفيًا ونوعيًا. تُظهر النتائج أن جبران يستخدم حرية التعبير في سياق المهجر للتعبير عن شكل من أشكال المقاومة الشخصية والروحية ضد السلطة الأبوية والدينية. في هذه الأثناء، يبني محفوظ، تحت ضغط الاستبداد ما بعد الاستعماري، مقاومة جماعية ورمزية من خلال استعارات متعددة الطبقات. ورغم نشأة كليهما من مواقف ثقافية وتاريخية مختلفة، إلا أنهما يتحدّيان الظلم المنهجي وهياكل السلطة المهيمنة. علاوة على ذلك، تشير هذه النتائج إلى أن استراتيجيات محفوظ السردية تتأثر بشكل خفي بجماليات الإنسانية الروحية والاحتجاج الرمزي الموجودين في أعمال جبران. وينطبق هذا بشكل خاص على استخدامه للاستعارات لنقل النقد السياسي الخفي. وتُظهر النتائج أن الأدب العربي، داخل العالم العربي وخارجه، يُمثل أداة مهمة للتعبير عن النقد، ومعالجة الظلم، ودعم التغيير الاجتماعي.
subject: Articles
  topic: section
subject: Khalīl Jubrān
  topic: keywords
subject: Najīb Maḥfūẓ
  topic: keywords
subject: Al-Ajniḥah al-Mutakassirah
  topic: keywords
subject: Awlād Hāratinā
  topic: keywords
subject: Sastra Bandingan
  topic: keywords
creator: Angga Putra
creator: Yani'ah Wardani
rights: الحقوق الفكرية (c) 2026 ANGGA PUTRA, Yani'ah http://creativecommons.org/licenses/by-sa/4.0
date: 2026-06-18
publication date: 2026-06-18
starting page: 29
ending page: 52
doi: 10.14421/ajbs.2026.100102

عبد القاهر الجرجاني مادحًا نظام الملك: استغلال الفضاء الأدبي للدعم السياسي وعلاقة المثقّف بالسلطة في الإسلام الكلاسيكي
type: item
description: اشتهر عبد القاهر الجرجاني بوصفه أبرز منظري البلاغة العربية. غير أن سيرته الذاتية لم تزل شحيحة بالمعلومات عن حياته، لا سيما فيما يتعلق بالجوانب الاجتماعية والسياسية المحيطة به. ومن الجدير بالدراسة قيامه بمدح نظام الملك - الوزير السلجوقي - من خلال أبيات شعرية. وهذا مثير للتساؤل، إذ إنه، إلى جانب كونه لغويا، كان معروفًا أيضًا بالزهد، الأمر الذي تناقض في الظاهر مع مدحه للحاكم. علاوة على ذلك، استخدم الجرجاني في مدحه الشعر، وهو أهمّ أشكال أدبية تتمتع بالمكانة العليا في نظام التواصل العربي. ستُجيب هذه الدراسة على سبب إنشاء الجرجاني أبياتا شعرية في مدح نظام الملك، بالرغم من تناقضها مع نزعته الزهدية، وكيف تبلورت العلاقة بين المثقفين والسلطة السياسية في هذه الحالة. بعد تحليل المعطيات بواسطة مقاربة تحليل الخطاب النقدي، توصّل الباحث إلى أن شعر الجرجاني تم صياغته كدعم فكري للنظام الذي دعم الخطاب الديني المشترك بين الكيانين، حيث يتمثّل ذلك في المذهبين الشافعي والأشعري. وتسفر العلاقة بين الجرجاني ونظام الملك تناغمًا متبادلًا بين السلطتين المعرفية والسياسية في الإسلام الكلاسيكي. فكان النظام بحاجة إلى دعم المثقّفين لكسب الشرعية والشعبية؛ وفي المقابل، قامت السلطة السياسية بدعم المثقّفين من خلال الترسيم الأيديولوجي لمدرستهم الفكرية، الأمر الذي يمكّن من انتشار الأيديولوجيا التي يتبناها المثقفون.
subject: Articles
  topic: section
subject: al-Jurjānī
  topic: keywords
subject: Niẓām al-Mulk
  topic: keywords
subject: formalisasi ideologi
  topic: keywords
subject: teorisasi balagah
  topic: keywords
subject: Asy’ari.
  topic: keywords
subject: Sastra Arab
  topic: disciplines
creator: Ahmad Muhdhor
rights: الحقوق الفكرية (c) 2026 Ahmad Muhdhor http://creativecommons.org/licenses/by-sa/4.0
date: 2025-12-30
publication date: 2025-12-30
starting page: 191
ending page: 226
doi: 10.14421/ajbs.2025.090203

A CRITICAL DISCOURSE ANALYSIS OF KING SALMAN’S SPEECH AT THE G20 RIYADH SUMMIT
type: item
description: This study examines the discourse strategies employed by King Salman bin Abdulaziz Al-Saud in his speech at the 2020 G20 Riyadh Summit using Teun A. van Dijk’s Critical Discourse Analysis (CDA) framework. It aims to reveal how the ideology of monarchical legitimacy is constructed through textual structures at the macro-, super-, and microstructural levels, and how these constructions shape social cognition and reproduce power relations within the global socio-political context. The significance of this study lies in its effort to understand political speeches delivered at international forums as symbolic instruments of legitimation, particularly those produced by monarchical leaders. The findings indicate that King Salman’s speech strategically constructs a representation of Saudi Arabia as a responsible, solution-oriented, and humanitarian-oriented global actor. This discourse frames G20 countries as legitimate authorities in determining the direction of global governance, while positioning the international community as beneficiaries of these policies. These findings demonstrate that G20 discourse functions as a discursive mechanism to normalize and legitimize Saudi Arabia’s monarchical leadership within a global political landscape marked by uncertainty resulting from health, economic, and global governance crises.
subject: Articles
  topic: section
subject: King Salman’s Speech
  topic: keywords
subject: Critical Discourse Analysis
  topic: keywords
subject: Monarchical Legitimacy
  topic: keywords
subject: Political Discourse
  topic: keywords
subject: G20 Summit
  topic: keywords
creator: Zumrotul Imanda Wachid Hakim
creator: Mohammad Pribadi
creator: Nabilla Rana Dermawan
rights: الحقوق الفكرية (c) 2026 Zumrotul Imanda Wachid Hakim, Mohammad Pribadi, Nabilla Rana Dermawan http://creativecommons.org/licenses/by-sa/4.0
date: 2025-12-30
publication date: 2025-12-30
starting page: 272
ending page: 291
doi: 10.14421/ajbs.2025.090206

