2026-04-04T02:30:24Z https://ejournal.uin-suka.ac.id/adab/Adabiyyat/en/oai

oai:ojs.pkp.sfu.ca:article/470 2025-02-12T04:18:38Z Adabiyyat:ART

KETABAHAN PEREMPUAN ARAB DALAM RᾹ’IYAH AL-AMAL KARYA RAUḌAH AL-DAKHĪL (Analisis Psikologi Sastra) Sangidu, Sangidu This study reveals a number of psychological problems experienced by the characters. Those problems concern with the issue on a woman’s expectation of having a husband who can be a leader as well as a shepherd for her self and her children. It was found in the text of the short story called Rā'iyah al-Amal (Waiting For A Shepherd) by Rauḍah al-Dakhīl. Literary psychology theory is used to reveal the problems. Psychology of literature is a discipline that sees literature as a work containing events psychological life of human beings, played by imaginary or factual figures. Meanwhile, according to Allport, Kretch Crutchfield, dan Heuken said that personality of man and woman is the complex unity and consist of psychological aspects and physical aspects. The psychological aspects cover intelligency, nature, attitude, interest, aspiration, qualm, sadness, ambition, emotion, and etc. The qualm and sadness, which are experienced by a young woman in the story will be revealed in this research. The conclusion is that in the beginning of her marriage, the young woman expects her husband would be a Rā’iy al-Amal that is shepherd for her self and her children. But in reality, her marriage had lasted only in four years. Having children is not yet a reality. Therefore, the young woman tried hard to be the shepherd "Rā'iyah al-Amal" for herself in order to get out of a prolonged psychological pressure because she saw no solution. Finally, the young woman was successfully herding herself from her sadness and able to get pregnant and gave birth to become a real woman that benefit other human. Sunan Kalijaga State Islamic University Yogyakarta 2015-06-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/470 10.14421/ajbs.2015.14101 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 14 عدد 1 (2015); 1-36 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 14 No. 1 (2015); 1-36 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 14 No 1 (2015); 1-36 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/470/422 Copyright (c) 2015 Sangidu Sangidu http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/474 2025-02-12T04:19:54Z Adabiyyat:ART

TINJAUAN SEMIOTIK CULLER ATAS PUISI-PUISI ARAB SUFISTIS DALAM TEKS AL-TAṢAWWUF FI AL-SYI’R AL-‘ARABĪ KARYA ABD AL-H{AKĪM HASSĀN Manshur, Fadlil Munawwar The object of this study is Sufism Arabic Poetry that contains the views, ideals, and religious ideology of teh Arab. Despite its contents, which mostly talk about social life and love, there is a tendency that those poems contain as well the social anxiety. The material object of this study is the poem entitled ‘Al-Taṣawwuf fi al-Syi’r al-‘Arabī (2003) by H{aki>m Hassan. This study employs Jonathan Culler’s Semiotic Theory, which says that a poem is not just a series of sentences but it is an expression of the author’s mind as his asserion attitude toward society. Poetry also talks about author’s message and commitment on humanity. This study concluded that the Arabic poetry of Sufism is about signs that tell people to live their life at their best because life is only temporary (transient). In the perspective of Culler’s semiotic theory, the author has expressed his view in the poem and confirms its position on human life. In addition, the author also composes some verses of mystical poetry in the thematic scheme that echoes teachings of kindness and benevolence. Sunan Kalijaga State Islamic University Yogyakarta 2015-06-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/474 10.14421/ajbs.2015.14102 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 14 عدد 1 (2015); 37-63 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 14 No. 1 (2015); 37-63 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 14 No 1 (2015); 37-63 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/474/424 Copyright (c) 2015 Fadlil Munawwar Manshur http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/475 2025-02-12T04:20:04Z Adabiyyat:ART

SIKAP PENGARANG DALAM NOVEL PALAWIDJA KARYA KARIM HALIM DAN KEMBANG JEPUN KARYA REMY SILADO: SEBUAH BANDINGAN Bahtiar, Ahmad This research aims at scrutinizing two novels, Palawidja by Karim Halim dan Kembang Jepun by Remy Sylado, by using the theory of literary sosiology to observe the point of views of each authors. Obviosly, they have different pictures on the situation in Indonesia during the Japanese occupation.  Remy Sylado, who wrote  after the Japanese occupation,  gives a more objective picture in his novels than Karim Halim, who live and wrote novels during the Japanese occupation, does. Palawidja is biased due to the fact that Karim Halim worked for Balai Pustaka, a publishing company under the control of the Japanese authority. Therefore, he supported the Japanese propaganda and could not give an objective picture of the condition in Indonesia at the time. Sunan Kalijaga State Islamic University Yogyakarta 2015-06-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/475 10.14421/ajbs.2015.14103 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 14 عدد 1 (2015); 64-84 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 14 No. 1 (2015); 64-84 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 14 No 1 (2015); 64-84 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/475/426 Copyright (c) 2015 Ahmad Bahtiar http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/477 2025-02-12T04:22:50Z Adabiyyat:ART

PELESAPAN DAN PENGGANTIAN BUNYI BAHASA ARAB Anshari Nasution, Ahmad Sayuti The objects of this research are the forms of ellipsis and sound substitution, which occur in Arabic. Those are fuṣÊa Arabic which belong to Egyptian and Saudi Arabian dialects. This research will benefit those who learn and teach Arabic as well as the researcher of Arabic language. As a library research, the data was taken from books, journals, and websites. Subtitution and ellipsis may happen for the purpose of making the sound expression easier to be pronounced, e.g qaf  becomes hamzah, jim becomes gain in Egyptian dialect or qaf becomes gain, żal becomes dal in Saudi Arabian dialect. The subtitution and ellipsis also occure with the purpose of simplification as what happens in he removal of ta ta’nis and ta’marbuṭoh. Sunan Kalijaga State Islamic University Yogyakarta 2015-06-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/477 10.14421/ajbs.2015.14105 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 14 عدد 1 (2015); 120-146 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 14 No. 1 (2015); 120-146 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 14 No 1 (2015); 120-146 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/477/427 Copyright (c) 2015 Ahmad Sayuti Anshari Nasution http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/578 2021-11-01T06:08:20Z Adabiyyat:ART

KLASIFIKASI KATA DALAM BAHASA ARAB MENURUT LINGUIS ARAB KLASIK DAN MODERN Basith, Abdul This paper aims to investigate Arabic word classificati based on Arabic Grammarians and modern linguists’ perspectives and principles which they use in that classification. As it is explored by Arabic Grammarians, the word classification is divided into three components, such as ism (noun), fi'l (verb) and harf (particle) ,which causes problems when between definition and sign of each of the classification is unmatched in a given text. Therefore, some modern linguists, one of them is Tamām Hassān, try to reconsider and to remake a new classification of Arabic words. While other Arabic Grammarians only use the six principles of classification (such as distribution principle, substitution principle, function principle, morpheme principle, meaning principle and predicative principle), Tamām Hassān uses two additional principles, those are: the form principle (al-mabnā) and the meaning principle (alma'nā). and the conclusion of is that Arabic word is divided to seven such as ism (noun), sifah (adjective), fi'l (verb), damīr (pronoun),  arf (adverb), khalīfah (exclamation) and adāh.   Sunan Kalijaga State Islamic University Yogyakarta 2009-12-18 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/578 10.14421/ajbs.2009.08203 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 8 عدد 2 (2009); 245-260 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 8 No. 2 (2009); 245-260 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 8 No 2 (2009); 245-260 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/578/520 Copyright (c) 2009 Abdul Basith