LINGUISTIC LANDSCAPE IN TOURISM SPACES IN PUNCAK
type: item
description: This study investigates the linguistic landscape in tourism spaces in Puncak, a popular tourist destination in West Java, Indonesia. It explores the diversity, distribution, and functions of languages used, as well as the reasons why this phenomenon occurred in this specific area, where people host tourists. Using a qualitative approach, this research examines language use in signs, advertisements, and public notices, revealing the socio-cultural and economic dynamics that shape language choices. Findings highlight the prominence of three languages: Indonesian, Arabic, and English, reflecting local identity, the influence of Middle Eastern tourists, and global tourism trends. The study also investigates how multilingualism, cultural identity, and the commodification of languages interact in tourism. By examining the symbolic and informational roles of language in public spaces, this research contributes to an understanding of sociolinguistic diversity in multicultural tourism settings. It offers insights for the development of inclusive language policies, especially in tourism spaces.
subject: Articles
  topic: section
subject: Linguistic landscape
  topic: keywords
subject: language commodification
  topic: keywords
subject: tourism setting
  topic: keywords
creator: Misran
creator: Masrun Masrun
creator: Aprijon Efendi
rights: الحقوق الفكرية (c) 2026 Misran Misran, Masrun, Aprijon Efendi http://creativecommons.org/licenses/by-sa/4.0
date: 2025-12-30
publication date: 2025-12-30
starting page: 247
ending page: 271
doi: 10.14421/ajbs.2025.090205

DECONSTRUCTION OF THE PATRIARCHAL MYTH OF ADAM AND EVE IN CONTEMPORARY ARABIC LITERATURE
type: item
description: This study aims to highlight Arab women’s autonomy by elaborating the feminist meaning in the literary code that challenges the patriarchal myth of Adam and Eve in three contemporary Arabic literary works. Through a feminist literary criticism approach, this study reveals the form of deconstruction and criticism of the binary opposition. Hence, Eve (woman) becomes a complete subject who gives birth and not who is born. The narrative-symbolic argument of these works is based on historical-logical-scientific and theological-rationalistic thinking styles. The purpose of the deconstruction in them is to create the autonomy of women with noble dignity as human beings, as men are. The deconstruction reflects the thought of progressive muslim authors who believe in and advocate for the substantive value of the holy Koran, particularly its emphasis on egalitarianism in the myth of Adam and Eve.
subject: Articles
  topic: section
subject: Myth of Adam and Eve
  topic: keywords
subject: deconstruction
  topic: keywords
subject: patriarchy
  topic: keywords
subject: Arabic literature
  topic: keywords
subject: Arab women’s autonomy
  topic: keywords
creator: Yulia Nasrul Latifi
rights: الحقوق الفكرية (c) 2025 Yulia Nasrul Latifi http://creativecommons.org/licenses/by-sa/4.0
date: 2025-05-29
publication date: 2025-05-29
starting page: 1
ending page: 24
doi: 10.14421/ajbs.2025.090101

WOMEN, NATURE, FANTASY: DUAL REPRESENTATION IN THE GIRL WHO DRANK THE MOON
type: item
description: This article examines the dual representation of the woman-nature connection represented by the author through elements of fantasy and the secondary world in The Girl Who Drank the Moon. This research uses a descriptive qualitative method and the lens of ecofeminism and fantasy theory to analyze data relevant to the woman-nature connection in the novel. The results show that the author uses three female characters to represent the connection between women and nature, namely Xan (witch), Luna (moon baby), and Madwoman (Adora). The connection between women and nature is depicted through two different sides. On the one hand, women and nature are depicted as loving, caring, and connected entities; but on the other hand, women and nature are depicted as dangerous entities. The use of fantasy elements such as supernatural creatures, magic, and the creation of a secondary world in The Girl Who Drank the Moon plays an important role in providing a new perspective as well as an alternative escape for readers to transcend the boundaries of various injustices against women and nature that have been normalized in the real world.
subject: Articles
  topic: section
subject: Ecofeminism
  topic: keywords
subject: the woman-nature connection
  topic: keywords
subject: fantasy
  topic: keywords
subject: Sastra Inggris
  topic: disciplines
subject: Kritik sastra
  topic: disciplines
subject: Sastra fantasi
  topic: disciplines
subject: Studi gender
  topic: disciplines
creator: Emma Rifki Amalia
creator: Istiadah Istiadah
rights: الحقوق الفكرية (c) 2025 Emma Rifki Amalia http://creativecommons.org/licenses/by-sa/4.0
date: 2025-06-18
publication date: 2025-06-18
starting page: 49
ending page: 67
doi: 10.14421/ajbs.2025.090103

BLACK WOMEN’S OPPRESSION AND RESISTANCE IN EVARISTO’S GIRL, WOMAN, OTHER: A FEMINIST STUDY
type: item
description: This study provides a reading of Evaristo’s Girl, Woman, Other in the light of Patricia Hill Collins’ framework of the Matrix of Domination to see how the novel generates Black women's discourse. This study aims to analyse the operation of the matrix of domination whereby the complex and interlocking oppression of Black women emerges in every domain of power. This study also attempts to reveal the forms of resistance as depicted throughout the storyline. A qualitative method was applied as the approach of this study, as the data are in the form of words and utterances. The writer collected the data by close-reading and coding the utterances and the narrator’s narration. The results of this study showed that the matrix of domination reappears in various forms of complex and interlocking oppression. Moreover, the study reveals the ways and strategies that Black women employ to resist entrenched interlocking oppression and reclaim cultural narratives through various means, including self-definition, educating Black daughters, and voicing Black aspirations and achievements.
subject: Articles
  topic: section
subject: black women
  topic: keywords
subject: oppression
  topic: keywords
subject: struggle
  topic: keywords
subject: black feminist.
  topic: keywords
subject: Feminism
  topic: disciplines
subject: Literary Theory
  topic: disciplines
subject: cultural studies
  topic: disciplines
creator: Zakiyatul Mufidah
rights: الحقوق الفكرية (c) 2025 Zakiyatul Mufidah http://creativecommons.org/licenses/by-sa/4.0
date: 2024-12-28
publication date: 2024-12-28
starting page: 252
ending page: 276
doi: 10.14421/ajbs.2024.080205