oai:ojs.pkp.sfu.ca:article/654 2021-12-27T04:10:46Z Adabiyyat:ART

HUBUNGAN BAHASA DAN KEBUDAYAAN (PERSPEKTIF SOSIOLINGUISTIK) Mujib, Ahmad The aim of this paper is to describe the relationship between the language and the culture on sociolinguistic perspective. As a perspective, its framework is based on several factors, which is outside of the language itself. It has something to do with the society. The social reality becomes very critical to understand the meaning itself. With this perspective, theories, which have described the relationship between the culture and the language, can be divided into two categories, namely the subordinate relationship and the coordinate relationship theories. The first relationship correlates with the view that the culture is the main system whereas the language is the subsystem. The second kind of the relationship or the coordinative relationship is based on the understanding that the language and the culture are two different systems, which are adopted by human being. The culture is the ruling system of the human interaction, while the language is the system with its function as the mean of carrying the continuity of that interaction.       Sunan Kalijaga State Islamic University Yogyakarta 2009-06-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/654 10.14421/ajbs.2009.08107 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 8 عدد 1 (2009); 141-154 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 8 No. 1 (2009); 141-154 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 8 No 1 (2009); 141-154 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/654/591 Copyright (c) 2009 Ahmad Mujib

oai:ojs.pkp.sfu.ca:article/659 2021-11-01T06:07:58Z Adabiyyat:ART

PANDANGAN TAMĀM HASSĀN TENTANG ‘ĀMIL DALAM ILMU NAHWU Basith, Abdul In Arabic Linguistics, Nahwu or Arabic Syntax has established for centuries. However, its complexities make the modern Arabic linguists re-formulate it so that it can be comprehended better by the native and speakers of Arabic as a second language. One of those linguists is Tamâm Hassân, who put Arabic language in a more (al-manhaj alwashfi) established position by perfecting its phonology, morphology, syntax, and semantic. His view over ‘âmil as a central theme and pillar in Arabic syntax or Nahwu reformulates the Arabic syntax by using descriptive approach (al-manhaj al-washfi). This makes Nahwu become more comprehensible. Sunan Kalijaga State Islamic University Yogyakarta 2008-06-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/659 10.14421/ajbs.2008.07102 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 7 عدد 1 (2008); 23-45 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 7 No. 1 (2008); 23-45 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 7 No 1 (2008); 23-45 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/659/596 Copyright (c) 2008 Abdul Basith

oai:ojs.pkp.sfu.ca:article/667 2025-02-12T02:38:55Z Adabiyyat:ART

Tasybīh dalam Puisi “Bānat Su‘ād” Karya Ka’b bin Zuhair Naf'an, Abdul Wahhab Poem "Bānat Su'ād" is a masterpiece by the poet of Ka’b bin Zuhair. The Poem was delivered directly in front of The Prophet Mohammad. This article aims at exploring the elements of tasybīh in the poem. The poet uses tasybīh in expressing his feelings about Su'ād, nāqah, The Prophet Mohammad., muhajirin and the unbelievers. This research breaks down the elements of beauty in this poetry. It can be concluded that the exposure through the used forms tasybīh, the poet really managed to achieve the goals/ Garaḍ of his poetry marked with the provision of forgiveness from The Prophet Mohammad. That is why, the poem was awarded a burdah directly by the The Prophet Mohammad. Sunan Kalijaga State Islamic University Yogyakarta 2016-06-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/667 10.14421/ajbs.2016.15101 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 15 عدد 1 (2016); 1-18 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 15 No. 1 (2016); 1-18 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 15 No 1 (2016); 1-18 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/667/757 Copyright (c) 2017 Abdul Wahhab Naf'an http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/939 2025-02-12T02:38:12Z Adabiyyat:ART

MANIFESTASI WUJUD DAN MAKNA PRAGMATIK KEFATISAN BERBAHASA DALAM RANAH PENDIDIKAN Rahardi, R. Kunjana This research on phatic communion is aimed at describing the forms and the pragmatic meanings of phatic language in Indonesian society, especially in the educational domain. Based on its pragmatic meanings, the utterance in the educational domain can be categorized into five pragmatic meanings, namely (a) phatic function in utterances of acceptance, (b) phatic function in the form of utterances of rejection, (c) phatic function in the form of utterances of invitation, (d) phatic function in the form of utterances of thanking, and  (e) phatic function in the form of utterance of greeting. Sunan Kalijaga State Islamic University Yogyakarta 2016-12-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/939 10.14421/ajbs.2016.15206 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 15 عدد 2 (2016); 226-245 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 15 No. 2 (2016); 226-245 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 15 No 2 (2016); 226-245 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/939/765 Copyright (c) 2016 R. Kunjana Rahardi http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/981 2025-02-12T02:39:08Z Adabiyyat:ART

Ekokritik dalam Sastra Indonesia: Kajian Sastra yang Memihak Dewi, Novita Literary studies of high quality require at least two things: (1) an increase on the weight and depth of appreciation of the literary works under investigation, and (2) the study’s social contribution towards the factual problems in society. The study of literature should involve the production of useful knowledge, instead of formal academic compliance. This paper is to discuss one possible type of study on Indonesian literature, i.e. ecocritical reading of literature. When examined closely through today’s politically contextual lenses and the implications thereof, Indonesian literature on environment and literary filmization can result in useful and referential knowledge. Studies of this kind differ significantly in terms of quality from a mere textual analysis of literary works with a brief, shallow description of some literary terminologies that function only as scientific embellishments. The objective of this article, therefore, is to discuss studies on Indonesian Literature using Ecocriticism as one possible trajectory to transform society. Sunan Kalijaga State Islamic University Yogyakarta 2016-06-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/981 10.14421/ajbs.2016.15102 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 15 عدد 1 (2016); 19-37 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 15 No. 1 (2016); 19-37 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 15 No 1 (2016); 19-37 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/981/756 Copyright (c) 2017 Novita Dewi http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/982 2025-02-12T02:39:20Z Adabiyyat:ART

Kesantunan Berbahasa dalam Dakwah Multikultural Herniti, Ening Budiman, Arif Kusumawati, Aning Ayu Politeness is reflected in the use of verbal sign. Politeness is also found in multicultural dawah. Multicultural dawah means to summon or invite people of different cultural backgrounds to learn more about Islam, but its deliverance does not offend, hurt, obtrude, or impose its audiences. This paper describes the politeness indicators and supporting values of politeness in multicultural dakwah. The data were taken form youtube, documented by data transcription, and then analyzed by using theory of politeness. The conclusion of this study shows that these multicultural dawah obey the politeness indicators such as angon rasa, adu rasa, empan papan, humility, respect, tepa selira, diction of "sorry", "thank you', and greeting "Sir/Madam". However, in these multicultural dakwah, there were also found the disobediences of the politeness indicators. This disobediences are due to the usage of inappropriate dictions. The supporting values of politeness include humility, empan papan,keep the feeling and attitude of introspection. Sunan Kalijaga State Islamic University Yogyakarta 2016-06-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/982 10.14421/ajbs.2016.15103 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 15 عدد 1 (2016); 38-62 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 15 No. 1 (2016); 38-62 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 15 No 1 (2016); 38-62 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/982/759 Copyright (c) 2017 Ening Herniti, Arif Budiman, Aning Ayu Kusumawati http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1013 2025-02-12T02:39:31Z Adabiyyat:ART