FIGURASI النسآء/AL-NISĀ’/ DALAM MEDIA MASSA ARAB BBC NEWS ARABIC (TINJAUAN SEMANTIK PROSODI)
type: item
description: Isu perempuan dalam wacana daring semakin urgen untuk diteliti. Hal ini karena semakin banyak narasi yang mengisukan problematika perempuan lebih kompleks dan sentimen, sebab ruang bahasa semakin luas (dunia maya). Oleh karena itu, penting untuk mengkaji figurasi النسآء/al-Nisā’sebagai diksi yang mewakili “perempuan”, spesifiknya dalam media massa Arab BBC News Arabic dengan pendekatan semantik prosodi. Tujuannya adalah menyingkap figurasi perempuan dengan jelas dan menjadi acuan bagi publik menanggapi isu perempuan dengan bijaksana, bahkan responsif. Adapun data penelitian ini adalah kata kunci النسآء/al-Nisā’ dan satuan lingual yang relevan. Sumber data penelitian ini adalah situs media massa BBC News Arabic pada kolom شؤون المرأة (https://www.bbc.com/arabic/topics/c404vr23qydt) sepanjang Januari-Oktober 2023. Metode pengumpulan data ialah dengan proses perkomputeran software LanscBox dan Antcont. Kemudian dianalisis dengan pendekatan semantik prosodi perspektif John Sinclair melalui penelaahan kolokasi dan konkordansi. Hasil penelitian menunjukkan jika dari 340 file pemberitaan sepanjang Januari-Oktober 2023, kata dengan frekuensi 20 tertinggi cenderung memfigurasikan perempuan dalam nilai yang negatif, relasi intimidatif, dan subordinatif. Baik dalam posisi sebagai subjek maupun objek, yang cenderung direfleksikan dari situasi perempuan Timur Tengah.
subject: Articles
  topic: section
subject: Figurasi
  topic: keywords
subject: media BBC News Arabic
  topic: keywords
subject: semantik prosodi
  topic: keywords
subject: النسآء/al-Nisā’
  topic: keywords
subject: Bahasa Arab
  topic: disciplines
creator: Annisa Khairunnisa
creator: Mardjoko Idris
creator: Reflinaldi Reflinaldi
rights: الحقوق الفكرية (c) 2025 Annisa Khairunnisa, Mardjoko Idris, Reflinaldi Reflinaldi http://creativecommons.org/licenses/by-sa/4.0
date: 2025-12-30
publication date: 2025-12-30
starting page: 161
ending page: 190
doi: 10.14421/ajbs.2025.090202

KONSEP NARATOLOGI DALAM HIKAYAT PAK BELALANG: KAJIAN SASTRA BANDING
type: item
description: Sastra Banding berperan dalam menemukan korelasi antar teks. Oleh karena itu, diperlukan penelitian yang menghubungkan cerita rakyat dengan sumber yang dirancu. Penelitian ini membahas mengenai persamaan dan perbedaan teks Hikayat Pak Belalang dengan Cerita Rakyat Pak Belalang. Fokus permasalahan dipusatkan pada keterkaitan antar teks melalui unsur perbedaan dan persamaan. Unsur tersebut dirangkum menggunakan teori naratologi untuk memudahkan penelitian. Hikayat dan cerita rakyat merupakan data utama sebagai kajian banding. Sumber penelitiannya adalah Hikayat Pak Belalang dan Cerita Rakyat Pak Belalang. Teori naratologi mengkaji permasalahan menjadi 5 pokok pembahasan, yaitu: 1)order, 2)duration, 3)frequency, 4)moods, 5)voices. Melalui kelima unsur tersebut, ditemukan perbedaan pada order, moods, dan voices. Sementara itu, ditemukan perbedaan dalam unsur duration dan frequency.
subject: Articles
  topic: section
subject: Naratologi
  topic: keywords
subject: Hikayat
  topic: keywords
subject: Cerita Rakyat
  topic: keywords
subject: Sastra Indonesia
  topic: disciplines
subject: Filologi
  topic: disciplines
creator: Febriyanti Tri Wahyuningtyas
creator: Asep Yudha Wirajaya
rights: الحقوق الفكرية (c) 2025 Febriyanti Tri Wahyuningtyas http://creativecommons.org/licenses/by-sa/4.0
date: 2024-12-28
publication date: 2024-12-28
starting page: 224
ending page: 251
doi: 10.14421/ajbs.2024.080204

“M3GAN YANG MEMBADAI”: MENYINGKAP MORAL STATUS POSHUMANISME DALAM FILM M3GAN (2022)
type: item
description: Superintelligence brings the latest discourse of posthumanism theory. In this sense, the researcher discussed posthumanism studies in M3GAN movie (2022). The study focused on the moral status of artificial intelligence assembled on robotic prototypes by humans, namely M3GAN. In other words, how is protocol system be implemented on M3GAN? Does M3GAN has moral status in suffering, pain, autonomy, interactivity, and adaptivity? How did the humans unveil the technology in this movie in the posthumanism era? This article used the posthumanism theory from Robert Pepperell to analyze and answer the research questions. In doing so, the method of the study used descriptive qualitative where the data was obtained from the dialog scene and the visual was taken by the screenshot which represented the analyzed result. The result of the study showed that M3GAN prototype artificial intelligence has moral status such as autonomy, interactivity, and suffering. It becomes a dystopian reality for the robotic creator. Furthermore, the ethics of artificial intelligence or superintelligence must be unveiled wisely in the implementation.
subject: Articles
  topic: section
subject: AI
  topic: keywords
subject: Cyborg
  topic: keywords
subject: Posthumanism
  topic: keywords
subject: Moral Status
  topic: keywords
subject: Sentience
  topic: keywords
subject: postmemory
  topic: disciplines
subject: posthumanism
  topic: disciplines
subject: production space
  topic: disciplines
subject: trauma and memory
  topic: disciplines
creator: Aji Royan Nugroho
rights: الحقوق الفكرية (c) 2024 Aji Royan Nugroho http://creativecommons.org/licenses/by-sa/4.0
date: 2024-06-14
publication date: 2024-06-14
starting page: 100
ending page: 128
doi: 10.14421/ajbs.2024.080105

IDENTITAS BUDAYA LOMBOK DALAM PUISI INDONESIA
type: item
description: This article aims to explain the construction of Lombok's cultural identity in three Indonesian poems. Cultural identity is considered a continuous production. In that approach, identity is a construct. Identity is constructed through language. Language is understood as a sign system. Therefore, the analysis of poetry uses sign analysis and semiotic analysis. In this analysis, signs can only be understood in the context of Lombok culture, in the context of the conceptual map of Indonesian society in Lombok. Signs can only be found in the cultural context of Lombok. The data were gathered from three different Lombok poems. The research result shows that in Perang Gurantang poems, Lombok cultural identity is different from Bali's cultural identity. Moreover, Di Gili Tak Ada yang Mengenal Pagi and Kemidi Rudat poems reveal hybrid cultural identity. Finally, Lombok cultural identity has a multicultural identity that gives respect to the differences between Lombok and Bali cultures. The acceptance of West and Malay-Islam culture forms Lombok cultural identity.
subject: Articles
  topic: section
subject: cultural identity
  topic: keywords
subject: poetry
  topic: keywords
subject: hybrid
  topic: keywords
subject: sastra Indonesia
  topic: disciplines
creator: Dwi Rohman Soleh
creator: Dharma - Satrya HD
creator: V. Teguh Suharto
rights: الحقوق الفكرية (c) 2024 Dwi Rohman Soleh, V. Teguh Suharto, Asri Musandi Waraulia, Dharma - Satrya HD http://creativecommons.org/licenses/by-sa/4.0
date: 2024-06-16
publication date: 2024-06-16
starting page: 25
ending page: 44
doi: 10.14421/ajbs.2024.080102

KONSTRUKSI YAHUDI DI BARAT DAN TIMUR: ANALISIS MULTIMODAL HALLIDAY PADA NOVEL GRAFIS
type: item
description: This research aims to analyze how Jewish identity is constructed in the West and the East, as represented in the graphic novels Fagin the Jew by Will Eisner and The Last Jew in Penang by Zayn Gregory and Arif Rafhan , using Halliday's multimodal approach. This approach focuses on various modes of communication, such as verbal, visual, gestural, and spatial, in constructing the narrative of Jewish identity in both novels. Fagin the Jew portrays Jewish identity in the Western context, specifically in 19th-century London, emphasizing antisemitic stereotypes and social marginalization. In contrast, The Last Jew in Penang depicts Jewish identity in the multicultural environment of Southeast Asia, where Jewish identity is more accepted and assimilated into the local community. The findings reveal that cultural differences significantly influence the representation of Jewish identity in these two novels. Through an analysis of verbal, visual, gestural, and spatial modes, it is found that Western graphic novels tend to depict Jewish identity in narratives of prejudice and alienation, while Eastern graphic novels highlight narratives of coexistence and adaptation. This research concludes that multimodality plays a crucial role in reflecting the complexity of Jewish identity shaped by differing historical, social, and cultural contexts in the West and the East.
subject: Articles
  topic: section
subject: Jewish construction
  topic: keywords
subject: multimodal analysis
  topic: keywords
subject: graphic novel
  topic: keywords
subject: Western and Eastern culture
  topic: keywords
subject: Bahasa Inggris
  topic: disciplines
subject: Semiotik
  topic: disciplines
subject: Semiotika Multimodal
  topic: disciplines
subject:
  topic: disciplines
creator: Asyipa Nursani
creator: Aprillia Firmonasari
rights: الحقوق الفكرية (c) 2024 Asyipa Nursani, Aprillia Firmonasari http://creativecommons.org/licenses/by-sa/4.0
date: 2024-06-25
publication date: 2024-06-25
starting page: 70
ending page: 99
doi: 10.14421/ajbs.2024.080104

PEREMPUAN SEBAGAI OBJEK MALE GAZE PEMBACA: TELAAH KRITIS KARYA SASTRA FEMINIS PEREMPUAN INDONESIA
type: item
description: Since the fall of Suharto in May 1998, women's involvement in literature has increased rapidly, causing a rush of feminist themes and content in literary works in this period. However, the literary works of women writers, even female feminists, are still unable to escape the tendency to objectify women. This research will show that in the works of female feminist writers, female characters are still displayed as objects of the reader’s male gaze. Four novels will be studied, namely Perempuan Berkalung Sorban and Geni Jora by Abidah El Khalieqy, and Tabula Rasa and Gadis Kretek by Ratih Kumala. This study is descriptive qualitative. Data collection techniques were carried out using the literature study method, namely by reading carefully and thoroughly the four material object novels. Collected data will be analyzed using the Male Gaze Theory by Laura Mulvey. According to the Male Gaze Theory, women are constantly looked at, watched, and displayed, with a certain appearance that has a strong visual and sexual influence so that they are referred to as to-be-looked-at-ness. The results of this study show that in the four novels, there are two repeated patterns, that consistently place women as objects of the reader’s male gaze, namely (1) the exposure of women's intimate organs in an erotic context and (2) beautiful and detailed descriptions of women's faces and bodies.
subject: Articles
  topic: section
subject: women
  topic: keywords
subject: objectification
  topic: keywords
subject: male gaze
  topic: keywords
subject: feminist
  topic: keywords
subject: Sastra Indonesia
  topic: disciplines
creator: Anggit Febrianto
creator: Wening Udasmoro
rights: الحقوق الفكرية (c) 2024 Anggit Febrianto, Wening Udasmoro http://creativecommons.org/licenses/by-sa/4.0
date: 2024-06-15
publication date: 2024-06-15
starting page: 1
ending page: 24
doi: 10.14421/ajbs.2024.080101

UNVEILING VULNERABILITY: TRAUMA’S REFLECTION ON MASCULINITY IN MOONLIGHT (2016) AND KUCUMBU TUBUH INDAHKU (2018)
type: item
description: This research aims to compare and investigate the trauma that affects men's masculinity in two different movies from America and Indonesia. This research compares two male characters who both experienced traumatic experiences but, in contrast, have different masculinities due to the influence of the trauma as well as the socio-cultural context they experienced. The objects of comparison for this research are the character Juno from the movie Kucumbu Tubuh Indahku (2018) and the character Chiron from the movie Moonlight (2016). The two characters share similarities in the causes of trauma, but they express different masculinities. To analyze this research, the comparative literature method, the theory of trauma by Levine (2008) and the theory of masculinity by R.W. Connell (2005) were used. The research results show that social-cultural influences play an important role in dealing with a person's trauma which can ultimately affect their masculinity. Juno does not receive social support from the people around him. He remains in subordinate masculinity. Meanwhile, Chiron, who received social support, experienced a change in his masculinity from subordinate masculinity to hegemonic masculinity.
subject: Articles
  topic: section
subject: comparative literature
  topic: keywords
subject: masculinity
  topic: keywords
subject: trauma
  topic: keywords
subject: Indonesia
  topic: keywords
subject: America
  topic: keywords
subject: Sastra Inggris
  topic: disciplines
creator: Sri Widia Anggriati
creator: Danial Hidayatullah
rights: الحقوق الفكرية (c) 2024 Sri Widia Anggriati, Danial Hidayatullah http://creativecommons.org/licenses/by-sa/4.0
date: 2024-06-24
publication date: 2024-06-24
starting page: 45
ending page: 69
doi: 10.14421/ajbs.2024.080103