Pandangan Pramoedya Terhadap Resistansi Perempuan dalam Novel Era Revolusi dan Reformasi Ridwan, Iwan Widiasturi, Aries Yulianeta, Yulianeta A literary work reflects world vision of its writer, including the world of women. Pramoedya Ananta Toer participated to reveal the idealism of women’s resistance in revolution and reformation era through the characters of his story. Obtaining the world view of the writer toward women is important. This research aims to examine women’s resistance in the Revolution and Reformation era within 3 novels by Pramoedya Ananta Toer. This research uses qualitative method with content and sociological analysis model. The problems of the analysis are (1) the historic flaming in which Pramoedya Ananta Toer writes Larasati, MSBE, and PRdCM; and (2) world’s view of Pramoedya Ananta Toer toward women’s resistance in Larasati, MSBE, and PRdCM. To explain the world’s view of the writer, this research also applies Lucien Goldmann’s genetic structuralism. The objective of this research is to reveal the women’s resistance within three prominent characters who have fought in some different ways for justice in revolution and reformation era. This confirms that Pramoedya brings justice and gender equality in the world of women. Sunan Kalijaga State Islamic University Yogyakarta 2016-06-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1013 10.14421/ajbs.2016.15104 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 15 عدد 1 (2016); 63-86 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 15 No. 1 (2016); 63-86 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 15 No 1 (2016); 63-86 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1013/758 Copyright (c) 2017 Iwan Ridwan, Aries Widiasturi, Yulianeta Yulianeta http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1014 2025-02-12T02:39:46Z Adabiyyat:ART

Penerjemahan Teks Suci: Analisis Ketepatan Terjemahan Istilah Kecendekiaan Dalam Alquran dan Terjemahnya Syihabuddin, Syihabuddin This research aims to determine the accuracy of the translation of scholarly terms, namely ulū al-albāb, ulū al-‘ilm, ulū al-nuhā, and ulū al-abṣār in the holy scripture of Alquran and its translation, published by the Department of Religious Affairs of the Republic of Indonesia. In addition,the factors influencing the accuracy of the translation is analysed. To meet the aim, the data on scholarly terms and their translations were collected using Q-soft ELRA software version 1.0.0. The data were then analysed semantically by comparing both the lexical and contextual meanings in their source and target languages. Based on the analysis and discussion, it is found that the terms ulū al-albāb, ulū al-‘ilm, ulu an-nuhā, and ulū al-abṣār are translated in various ways. Ulū al-albāb and ulū an-nuha are translated quite accurately, ulū al-‘ilm accurately, and ulū al-abṣār rather inaccurately. The levels of accuracy are influenced by the translation techniques that is used, cultural differences, and inaccuracy in understanding the lexical meanings. The four terms describe the semantic relations from the most specific to the most general, namely ulū al-albāb, ulū al-nuhā, ulū al-abṣār, and ulū al-‘ilm respectively. Sunan Kalijaga State Islamic University Yogyakarta 2016-06-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1014 10.14421/ajbs.2016.15105 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 15 عدد 1 (2016); 87-109 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 15 No. 1 (2016); 87-109 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 15 No 1 (2016); 87-109 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1014/760 Copyright (c) 2017 Syihabuddin Syihabuddin http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1016 2025-02-14T00:42:09Z Adabiyyat:ART

PRESIDEN JOKO WIDODO: POTRET TINDAK TUTUR PENANGANAN MASALAH SOSIAL-POLITIK BANGSA Burhanuddin, Burhanuddin Sumarlam, Sumarlam This research intends to elaborate the types and domains of President Joko Widodo’s speaking politeness strategies in addressing the nation’s socio-political issues. The simplified Brown and Levinson’s (1987) speaking politeness strategies have been employed to achieve the intended purpose of this investigation. The data was collected through listening method and the extra-lingual equivalent method was employed to analyze the data (Sudaryanto, 1993; Mahsun, 2005). Among the eleven speaking politeness strategies proposed by Brown and Levinson (1987), never has President Joko Widodo employed a joke strategy. It might be because the strategy is thought inappropriate with the topic delivered and is considered as a threat for national socio-political stability. The avoid disagreement strategy and the promise-offer strategy are the most often used strategies by President Joko Widodo, sharing 20% of each; followed by the in-group identitiy markers strategy and the intensify interest-seek agreement strategy, sharing 12% of each; the strategy of notice; attend to interest-wants (2%), and the four remaining strategies which counted for 7% each. The speech acts performed by President Joko Widodo contain some politeness strategies with considerable perlucosion power. However, the dominant use of certain strategies is mainly caused by the socio-cultural inferences, which influence the speaker to perform speech acts, rather than the speaker’s awareness and consciousness for selecting those strategies. The knowledge of dominant strategies of speaking politeness practiced by President Joko Widodo can be used as a base for understanding the pattern of the president’s characteristics to deal with the nation’s social and political issues. Sunan Kalijaga State Islamic University Yogyakarta 2015-12-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1016 10.14421/ajbs.2015.14201 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 14 عدد 2 (2015); 167-190 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 14 No. 2 (2015); 167-190 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 14 No 2 (2015); 167-190 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1016/738 Copyright (c) 2016 Burhanuddin Burhanuddin, Sumarlam Sumarlam http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1018 2025-02-14T00:44:46Z Adabiyyat:ART

UNSUR INTRALINGUAL DAN EKSTRALINGUAL SEBAGAI PENANDA DAYA BAHASA DAN NILAI RASA BAHASA DALAM KESANTUNAN BERKOMUNIKASI Pranowo, Pranowo This study aims to describe the formal elements of extra-lingual and intra-lingual and power of language and the language politeness. This study uses the pragma-semantic theory. Source of data of this research are several private television programs (Indonesia Lawyer Club, Sentilan-Sentilun), Tempo Magazine (Catatan Pinggir ), and the caricature of  Sindo Newspaper. The data are in the form of speeches and sentences, which contain extra-lingual and intra-lingual elements. The data analysis is performed by inventorying, classifying, identifying, and interpreting the data, based on the Pragma-semantic theory. The results are (1) forms of extra-lingual and intra-lingual elements are able to bring the power of language as power of criticism, the power of information, the power of banter, power of commands, and allure, (2) forms of extra-lingual and intra-lingual elements are able to bring the values of language, such as pleasure values, the respect values, and the happiness values. Sunan Kalijaga State Islamic University Yogyakarta 2015-12-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1018 10.14421/ajbs.2015.14202 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 14 عدد 2 (2015); 191-225 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 14 No. 2 (2015); 191-225 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 14 No 2 (2015); 191-225 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1018/739 Copyright (c) 2016 Pranowo Pranowo http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1024 2025-02-12T02:32:13Z Adabiyyat:ART

POLA ARGUMEN PARAGRAF ARGUMENTATIF PADA ARTIKEL JURNAL TERAKREDITASI BIDANG EKONOMI (PERSPEKTIF STEPHEN TOULMIN) Setyaningsih, Yuliana This research is aimed at finding patterns of arguments of argumentative paragraphs in the discussion parts of accredited economic journal articles. The research result shows that patterns of arguments can be differetiated into six, namely (1) Claim-Data; (2) Claim–Data 1–Data 2; (3) Data–Claim; (4) Data 1 – Data 2 – Claim; (5) Data 1– Data 2 – Data 3 – Data 4 – Data 5- Warrant – Claim; (6) Data 1 – Data 2 – Claim – Data 3 – Data 4 – Data 5. Thus it can be concluded that argument patterns of economic journal articles must be continuously increased. The effort of increasing quality of journal articles is considered urgent since Indonesian scientists who contribute ideas through writing journal articles will automatically increase scientific participation in the academic realm broadly. Sunan Kalijaga State Islamic University Yogyakarta 2016-12-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1024 10.14421/ajbs.2016.15202 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 15 عدد 2 (2016); 136-156 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 15 No. 2 (2016); 136-156 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 15 No 2 (2016); 136-156 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1024/766 Copyright (c) 2016 Yuliana Setyaningsih http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1046 2025-02-12T02:29:17Z Adabiyyat:ART