UNSUR-UNSUR KESASTRAAN DALAM PUISI NAHJ AL-BURDAH KARYA ’ABD AL-ḤAMĪD IBN AḤMAD AL-KHAṬĪB
type: item
description: This article examines Nahj al-Burdah, a work by the Saudi Arabian poet 'Abd al-Ḥamīd ibn Aḥmad al-Khaṭīb (d. 1381 H). This article aims to discuss the literary aspects based on Ahmad Amin's concept. This concept includes analysis of emotions, meaning, imagination, and stylistics. According to Amin, the stylistics includes aspects of rhythm and rhyme. The analysis results show that this madḥ al-Nabī work has a distinctive characteristic: expressing love for Allah SWT before expressing love for Prophet Muhammad Saw. This madḥ of the Prophet contains eleven themes, including the poet's nostalgia, good news for the soul, repentance, surrender, and hope, praise for the Prophet, the birth of the Prophet, the miracles of the Prophet, the glory of the Qur'an, struggles in jihad, the Isrā' and Mi'rāj, seeking forgiveness from Allah, and al-munājāh. The emotional expressions of love in the poem include feelings of love, fear, regret, satisfaction, and submission to Allah SWT. The imagination that emerges in this poem focuses on visualizing the depiction of angels delivering revelation to the Prophet. The language style used by the poet includes tasybīh, majāz, and kināyah. The poet chooses the rhythm of baḥr basīṭ and the rhyme of mīm.
subject: Articles
  topic: section
subject: literariness
  topic: keywords
subject: madḥ al-Nabī
  topic: keywords
subject: Nahj al-Burdah
  topic: keywords
subject: Sastra Arab
  topic: disciplines
creator: Rosalinda Rosalinda
creator: Nurdin Nurdin
rights: الحقوق الفكرية (c) 2023 ROSA LINDA LINDA http://creativecommons.org/licenses/by-sa/4.0
date: 2023-12-29
publication date: 2023-12-29
starting page: 216
ending page: 243
doi: 10.14421/ajbs.2023.07025

ANALISIS KOMPARASI KAJIAN TERJEMAHAN INGGRIS-ARAB DAN INGGRIS-INDONESIA PADA LIRIK LAGU BTS
type: item
description: Subtitles on YouTube are automatically machine-translated and sometimes the translations are difficult to understand. One of the applications is done on BTS song lyrics. The purpose of this study is to compare the application of techniques as well as the tendency of English-Arabic and English-Indonesian translation methods and ideologies in BTS song lyrics. This research is a descriptive qualitative research. The translation theories underlying this research are translation techniques, methods, and ideologies. The data in this study are clauses or sentences in the lyrics of BTS songs and their translations in Arabic and Indonesian. The data collection technique was done by listening and noting. The data were analyzed by combining two analysis models, namely interactive (Miles and Huberman) and ethnographic (Spradley) models. The results of this study show that the dominant application of translation techniques in English-Arabic translation is the established equivalent technique, while in English-Indonesian translation it is the literal technique. Meanwhile, the English-Arabic translation method is target language-oriented, while the English-Indonesian translation method is source language-oriented. This affects the domestication ideology orientation in English-Arabic translation and the foreignization ideology orientation in English-Indonesian translation.
subject: Articles
  topic: section
subject: BTS song lyrics
  topic: keywords
subject: translation technique
  topic: keywords
subject: translation method
  topic: keywords
subject: translation ideology
  topic: keywords
subject: Bahasa Arab
  topic: disciplines
subject: Sastra Arab
  topic: disciplines
subject: Penerjemahan
  topic: disciplines
creator: Khoirunnisa Rahmawati
creator: Abdul Malik
rights: الحقوق الفكرية (c) 2023 Khoirunnisa Rahmawati, Abdul Malik http://creativecommons.org/licenses/by-sa/4.0
date: 2023-12-21
publication date: 2023-12-21
starting page: 133
ending page: 153
doi: 10.14421/ajbs.2023.07021

CROSS-CULTURAL ROMANCE: DIGITAL FICTION FORMULA IN LIBYA’S LA’NAT AL-‘ISHQ AND INDONESIA’S ABIGHEA
type: item
description: The popularity of the digital literary platform Wattpad has been recognized globally, including in Indonesia and Libya. Among various studies on fiction published through Wattpad, this research focuses on a comparative analysis of romance formulas written by popular Wattpad authors from two countries: La'nat al-'Ishq by Hams Yosef in Libya and Abighea by Chelsea Karina Aelia in Indonesia. The main issue addressed in this study is whether romance stories in digital fiction from these countries share the same narrative formula despite the cultural differences between the authors and their readers. The comparison is conducted using John G. Cawelti’s theory of formulaic literature and a descriptive-analytical method. The findings indicate that the dominant formulas in both fictions are the idealization of the main characters, love triangles, and happy endings. This suggests that, although these works are set in different cultural and linguistic contexts, their romance formulas reflect universal desires and expectations of young readers concerning the romance genre.
subject: Articles
  topic: section
subject: romance
  topic: keywords
subject: comparative literature
  topic: keywords
subject: formulaic literature
  topic: keywords
subject: cyber literatur
  topic: keywords
subject: Wattpad
  topic: keywords
creator: Reza Sukma Nugraha
creator: Eva Farhah
creator: Azka Nurzanah
rights: الحقوق الفكرية (c) 2023 Reza Sukma Nugraha, Eva Farhah, Azka Nurzanah http://creativecommons.org/licenses/by-sa/4.0
date: 2023-12-26
publication date: 2023-12-26
starting page: 196
ending page: 215
doi: 10.14421/ajbs.2023.07024

WE ARE [TRULY] DIFFERENT: OTHERING IN INTER-ETNIC RELATION IN ROYYAN JULIAN’S SHORT STORY
type: item
description: Royyan Julian’s short story entitled “Di Malam Bulan Darah, Mogut Menyantap Jenazah Orang Kafir” [On the Night of the Blood Moon, Mogut Eats the Body of Infidel] (2019) captures the relationship among different ethnic groups, religions and gender in Madura. Set in Madura Island, the story uncovers more than just relation between Chinese and Madurese people and between female and male characters. This paper is focusing on inter-ethnic and inter-religion relation in the short story. This analysis used qualitative method and data collection used close-reading. Drawing theoretical inspiration from Simone de Beauvoir with a particular emphasis on the Other and Richard Jenkins’ theory on Social Identity, this study reveals how different identities bring different treatment, evaluation, and prejudice which led to othering. Through his short story, Royyan Julian discloses binary opposition related to ethnicities, religions, and gender. The hierarchy and power imbalance imposed on male and female characters in the story bring devastated impact on female character just because she has different identity from the majority of Muslims in Madura.
subject: Articles
  topic: section
subject: Ethnicity
  topic: keywords
subject: gender
  topic: keywords
subject: identity
  topic: keywords
subject: othering
  topic: keywords
subject: religion
  topic: keywords
subject: Sastra Inggris
  topic: disciplines
creator: Erika Citra Sari Hartanto
creator: Rif’ah Inayati
rights: الحقوق الفكرية (c) 2023 Erika Citra Sari Hartanto, Rif'ah Inayati http://creativecommons.org/licenses/by-sa/4.0
date: 2023-12-29
publication date: 2023-12-29
starting page: 178
ending page: 195
doi: 10.14421/ajbs.2023.07023