KESANTUNAN TINDAK TUTUR DIREKTIF DALAM TALK SHOW SATU JAM LEBIH DEKAT DI TV ONE (TINJAUAN PRAGMATIK) Syah, Nur Aini The aim of this research are to explain the politeness of directive speech acts and politeness strategy, which supports the effectiveness of the talk show. This research is a descriptive qualitative research. The data resources are spoken data from three episodes of Satu Jam Lebih Dekat Talk Show on TV One. The technique of data sampling is determined by purposive sampling. The data validation technic in this research is triangulation technic. The result of the research shows that the types of directive speech acts in Satu Jam Lebih Dekat are to please, to request, to ask, to order, to invite, and to forbid. The politeness strategies of Satu Jam Lebih Dekat are bald on record, positive politeness, negative politeness, and off record. The politeness of directive speech acts supports the effectiveness of the talk show because of some factors, such as types of directive speech act and politeness strategy. Sunan Kalijaga State Islamic University Yogyakarta 2017-06-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1046 10.14421/ajbs.2017.01105 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 1 عدد 1 (2017); 94-111 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 1 No. 1 (2017); 94-111 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 1 No 1 (2017); 94-111 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1046/778 Copyright (c) 2017 Nur Aini Syah http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1053 2025-02-12T02:28:26Z Adabiyyat:ART

KESANTUNAN SEMU PADA TINDAK TUTUR EKSPRESIF MARAH DALAM BAHASA INDONESIA Ekawati, Mursia Verbal anger is an expressive speech act. The language function that supported by expressive speech act is interactional, which is used to reveal social relationship and private attitude. The aims of this research is to get patterns of verbal anger in terms of expressive speech act in Bahasa. This research uses socio-pragmatic method to analyze through speech components, involving sociolinguistics and implicature. Data analysis is done by explaining the marker shapes as the indicator of anger and to whom (P1, P2 or P3) the anger is for. The result shows that speech act of anger are done through indirect sentences (interogative and affirmative sentences), implicit meanings and focus on the third party (P3). Anger to third party is realised as a pseudo politeness. The function of pseudo politeness is also for maintaining the social relationship between friends, families, and communities. This speech act of anger can be done through indirect sentences with the explicit meaning and focus on second party (P2). It is also done through direct sentences and explicit meanings with or without response from P2. Sunan Kalijaga State Islamic University Yogyakarta 2017-06-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1053 10.14421/ajbs.2017.01101 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 1 عدد 1 (2017); 1-22 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 1 No. 1 (2017); 1-22 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 1 No 1 (2017); 1-22 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1053/767 Copyright (c) 2017 Mursia Ekawati http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1054 2025-02-12T02:37:51Z Adabiyyat:ART

HUMOR TERKAIT MU’AMMAR AL-QAŻĀFI (ANALISIS PRAGMATIK) Saputro, Septian Humour functions as a critic, satire, irony or propaganda. By using humour, it is posible to say the truth elegantly and sofly, without disturbing others’ feeling. In pragmatic comunication theory, humour is created from deviations of comunication principles, e.g: Grice principle of comunication and Leech principle of comunication. This research uses the jokes on the former leader of Libyan Mu’ammar al-Qażāfi as the object material. Mu’ammar al-Qażāfi was the leader of controversy as well as he was a dictator. Then, there are assumptions that the humours about al-Qażāfi are not only about entertaiment but also about special aims. The researcher uses pragmatic analysis that covers Grice cooperative principle, Leech politeness principle and speech acts (illocutionary act). The results are that political humour in Libyan was a new kind of humour and it was developed while the revolution was on and in the aftermath. While Ilocutionart Acts, which are found in the humours about al-Qażāfi, are irony, claiming, ordering, complaining, and satiring. The aims in the humours are satire and irony. Sunan Kalijaga State Islamic University Yogyakarta 2016-12-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1054 10.14421/ajbs.2016.15205 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 15 عدد 2 (2016); 197-225 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 15 No. 2 (2016); 197-225 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 15 No 2 (2016); 197-225 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1054/764 Copyright (c) 2016 Septian Saputro http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1056 2025-02-14T00:36:12Z Adabiyyat:ART

PENYIMPANGAN MAKNA DAN PERUBAHAN KONSTITUEN DALAM HUMOR CAK LONTONG Sukardi, Mochamad Ighfir Yuwana, Rawuh Yuda Sumarlam, Sumarlam The purposes of this research are (1) to describe the deviation of meaning in Cak Lontong’s humor materials (2) to describe the changing of constituent in Cak Lontong’s humor materials. This research is a descriptive-qualitative research. Listening method is used as the  data collecting technique, using technique of tap and write. The data analysis method is the reference equalization, using comparative technique to support codification, reduction, presentation, and interpretation. The results of this research are: Cak Lontong exploits gaps and possibilities of new meanings that can be used in words; Cak Lontong deviates meanings by establishing the second meaning as an effort to give surprise to his listeners; and Cak Lontong exploits figurative words of homonymy, e.g. “mengarungi” and “ngurusi” to play the meanings that are conveyed in using the language. The power of Cak Lontong’s humor is in the sensitivity in finding gaps of words, then presenting them by trapping listener’s interpretation to the unintended meanings. A changing constituent occurs to function of process to be participant, participant to participant, participant to circumstances, and circumstances to circumstances. It changes meanings and interpretations of a same word. Sunan Kalijaga State Islamic University Yogyakarta 2016-12-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1056 10.14421/ajbs.2016.15201 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 15 عدد 2 (2016); 110-135 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 15 No. 2 (2016); 110-135 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 15 No 2 (2016); 110-135 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1056/762 Copyright (c) 2016 Mochamad Ighfir Sukardi, Rawuh Yuda Yuwana, Sumarlam Sumarlam http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1062 2025-02-12T02:36:04Z Adabiyyat:ART

PEMAKAIAN BAHASA INDONESIA PADA MASYARAKAT PESISIR DI DESA PUGER WETAN KABUPATEN JEMBER (SUATU TINJAUAN ETNOGRAFI KOMUNIKASI) Setyari, Agustina Dewi Poedjosoedarmo, Soepomo Wijana, I Dewa Putu Puger Wetan Village is one of coastal villages in Jember district. Puger Wetan is a multiethnic village of Javanese, Maduranese, Mandarese and Usingese. In order to communicate with each other, those etnics need a communicating language. That language is Indonesian language. Athough it’s not the main language, Indonesian is used in educational and goverment areas in Puger Wetan. This reasearch explores how Indonesia language is used within socio-cultural bacgrounds, including social economic system. This is a descriptive qualitative research. The data is analized with communication ethnography theory. This reasearch does not only analyze the language perspective (verbal and nonverbal) but also sociocultural perspective of local people, who used the language as an interactive tool. The communication component, in Poedjosoedarmo’s terms, is the word from the term of OOEMAUBICARA. The result shows that the use of Indonesian in the area of government is coneveyed at three occasions between spoker and hearer, (1) The meeting among government officials, (2) The meeting between government officials and the People, and (3) The meeting between government officials and the guest (unknown persons). The use of Indonesian in the realm of educations conducted at four points of utterances, namely (1) within the board of teachers, (2) with the parents, (3) with guest of other institutions, and (4) within the teaching and learning in the Classroom. Factors that leads to the use of Indonesian in the realm of governance and education are (1) an official situation and (2) a relationship between speakers who are not familiar to each other. Sunan Kalijaga State Islamic University Yogyakarta 2016-12-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1062 10.14421/ajbs.2016.15204 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 15 عدد 2 (2016); 176-196 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 15 No. 2 (2016); 176-196 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 15 No 2 (2016); 176-196 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1062/763 Copyright (c) 2016 Agustina Dewi Setyari, Soepomo Poedjosoedarmo, I Dewa Putu Wijana http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1064 2025-02-12T02:36:20Z Adabiyyat:ART