REPRESENTASI KEKERASAN TERHADAP PEREMPUAN DALAM EKRANISASI NOVEL SEPERTI DENDAM, RINDU HARUS DIBAYAR TUNTAS
type: item
description: Violence against women through narratives and scenes becomes one of the interesting discussions, especially in the novel adapted into the film Seperti Dendam, Rindu Harus Dibayar Tuntas. This research aims to uncover the representation of violence against women in the adaptation process from novel to film. This research is qualitative with a descriptive method. The approach used in this research is to look at the narrative aspects of the novel, relationships, and correlations of violence against women. Violence against women in film uses the concepts of cinematography, vehicle transfer, and narrative, in building visuals of violence against women. The results of this study show the representation of violence against women through Iteung and Rona Merah. Iteung shows the relationship between her childhood and the formation of masculine character in adolescence. This also shows the ecranisation in the form of reduction in the film. Rona Merah provides an image as an object of sexual violence who experiences psychological disorders as a form of trauma in the past. New media other than film are the caricatures on the tailgate of a truck, which are closely related to the problems of men and women.
subject: Articles
  topic: section
subject: kekerasan
  topic: keywords
subject: perempuan
  topic: keywords
subject: alih wahana
  topic: keywords
creator: Diki Febrianto
creator: Lily Tjahjandari
rights: الحقوق الفكرية (c) 2023 Diki Febrianto http://creativecommons.org/licenses/by-sa/4.0
date: 2024-12-19
publication date: 2024-12-19
starting page: 154
ending page: 177
doi: 10.14421/ajbs.2023.07022

TIPOLOGI STRATEGI PENAMBAHAN PETER NEWMARK DALAM PENERJEMAHAN KITAB UṢŪL AL-FIQH SYARḤ AL-WARAQĀT
type: item
description: The addition of editorials in translations is often found in Islamic religious books, especially in the discipline of Uṣūl al-Fiqh. One example is the Syarḥ al-Waraqāt by Imām Ḥaramain, translated by Mujiburrahman. This book is written in the ījāz style (few words but rich in meaning), so it requires additional explanations to make its meaning easier for readers to understand. This study aims to describe the forms of addition strategies in the translation of the Syarḥ al-Waraqāt book and explain the process of its occurrence in the context of Arabic-Indonesian translation. This study uses a qualitative descriptive approach with documentation methods and note-taking techniques. The results show that the translation process is in line with Peter Newmark's translation strategy theory. Two forms of addition strategies were found: additions made based on considerations of language structure, and additions made based on semantic considerations to clarify or enrich the meaning of the text. The addition process is carried out in three ways: inserting additions directly into the text, writing them in brackets, or placing them in footnotes. These three methods reflect the application of amplification and description techniques in the translation of Islamic books.
subject: Articles
  topic: section
subject: Strategy
  topic: keywords
subject: translation
  topic: keywords
subject: addition
  topic: keywords
subject: syarḥ al-waraqāt
  topic: keywords
subject: Linguistik
  topic: disciplines
subject: Bahasa Arab
  topic: disciplines
creator: Mohammad Nasih Al Hashas
rights: الحقوق الفكرية (c) 2026 2025 http://creativecommons.org/licenses/by-sa/4.0
date: 2025-06-29
publication date: 2025-06-29
starting page: 114
ending page: 139
doi: 10.14421/ajbs.2025.090106

SOCIAL IDENTITY CONSTRUCTION OF THE DISABLED IN FORREST GUMP NOVEL
type: item
description: Superintelligence plays an important role in the development of discourse about posthumanism. In this context, the researcher discussed posthumanism studies in the movie M3GAN (2022). The study focused on the moral status of artificial intelligence embodied robotic prototypes created by humans, namely M3GAN. In other words, how can the protocol system be implemented on M3GAN? Does M3GAN possess moral status regarding suffering, pain, autonomy, interactivity, and adaptivity? How did the humans reveal and interact with this technology in the posthumanism era as depicted in the movie? This article used the posthumanism theory from Robert Pepperell to analyze and answer the research questions. The study used descriptive qualitative data from the dialogue scenes and visual screenshots to represent the analysis results. The results of this research show that artificial intelligence in the form of the M3GAN prototype has moral status, such as autonomy, interactivity, and suffering. It becomes a dystopian reality for the robotic creator. Furthermore, the ethics of artificial intelligence or superintelligence must be unveiled wisely in the implementation.
subject: Articles
  topic: section
subject: the disabled
  topic: keywords
subject: identity
  topic: keywords
subject: society
  topic: keywords
subject: strategy
  topic: keywords
subject: Sastra Inggris
  topic: disciplines
creator: Bambang Margo Susanto
creator: Rahayu Puji Haryanti
rights: الحقوق الفكرية (c) 2024 Bambang Margo Susanto http://creativecommons.org/licenses/by-sa/4.0
date: 2024-06-28
publication date: 2024-06-28
starting page: 129
ending page: 149
doi: 10.14421/ajbs.2024.080106

MASCULINITY AND CORRUPTION IN MINIATURE: A STUDY OF PENTIGRAF
type: item
description: Pentigraf is a three-paragraph short story produced by a creative writing community called Kampung Pentigraf Indonesia (the Indonesian Pentigraf Village or KPI). By composing Pentigraf, the authors can articulate the social phenomena such as corruption with greater clarity. Since the 1970s, corruption has become a problem in Indonesia. KPI published a Pentigraf anthology entitled Hanya Nol Koma Satu (Only Zero Point One) in 2020 to express concerns about corruption. KPI has more than 3,000 members on Facebook from diverse backgrounds, including female homemakers, who, in this anthology, discuss masculine dominance themes connected to corruption. This study shows how masculine norms and gendered perspectives contribute to the perpetuation of corruption, as articulated through Pentigraf, written by female homemakers. This study gathered the data from fifteen Pentigrafs written by female homemakers. Employing Bourdieu’s theory of masculine domination, this document analysis analyzes the intrinsic structure of pentigraf by homemakers in Hanya Nol Koma Satu to deconstruct how masculine standards correlate with textual representations of corruption. The results show that male characters in the Pentigrafs have the personalities of being desirous and indifferent to the suffering of others because they cling to wealth achievement and supremacy. Pentigraf is a mini-fiction that is not easy to analyze deeply. Nevertheless, it can articulate moral teachings and capture social phenomena.
subject: Articles
  topic: section
subject: Pentigraf
  topic: keywords
subject: female homemakers
  topic: keywords
subject: corruption
  topic: keywords
subject: masculinity
  topic: keywords
subject: domination
  topic: keywords
subject: Sastra Indonesia
  topic: disciplines
creator: Melania Shinta Harendika
creator: Cahyaningrum Dewojati
rights: الحقوق الفكرية (c) 2024 Melania Shinta Harendika, Cahyaningrum Dewojati http://creativecommons.org/licenses/by-sa/4.0
date: 2024-12-18
publication date: 2024-12-18
starting page: 199
ending page: 223
doi: 10.14421/ajbs.2024.080203

IRONI, PARODI, DAN PASTICHE DALAM PUISI “TANAH AIR MATA” KARYA SUTARDJI CALZOUM BACHRI (Kajian Posmodernisme)
type: item
description: Penelitian ini mengkaji penggunaan ironi, parodi, dan pastiche dalam puisi Tanah Air Mata karya Sutardji Calzoum Bachri melalui pendekatan posmodernisme. Latar belakang penelitian menekankan peran karya sastra dalam menyampaikan makna mendalam dan kritik. Sutardji, seorang penyair kontemporer ternama Indonesia, sering mengangkat tema ketidakadilan sosial. Penelitian ini bertujuan untuk memberikan analisis komprehensif tentang bagaimana elemen posmodern digunakan dalam puisi untuk mengkritik isu sosial dan politik. Metode deskriptif kualitatif dengan analisis teks diterapkan, dengan fokus pada data primer dari puisi dan data sekunder dari literatur terkait. Hasil penelitian menunjukkan bahwa ironi, elemen yang paling mendominasi dalam puisi ini, menyoroti ketidaksesuaian antara harapan dan kenyataan berupa kesenjangan antara penderitaan masyarakat di tengah suburnya Indonesia. Parodi mengimitasi narasi dominan dalam lirik lagu wajib Indonesia, dan pastiche menggabungkan elemen tradisional dan modern untuk menciptakan makna berlapis. Selain itu, intertekstualitas menjadi inti dari penggunaan elemen-elemen ini, menghubungkan teks puisi dengan narasi besar dan simbol budaya lain, menciptakan dialog yang memperkaya makna serta menggugah pembaca untuk melihat realitas sosial secara kritis. Pendekatan ini memperkaya pemahaman tentang puisi berjudul Tanah Air Mata dan menunjukkan kekuatan estetika posmodern dalam puisi kontemporer untuk menyoroti dan mengkritik ketidakadilan sosial.
subject: Articles
  topic: section
subject: postmodernism
  topic: keywords
subject: irony
  topic: keywords
subject: parody
  topic: keywords
subject: pastiche
  topic: keywords
subject: poem
  topic: keywords
subject: Sastra Indonesia
  topic: disciplines
subject: Bahasa Indonesia
  topic: disciplines
creator: Diyah Herawati
creator: Else Liliani
creator: Widyastuti Purbani
rights: الحقوق الفكرية (c) 2025 Diyah Herawati, Else Liliani, Widyastuti Purbani http://creativecommons.org/licenses/by-sa/4.0
date: 2024-12-02
publication date: 2024-12-02
starting page: 173
ending page: 198
doi: 10.14421/ajbs.2024.080202

KEKHASAN DIKSI VALENTINO SIMANJUNTAK PADA PIALA PRESIDEN 2017
type: item
description: This research aims to explain the meaning and style of the unique dictions of langauge by Valentino Simanjuntak (VS) in the 2017 Presidential Cup and to explain the context of the underlying discourse. The research data is the unique diction list that VS often said in commenting on the match. The researcher uses the techniques of listening, noting, recording, transcripting, and documenting. In analyzing the data, researchers uses descriptive method. The results shows that the emergence of the unique dictions of VS is based on 3 contexts; namely physical, social, and epistemic context. The meaning analysis finds that VS uses the dictions to comment about what is happening in the pitch. He describes the events in the soccer matches by associating events in the pitch with events from various domains. The referred domains are household, romance, law, transportation. From the 24 data findings, the researcher finds 16 nouns dictions, 5 verbal dictions, a numeral diction, a minor phrases, and a sound imitations. VS’s dictions also have 2 pictoral meanings, 16 figurative meanings, 3 referential meanings, and 3 connotative meanings. VS uses 15 styles of metaphor and 5 styles of personification. There are 4 dictions that do not use any style.
subject: Articles
  topic: section
subject: Bahasa Indonesia
  topic: disciplines
subject: Sastra Indonesia
  topic: disciplines
subject: Linguistik
  topic: disciplines
creator: Nur Rochman Fatoni
rights: الحقوق الفكرية (c) 2017 Nur Rochman Fatoni
date: 2017-12-13
publication date: 2017-12-13
starting page: 223
ending page: 247
doi: 10.14421/ajbs.2017.01205

KEHIDUPAN MEMBIARA DAN JEBAKAN TAKDIR: SUBJEKTIVITAS ROMO YB MANGUNWIJAYA DALAM PERSPEKTIF SLAVOJ ŽIŽEK
type: item
description: The monastic life for celibate individuals is not a problem-free life choice. As human beings, individuals who choose the monastic life face various biological, sociological, and psychological upheavals that are not easily overcome. These upheavals can lead to a crisis of faith. This study aims to uncover the issues faced by celibate individuals as depicted in the novel "Romo Rahardi" by YB Mangunwijaya. The study will employ Slavoj Žižek's symbolic discursive theory to unravel the symbolic entanglements that constrain the subjects and reveal the characters' positions in confronting their lives as celibate individuals. This research is a qualitative descriptive study that utilizes a discursive approach. The findings of this research reveal fractures and disorientation in the subjective realm. When Rahadi reaches the age of puberty, he becomes aware of the extraordinary sexual attraction towards the opposite sex, and he views this phenomenon as something good, natural, and positive. However, this awareness becomes a tremendous black hole as Rahadi enters the symbolic order. The celibate lifestyle confines him without the opportunity to explore alternative paths. In the real realm, when Rahadi reflects on the reality of his life as a spiritual person, he discovers a fragmented and incomplete subjective condition that is far from ideal—a primordial and absurd alienation. There exists a homology between Romo Rahadi and Romo YB Mangunwijaya.
subject: Articles
  topic: section
subject: fractures and disorientation
  topic: keywords
subject: symbolic entanglements
  topic: keywords
subject: primordial alienation
  topic: keywords
subject: discursive analysis
  topic: keywords
subject: Sastra Indonesia
  topic: disciplines
creator: Yoseph Yapi Taum
rights: الحقوق الفكرية (c) 2023 Yoseph Yapi Taum
date: 2023-06-27
publication date: 2023-06-27
starting page: 1
ending page: 22
doi: 10.14421/ajbs.2023.07011