ANALISIS KALIMAT BERDASARKAN POLA KALIMAT DASAR DAN KALKULUS PREDIKAT Liusti, Siti Ainim This study aims to analyze the sentences based on the basic sentence patterns of Indonesian and predicate calculus. These approaches put the predicate as a core component in the sentence structure. The object of study is focused on declarative sentences of Indonesian. The data analysis consists of several stages. Basic sentence patterns of Indonesian consist of identifying the type of sentences, identifying the elements forming sentences, and putting on elements which are based on basic sentence patterns of Indonesian. Predicate calculus consists of identifying atomic or compound propositions, determining the predicate and other components, defining a form of expression predicate calculus, and making a notation function. The results showed that the basic sentence pattern analysis only identifies the internal elements in a single sentence, while the predicate calculus can as well identifies the internal elements of a single or compound sentence. Sunan Kalijaga State Islamic University Yogyakarta 2016-12-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1064 10.14421/ajbs.2016.15203 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 15 عدد 2 (2016); 157-175 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 15 No. 2 (2016); 157-175 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 15 No 2 (2016); 157-175 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1064/761 Copyright (c) 2016 Siti Ainim Liusti http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1069 2025-02-12T02:29:26Z Adabiyyat:ART

NILAI MORAL DALAM SĀQ Al-BAMBŪ KARYA SAʻŪD AL-SANʻŪSĪ Hasanah, Uswatun This study aims to formulate moral values contained in the novel Sāq al-Bambū. The research data are sentences of text containing the Sāq al-Bambū-moral values in the story. Collecting, sorting or reduction of data, and analyzing data done by using hermeneutic methods. The study concludes that the novel Sāq al-Bambū offers three social moral values and a religious moral value. The first moral value is that the gamble will plunge himself and his family, even his own descendants, to live in misery, and these problems will never-end. The second moral value is that the marital relationship which is conducted outside a legitimate marriage will not only spoil and closed his future but also afflict his children with the various conflicts and pressures of the environment. The third moral value is that belief in superstition will preoccupy the attention, energy, and mind. In fact, a lot of things and a lot of innocent parties will be considered negative. The fourth moral value is that to keep self-esteem and dignity is not necessarily by persecuting others. Sunan Kalijaga State Islamic University Yogyakarta 2017-06-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1069 10.14421/ajbs.2017.01106 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 1 عدد 1 (2017); 112-138 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 1 No. 1 (2017); 112-138 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 1 No 1 (2017); 112-138 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1069/779 Copyright (c) 2017 Uswatun Hasanah http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1094 2025-02-12T02:28:47Z Adabiyyat:ART

DOKSA, KEKERASAN SIMBOLIK DAN HABITUS YANG DITUMPANGI DALAM KONSTRUKSI KEBUDAYAAN DI DEWAN KESENIAN JAKARTA Zurmailis, Zurmailis Faruk, Faruk This research aims to reveal the doxa generated by the Jakarta Arts Council (DKJ)  and its role as the institution with the legitimacy to build cultural construction, especially in the field of literature. This study uses the theory of genetic structuralism or also known as constructivist structuralism by Pierre Felix Bourdieu. This theory departs from the basic concept of the habitus and the arena, agency and structure as the principles that gave birth and developed the habits, producing habitus as well as perspectives. The results shows that the habitus and the perspective place the Jakarta Arts Council as doxa and as a guidelines for cultural practices in art programs, which is rooted on the structure of culture that is constructed through symbolic violence toward the involved agents and is socialized in the field of culture through similarly of symbolic violence. Sunan Kalijaga State Islamic University Yogyakarta 2017-06-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1094 10.14421/ajbs.2017.01103 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 1 عدد 1 (2017); 44-72 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 1 No. 1 (2017); 44-72 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 1 No 1 (2017); 44-72 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1094/770 Copyright (c) 2017 Zurmailis Zurmailis, Faruk Faruk http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1096 2025-02-12T02:28:38Z Adabiyyat:ART

ADOPSI POLA PUISI ARAB JAHILI DALAM AL-QUR’AN (PENDEKATAN ILMU AL-‘ARŪḌ) Patah, Akhmad In the Qur'an, there are many verses which employ one of the 16 patterns of the classical Arabic poetry metres, which in ‘Aruḍ are called baḥr (plural: buḥūr). All the patterns of the metres are applied in the Qur'an. However, these patterns are not put into practice consistently, and this inconsistency becomes the peculiarity of the Qur'an that distinguishes it from poetry. This paper specifically discusses the verses that applied the patterns as well as the specificity. Utilizing the scientific approach of ‘Aruḍ, this paper shows that although the Qur'an adopts the patterns of the poetry metres, there are at least three fundamental differences between the Qur'an and poetry. Therefore, the Qur'an can not be classified as poetry. Sunan Kalijaga State Islamic University Yogyakarta 2017-06-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1096 10.14421/ajbs.2017.01102 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 1 عدد 1 (2017); 23-43 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 1 No. 1 (2017); 23-43 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 1 No 1 (2017); 23-43 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1096/769 Copyright (c) 2017 Akhmad Patah http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1103 2025-02-12T02:29:07Z Adabiyyat:ART

SUMBANGAN AL-KHALĪL DALAM PERKEMBANGAN NAHWU ARAB Pribadi, Moh Al-Khalīl was an one of the most important Arabic figures and became the founder of the Bashrah nahw school. Beside nahw, his studies included sharf, and ‘ilm al-aṣwāt. As an expert of nahw, he succeeded in composing nahw terms which include 'āmil, ma'mūl, i'rāb, binā’, ism, and fi'l. The methods he chose to support his theories were simā'i, 'illah, and qiyās. He was the Arab nahw inventor. A harmonizing the real language and the term nahw can be found in his concept. Sunan Kalijaga State Islamic University Yogyakarta 2017-06-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1103 10.14421/ajbs.2017.01104 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 1 عدد 1 (2017); 73-93 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 1 No. 1 (2017); 73-93 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 1 No 1 (2017); 73-93 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1103/777 Copyright (c) 2017 Moh Pribadi http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1114 2025-02-12T02:06:59Z Adabiyyat:ART

REALISASI AFEK PADA TALK SHOW MATA NAJWA ON STAGE “SEMUA KARENA AHOK” Khaofia, Suci This research discusses the realization of affect as a part of interpersonal meaning in a talk show of Mata Najwa on stage “Semua Karena Ahok”. The research is a descriptive qualitative research. The source of data in this research is the dialogue of Najwa Shihab which contains polarity and lexis attitudinal. The result shows that Mata Najwa on stage “Semua Karena Ahok” has three patterns of polarity and lexis appears in talk show; 1) positive polarity with positive attitudinal lexis, means positive, 2) positive polarity with negative attitudinal lexis, means negative and 3) negative polarity with negative attitudinal lexis, means negative. Najwa Shihab expresses positive attitude to Ahok but neutral to other participants. Najwa Shihab also express both positive and negative to the topic of the dialogue such as Jakarta, Mata Najwa on Stage, and traffic in Jakarta. Sunan Kalijaga State Islamic University Yogyakarta 2018-06-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1114 10.14421/ajbs.2018.02102 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 2 عدد 1 (2018); 27-46 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 2 No. 1 (2018); 27-46 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 2 No 1 (2018); 27-46 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1114/819 Copyright (c) 2018 Suci Khaofia http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1123 2025-01-20T15:12:41Z Adabiyyat:ART

KEKHASAN DIKSI VALENTINO SIMANJUNTAK PADA PIALA PRESIDEN 2017 Fatoni, Nur Rochman This research aims to explain the meaning and style of the unique dictions of langauge by Valentino Simanjuntak (VS) in the 2017 Presidential Cup and to explain the context of the underlying discourse. The research data is the unique diction list that VS often said in commenting on the match. The researcher uses the techniques of listening, noting, recording, transcripting, and documenting. In analyzing the data, researchers uses descriptive method. The results shows that the emergence of the unique dictions of VS is based on 3 contexts; namely physical, social, and epistemic context. The meaning analysis finds that VS uses the dictions to comment about what is happening in the pitch. He describes the events in the soccer matches by associating events in the pitch with events from various domains. The referred domains are household, romance, law, transportation. From the 24 data findings, the researcher finds 16 nouns dictions, 5 verbal dictions, a numeral diction, a minor phrases, and a sound imitations. VS’s dictions also have 2 pictoral meanings, 16 figurative meanings, 3 referential meanings, and 3 connotative meanings. VS uses 15 styles of metaphor and 5 styles of personification. There are 4 dictions that do not use any style. Sunan Kalijaga State Islamic University Yogyakarta 2017-12-13 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1123 10.14421/ajbs.2017.01205 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 1 عدد 2 (2017); 223-247 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 1 No. 2 (2017); 223-247 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 1 No 2 (2017); 223-247 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1123/815 Copyright (c) 2017 Nur Rochman Fatoni

oai:ojs.pkp.sfu.ca:article/1132 2025-02-12T02:12:28Z Adabiyyat:ART

HUBUNGAN ANTARA LAFAL, KONTEKS, DAN MAKNA DALAM AL-QUR`AN Sukamta, Sukamta This article presents the results of research on the relationship between pronunciation, context, and meaning in the Qur`an. With the neuroscience approach, naḥw, and ilm al-dalālah, the discussion focused on six things: the selection of the form of the word (sīgah), the mention or disposal of the letters tā or yā, the use of the form mufrad or muṡanna, the choice of wazn, the use of long vowel marks (madd), harakat ḍammah or tasydīd, and selection of certain words. The method used is comparing various verses that contain words or phrases with the same linguistic problems, analyzing their meanings to conclude the results. The analysis of the intended meaning is carried out through a search for the context of each, by considering the differences in the pronunciation of each sound. This research shows that in the Qur`an, the use of pronunciation is very suitable with the meaning in question and the context behind it. Sunan Kalijaga State Islamic University Yogyakarta 2017-12-13 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1132 10.14421/ajbs.2017.01206 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 1 عدد 2 (2017); 248-268 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 1 No. 2 (2017); 248-268 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 1 No 2 (2017); 248-268 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1132/816 Copyright (c) 2017 Sukamta Sukamta http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1135 2025-02-12T02:08:29Z Adabiyyat:ART

PENERJEMAHAN ISTILAH RELIGI: PENILAIAN KUALITAS KEAKURATAN Yulianita, Nadia Gitya This paper aims to seek the category of religious terms in The Complete Idiot’s Guide to Understanding Islam (written by Emerick Yahiya), the translation’s techniques which are used to translate them, and the accuracy of the translation in Memahami Islam. The translation was done by Tim Penerjemah Pusat Bahasa dan Budaya Universitas Islam Negeri Syarif Hidayatullah. This research is a descriptive qualitative research and an embedded-case study. It was conducted by categorizing the religious terms which exist in the book. Based on the relevance theory, the researcher determined how a proper translation should be. Then, the researcher compared the source language and target language in order to identify the translation techniques. Finally, the researcher assessed the accuracy of the translation based on the translation techniques. The result shows that there are fourteen categories of religious terms in the book, namely eschatology, moral and ethical criteria, religious artifacts, religious constructions, religious events, religious groups, religious personages, religious sites, specialized religious activities, supernatural beings, terms of revelation, religious ceremonies, religious histories, and religious activities. In addition, the translator uses established equivalent, borrowing, literal, particularization, generalization, transposition, reduction, addition, explicitation and discursive creation techniques. In addition, the average score for the accuracy of the translation is 2,8. Sunan Kalijaga State Islamic University Yogyakarta 2017-12-13 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/vnd.openxmlformats-officedocument.wordprocessingml.document application/vnd.openxmlformats-officedocument.wordprocessingml.document application/vnd.openxmlformats-officedocument.wordprocessingml.document https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1135 10.14421/ajbs.2017.01202 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 1 عدد 2 (2017); 156-181 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 1 No. 2 (2017); 156-181 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 1 No 2 (2017); 156-181 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1135/803 https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1135/1303 https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1135/1304 https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1135/1306 Copyright (c) 2017 Nadia Gitya Yulianita http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1183 2025-02-12T02:08:20Z Adabiyyat:ART

INTERSEKSI MASKULINITAS DAN AGAMA DALAM CERPEN ROBOHNYA SURAU KAMI KARYA A. A. NAVIS Hidayatullah, Danial This research aims to find out how gender and narrative correlate to each other. Traditionally speaking, gender is only related to one of the intrinsic aspects, the character, which is usually inside the plot. Although in this short story the narrator is character-bound narrator, the narrator is not in the fabula or plot. The implication is that it can be assumed that gender plays its role. The narrator in this short story obviously gets involved in the contestation of masculinity of the characters. The method of narratology is employed to dig out all of the masculine contestation, among the main characters (Ajo Sidi and Sang Kakek/the Oldman) and the narrator. The result shows that the masculinity of Ajo Sidi belongs to the hegemonic masculinity and the masculinity of the Oldman belongs to the non-hegemonic masculinity. The contestation of masculinity represents the binary opposition between active and passive masculinity. In this respect, the masculinity of the Oldman, which is passive, can be binarized as the feminine rather than masculine one. Sunan Kalijaga State Islamic University Yogyakarta 2017-12-13 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1183 10.14421/ajbs.2017.01201 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 1 عدد 2 (2017); 139-155 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 1 No. 2 (2017); 139-155 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 1 No 2 (2017); 139-155 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1183/780 Copyright (c) 2017 Danial Hidayatullah http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1196 2025-02-12T02:07:09Z Adabiyyat:ART