THE REPRESENTATIONS OF TOXIC MASCULINITY IN THINGS FALL APART (1959)
type: item
description: Toxic masculinity refers to certain masculine behaviors and traits that can have adverse effects on both men and those around them. This study aimed to identify the concept of masculinity, forms, causes, and impacts of toxic masculinity on the protagonist, Okonkwo, and those around him in Chinua Achebe’s Things Fall Apart, based on Connell’s hegemonic masculinity theory. This qualitative study employed a textual analysis method and a close reading approach. The primary data for this study were drawn from the novel Things Fall Apart. The results indicated that in Igbo culture, masculinity is defined by the man’s role as the primary leader and decision-maker within the family unit. Okonkwo exhibits several forms of toxic masculinity, including physical violence, dominance over women, misogyny, coercion, and homicide. Various factors, such as a dysfunctional family, exposure to violence, peer rejection, bullying, fear of weakness, and fear of failure influenced Okonkwo’s behaviors. As a consequence, he suffered from depression, anxiety, and encouragement to violence, which ultimately led him to be aggressive to those around him, and this culminates in his suicide.
subject: Articles
  topic: section
subject: gender-role
  topic: keywords
subject: masculine
  topic: keywords
subject: misogyny
  topic: keywords
subject: social-construction
  topic: keywords
subject: toxic-masculinity
  topic: keywords
subject: literature
  topic: disciplines
subject: humanities
  topic: disciplines
subject: social science
  topic: disciplines
creator: Muhlisin Muhlisin
creator: Agus Syahid
rights: الحقوق الفكرية (c) 2025 Muhlisin Muhlisin http://creativecommons.org/licenses/by-sa/4.0
date: 2025-12-29
publication date: 2025-12-29
starting page: 140
ending page: 160
doi: 10.14421/ajbs.2025.090201

DOMINASI BAHASA ARAB DAN EFEK BAHASA GLOBAL PADA LANSKAP PEMASARAN PRODUK MUSLIM
type: item
description: Yogyakarta, kota dengan populasi muslim yang sangat besar, menyaksikan peningkatan jumlah toko produk muslim yang melayani permintaan konsumen lokal dan global. Toko-toko ini menggunakan sumber daya kebahasaan yang beragam untuk menarik basis pelanggan yang luas, hal ini mencerminkan pengaruh nilai-nilai budaya lokal dan tren komersial global. Penelitian ini bertujuan menggali bagaimana bahasa digunakan dalam penamaan toko-toko produk muslim di kota tersebut. Penelitian ini dilakukan untuk 1) mendeskripsikan penggunaan bahasa dalam nama-nama toko produk muslim, 2) menjelaskan pola penggunaan bahasa pada nama-nama toko, dan 3) mengidentifikasi sintaksis unik nama-nama toko. Penelitian ini mengadopsi pendekatan kualitatif-deskriptif, dengan metode survei. Data dikumpulkan dengan mengamati toko-toko produk muslim di kota Yogyakarta dan merekam data etalase/fasad toko dengan merekamnya dengan kamera digital pada ponsel. Selain itu, pengumpulan data juga dilakukan melalui survei digital melalui Google Maps. Hal ini dilakukan untuk melengkapi hasil survei konvensional dan juga sebagai langkah verifikasi data. Secara khusus, penelitian ini secara khusus akan fokus pada data tekstual nama-nama toko. Data dianalisis secara interaktif untuk dikategorikan berdasarkan bentuk linguistik, unsur-unsur pembentuk, dan pola sintaksis nama-nama toko. Berdasarkan hasil analisis, dapat disimpulkan 1) empat bahasa digunakan dalam nama toko: bahasa Indonesia, bahasa Inggris, bahasa Arab, bahasa Jawa. Keempat bahasa tersebut digunakan dalam tanda nama ekabahasa, dwibahasa, dan tribahasa, 2) penamaan toko menunjukkan unsur-unsur nama, produk, kualitas, dan target konsumen; umumnya nama identitas dalam bahasa Arab, dan produk dalam bahasa Inggris, dan 3) secara struktural, frasa nama toko bahasa Indonesia menggunakan kaidah bahasa Inggris, sehingga polanya menyimpang, yang menyiratkan adanya pengaruh kuat dari bahasa global tersebut, yakni dari pola normal DM menjadi MD, seperti pada Ahsan K…
subject: Articles
  topic: section
subject: lanskap bahasa
  topic: keywords
subject: tanda toko
  topic: keywords
subject: nama toko
  topic: keywords
subject: produk muslim
  topic: keywords
subject: multilingualisme
  topic: keywords
creator: Arif Budiman
creator: Khristianto Khristianto
rights: الحقوق الفكرية (c) 2025 Arif Budiman, Khristianto Khristianto http://creativecommons.org/licenses/by-sa/4.0
date: 2025-06-20
publication date: 2025-06-20
starting page: 68
ending page: 92
doi: 10.14421/ajbs.2025.090104

PROSEDUR PENERJEMAHAN METAFORA KONSEPTUAL DALAM PIDATO PRESIDEN JOKO WIDODO
type: item
description: Artikel penelitian ini bertujuan untuk meneliti bagaimana juru bahasa menerjemahkan metafora konseptual dalam pidato presiden Joko Widodo dalam pertemuan KTT G20 2022 di Bali. Penelitian ini didasari oleh teori metafora konseptual milik Lakoff dan Johnson (1980), serta teori prosedur penerjemahan metafora oleh Broeck (1981) dalam analisisnya. Penelitian menggunakan metode penelitian deskriptif dengan pendekatan kualitatif. Data dalam penelitian ini didapatkan dari pidato Presiden Joko Widodo dalam KTT G20 di Bali yang diunggah oleh KOMPASTV. Penelitian ini memiliki tiga tahapan: tahap pengumpulan data, tahap analisis data, dan tahap penyajian hasil analisis data. Dari hasil penelitian yang telah dilakukan, peneliti menemukan 76 data metafora konseptual pada pidato presiden Joko Widodo dalam pertemuan KTT G20 tahun 2022. Dari 76 metafora konseptual tersebut, terdapat 53 (69.7%) metafora yang citranya dipertahankan, 13 (17.1%) metafora yang citranya diubah, dan 10 (13.2%) metafora yang citranya dihilangkan. Secara keseluruhan, sebagian besar metafora dalam pidato ini diterjemahkan dengan mempertahankan citra asli BSu (69.7%).
subject: Articles
  topic: section
subject: Translation procedure
  topic: keywords
subject: conceptual metaphor
  topic: keywords
subject: political speech
  topic: keywords
subject: Linguistics
  topic: disciplines
subject: Translation Studies
  topic: disciplines
creator: Amirul Hakim
creator: Adi Sutrisno
rights: الحقوق الفكرية (c) 2023 Amirul Hakim, Adi Sutrisno http://creativecommons.org/licenses/by-sa/4.0
date: 2024-12-19
publication date: 2024-12-19
starting page: 244
ending page: 264
doi: 10.14421/ajbs.2023.07026