REKONSTRUKSI PENDIDIKAN KARAKTER DALAM RISĀLAH “ḤAYY BIN YAQẒĀN” KARYA IBN ṬUFAIL (Analisis Resepsi Sastra) Latifi, Yulia Nasrul In the middle of  seeking  the concept of character education recently, risālah “Ḥayy bin Yaqẓān” offers an  inclusive and holistic alternative  in  literature perspective. The risālah describes the life of  the main character, Ḥayy,  whose life is  full of knowledge, wisdom, and values from  chilhood to death. This research aims to show the reconstruction of character education pillars  and  the process of character  education building. The material object of this research is a risālah entitled  Ḥayy bin Yaqẓān written by Ibn Ṭufayl. The formal object is the reconstruction of character education. The theory  applied here is  a  reception  by Iser,  using a content analysis method. The results of this analysis reveals that the risālah consist of reconstruction of education pillars reflected on the character of Ḥayy. They are a willingness to learn, proactive and has a positive contribution  to his neigborhood,  emphaty and compassionate, cognitive  intelligence combined with a strength of soul, and be  faithful in God. The reconstruction of the process of character  education building is the internal factors (family), the external factors (millieu), and the principle of character education is a life long education. Sunan Kalijaga State Islamic University Yogyakarta 2018-06-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1196 10.14421/ajbs.2018.02103 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 2 عدد 1 (2018); 47-72 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 2 No. 1 (2018); 47-72 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 2 No 1 (2018); 47-72 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1196/826 Copyright (c) 2018 Yulia Nasrul Latifi http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1197 2025-02-12T02:07:28Z Adabiyyat:ART

VARIASI KELUASAN MAKNA PENGALAMAN DALAM PENERJEMAHAN NOVEL RONGGENG DUKUH PARUK KE DALAM BAHASA INGGRIS Khristianto, Khristianto There is no “real equivalence” in translation; it is always relative, finding the best among the defect possibilities. This study was aimed to discover the the types of variations of the experiential meaning breadth (EMB) in a novel, 'Ronggeng Dukuh Paruk' in Indonesian and English, to find out the EMB variation level.This is a descriptive qualitative endevour, applying a content analysis method, focusing on the experiential meaning, particularly on its breadth dimension. The data sources are two language versions of the novel, Indonesian (Ind) and English (En). The data are clause units of transitivity. The results of this study indicate that the most dominant EMB variation is 0 variation. The intertextual bond is proved to be strong in leading the translators to create the meaning of the clauses. In general the variation level of EMB is very low, 9.16. This indicates that the intertextual context plays a very dominant role to lead the decision of the translator in realizing the meaning. The variations in the EMB in general do not affect the completeness of the meaning. Sunan Kalijaga State Islamic University Yogyakarta 2018-06-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1197 10.14421/ajbs.2018.02105 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 2 عدد 1 (2018); 99-126 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 2 No. 1 (2018); 99-126 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 2 No 1 (2018); 99-126 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1197/824 Copyright (c) 2018 Khristianto Khristianto http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1249 2025-02-12T02:08:38Z Adabiyyat:ART

REPRODUKSI WOMANHOOD DALAM NOVEL BUNDA: KISAH CINTA 2 KODI KARYA ASMA NADIA Udasmoro, Wening Positioning women in literary works by women’s writers almost always has a dynamic turn. Asma Nadia, as a women’s writer is a representation of Forum Lingkar Pena which tends to flip the early women’s narrative model in Reformation era. This narrative model positions women, who are as if in a autonomus and auto-regulative narrative, into their subordinative position. The reversal of women’s narration by women’s writer with the religious perspectives brings up questions like: how is the positioning represented? How are the construction and the position of women in the turning point of the Reformation? What kind of reproduction of womanhood is formed in the novel? This paper aims at investigating the construction of womanhood in the novel with the religious perspectives by Asma Nadia, Bunda Kisah Cinta 2 Kodi. The alternatives in facing the religious structures are negotiated by the writers in various ways. Pardoxes emerge as the consequences of those alternatives. Sunan Kalijaga State Islamic University Yogyakarta 2017-12-13 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1249 10.14421/ajbs.2017.01203 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 1 عدد 2 (2017); 182-200 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 1 No. 2 (2017); 182-200 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 1 No 2 (2017); 182-200 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1249/805 Copyright (c) 2017 Wening Udasmoro http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1252 2025-02-12T02:06:48Z Adabiyyat:ART

REVERSING THE LENS, WACANA PERLAWANAN SEJARAH 1965 DALAM FILM THE ACT OF KILLING Witriani, Witriani As a study, documentary film is often used as a reference because of its historical, social, cultural and political representation which signifies the facts in society. It is no wonder that the production as well as the analysis of the film genre and its development around the world have created such debate, including in the academic realm. The film The Act of Killing is one of them. Directed by an American filmmaker, Joshua Oppenheimer, the film tries to reveal the other facts of Indonesian history which have been covered and never imagined before, especially, the implications of Indonesian Communist Party (PKI) massacre in 1965. Taking the testimony of the actors, the film is quite controversial because it tells and descibes kind of sadism and human rights violations on PKI elements and other ethnicity. Thus it changes the world opinion about the Indonesian history in 1965. However, as a construction, film is a film. Sometimes, there is always a bias. What depicted in a film is a result of the cineast interpretation of historical events that may be different from other point of view. For instance, a contradictory between humanity and ideology has created a discourse among the viewers. While the director focus on a violation of human rights and set everything based on this perspectives, the actors or the perpetrators feel that what they did was a form of struggle to defense the country. Sunan Kalijaga State Islamic University Yogyakarta 2018-06-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1252 10.14421/ajbs.2018.02101 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 2 عدد 1 (2018); 1-26 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 2 No. 1 (2018); 1-26 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 2 No 1 (2018); 1-26 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1252/817 Copyright (c) 2018 Witriani Witriani http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1291 2025-02-12T02:08:49Z Adabiyyat:ART

INTERFERENSI FONETIS BAHASA ARAB DALAM BAHASA INDONESIA: ANALISIS UJARAN BAHASA INDONESIA OLEH PENUTUR ARAB Nasaruddin, Nasaruddin This article aims to  analyze the forms of phonetic interference of Arabic language in the Indonesian language speech spoken by an Arabic native speaker. The source of the data and the object of analysis in this article are the recordings of religious lectures of a preacher from Madinah, Saudi Arabia, Sheikh Ali Jabir, which have been delivered in Indonesian language and widely circulated on YouTube site. The lecture recordings are positioned as Indonesian speech events delivered by an Arabic native speaker. The analytical frameworks used in this paper are the theory of the first language interference over the second language, the theory of contrastive analysis, and the theory of error analysis. The interference theory is applied to understand the flow and the form of interference between Arabic and Indonesian language. The contrastive analysis is applied to identify the phonemic differences between Arabic and the Language of Indonesia and to predict the interferences they cause. Meanwhile, the error analysis is applied to identify the forms of phonetic interference of Arabic over the Indonesian language and to explain their causes and motives. This research finds that there are forms of interference of Arabic sounds in Indonesian speeches spoken by an Arabic native speaker which can generally be patterned in two forms, namely, changes in the pronunciation of unknown Indonesian sounds in Arabic, and changes in the pronunciation of the sounds of the Indonesian words derived from the Arabic language. Both of these two patterns are marked by the change of point and manner of articulation of some Indonesian sounds. Sunan Kalijaga State Islamic University Yogyakarta 2017-12-13 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1291 10.14421/ajbs.2017.01204 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 1 عدد 2 (2017); 201-222 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 1 No. 2 (2017); 201-222 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 1 No 2 (2017); 201-222 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1291/807 Copyright (c) 2017 Nasaruddin Nasaruddin http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1302 2025-02-12T01:56:47Z Adabiyyat:ART

REALISASI TEMPORALITAS, ASPEKTUALITAS, DAN MODALITAS DALAM BAHASA INGGRIS DAN BAHASA INDONESIA Oktavianti, Ikmi Nur Prayogi, Icuk In linguistic typology, the terms “tense”, “aspect”, “mood/modality” are commonly used and recognized as verb paradigms or verbal systems (morphosyntactically) as well as verb semantic aspects (semantically) in describing language characteristics. Those terminologies, however, are treated as equivalents, while theoretically they remain problematic. Tense and aspect belong to grammatical categories, while modality is a semantic notion. There is also another term ‘mood’ that is often misunderstood as the synonym of modality of which they are basically two distinct yet related concepts. This paper then aims at revisiting those terms above by using the terms “temporality’, “aspectuality, and “modality” and investigating the realizations of those notions in English and Indonesian in order to obtain comprehensive understanding. This study employed contrastive analysis to compare English and Indonesian. The data were collected from two synchronic corpora, Corpus of Contemporary American English (COCA) for English data and Wortschatz Leipzig Corpora Collection (WLCC) for Indonesian data. The results of the analysis show that English and Indonesia have distinct realizations of temporality, aspectuality, and modality of which English is more various in manifesting temporality, while Indonesian is more various in manifesting aspectuality. As for modality, English has more realizations, including core modals and quasi-modals. It can be concluded that basically English is morphosyntactically and syntactically richer than Indonesian, but Indonesian is morphologically richer than English. Sunan Kalijaga State Islamic University Yogyakarta 2018-12-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1302 10.14421/ajbs.2018.02202 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 2 عدد 2 (2018); 181-201 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 2 No. 2 (2018); 181-201 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 2 No 2 (2018); 181-201 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1302/831 https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1302/1305 Copyright (c) 2018 Ikmi Nur Oktavianti, Icuk Prayogi http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1337 2025-02-12T01:57:01Z Adabiyyat:ART

KONSTRUKSI AKU DALAM DIATESIS MEDIAL REFLEKSIF BAHASA INDONESIA PADA NOVEL TERJEMAHAN Matradewi, Ni Ketut Widhiarcani The translation of the pronoun persona “I” on Indonesian translation novels is very dynamic and varied. This is interesting when simple and static forms in French are finally able to be translated into varied and unique forms, without breaking away from the rules of language that apply in Indonesian. This study examines the “I” figure contained in the construction of the medial diathesis of Indonesian which is translated from two French novels: Pendidikan Istri by Apsanti Djokosujatno from l’Ecole des Femmes by Andre Gide and Lara Kusapa by Ken Nadya from Bonjour Tristesse by Francoise Sagan. The critical linguistic approach is chosen in this study to see the ideology behind the “I” construction. From the analysis of this study, it is found that “I” construction is an important strategy carried out by the translators to construct the translators’ ideology in translating reflexive medial diathesis forms. Linguistically, the translations are carried out with positive lexicalisation, adverb addition, idiom use, nominalization, and the substitution of the “I” character with other pronouns when the “I” character is in a predominant position. Extralinguistically, the translations are related to the factors of creativity, ideology, and the context of the target language. Sunan Kalijaga State Islamic University Yogyakarta 2018-12-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1337 10.14421/ajbs.2018.02203 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 2 عدد 2 (2018); 202-218 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 2 No. 2 (2018); 202-218 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 2 No 2 (2018); 202-218 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1337/839 Copyright (c) 2018 ni ketut widhiarcani matradewi http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1352 2025-02-12T02:07:19Z Adabiyyat:ART

REPRESENTASI RADIKALISME DAN DERADIKALISME AGAMA DALAM SASTRA PESANTREN Pujiati, Hat Radicalism is not only a challange to a nation-state system but also a threat to the diverse and tolerance of Indonesian. Even literary works are potential to be a site of meanings that fertilizes radicalism through narrations. Therefore, this article scrutinizes the ability of literary texts to support or to counter radicalism in Indonesia. The chosen Sastra Pesantren (Pesantren literature) in this research are Menggapai Kosong by Izzul Muttaqin and Rebbe by Laila Haqy. The focus of this research is ideological position of the author in presenting religious-humanist discourse as a formula of antiradicalism. The analysis is done through a mapping of religious-humanist discourse in the literary texts with considering historical moment and place of the production. Stuart Hall’s representation theory is used in this article. Through constructionist approach this research analyzes the ability of language system in contructing concepts in our minds or to make the material world is meaningfull. The result of this analysis shows that the two pesantren literary works has represented deradicalism as efforts to against religious radicalism. The policies of the government in fighting radicalism have important roles in constructing the divinity and culture of society as recorded by the Pesantren literature. Sunan Kalijaga State Islamic University Yogyakarta 2018-06-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1352 10.14421/ajbs.2018.02104 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 2 عدد 1 (2018); 73-98 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 2 No. 1 (2018); 73-98 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 2 No 1 (2018); 73-98 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1352/822 Copyright (c) 2018 Hat Pujiati http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1356 2025-02-12T02:02:05Z Adabiyyat:ART

QIṢṢAH QAṢĪRAH JIDDAN: SEBUAH GENRE TERBARU DALAM SASTRA ARAB Tasnimah, Tatik Mariyatut qiṣṣah qaṣīrah jiddan postmodern literature digital literature This article aims to describe the development of contemporary Arabic literary genre called Qişşah Qaşīrah Jiddan (QQJ), by revealing its characteristics, its components, and the factors that influence its emergence. This research fills the gap in the study of QQJ, in terms of both theory and application, despite the fact that it has existed among classic genres. To fulfill its objectives, this research uses descriptive analysis by examining the production of the literary works, its existence, its role and social reality. To explore the connection between QQJ and the social reality that surrounds it, this research applies qualitative methods by studying the documents that focus on contextual analysis of written materials. Based on the analysis, this study found that the emergence of the QQJ genre in the repertoire of contemporary Arabic literature is a response to the demands and needs of this fast-paced technological era which requires something practical and pragmatic. Though this narrative genre stems from short story, it is neither an advancement of a short story, nor the development of its branches or the incarnation of the old Arabic literary genre. Instead, it is an autonomous genre that adopts a variety of things in its development, especially aspects underlying postmodernity such as being practical, dynamic, and digital. Sunan Kalijaga State Islamic University Yogyakarta 2019-12-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1356 10.14421/ajbs.2019.03202 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 3 عدد 2 (2019); 165-192 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 3 No. 2 (2019); 165-192 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 3 No 2 (2019); 165-192 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1356/860 Copyright (c) 2019 Tatik Maryatut Tasnimah http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1383 2025-02-12T01:56:31Z Adabiyyat:ART

BLENDING: SEBUAH ALTERNATIF DALAM PENAMAAN MAKANAN DAN MINUMAN RINGAN Giyatmi, Giyatmi Wijayava, Ratih Arumi, Sihindun This research aims at finding kinds of blend and describing the formation of blend in snack names found in supermarket around Sukoharjo, Central Java. This research is a descriptive qualitative research. Data of this research are the blend which are used in snack brands. The data are taken from several shops and supermarkets such as Indomaret, Alfamart, Mitra, Jumbo, and Hyperrmart in Sukoharjo area. This research uses observation and writing techniques. The data analysis consists of data reduction, data display, and data verification. The data reduction is done by reducing snack brands with no blend in the data collection process. The research uses triangulation theory to deal with the types of blend and the formation of blend. The research finds 62 data of snack brands which use blend. There are three kinds of blend, such as blend with clipping (51 data), blend with phonemic overlapping (7 data), and blend with overlapping and clipping (4 data). Most of the blends are blends with clipping because they are the easiest way to create a new word using blend. Meanwhile, there are 13 ways of blend formation. Sunan Kalijaga State Islamic University Yogyakarta 2018-12-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1383 10.14421/ajbs.2018.02201 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 2 عدد 2 (2018); 156-180 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 2 No. 2 (2018); 156-180 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 2 No 2 (2018); 156-180 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1383/838 Copyright (c) 2018 Giyatmi - Giyatmi, Ratih - Wijayava, Sihindun - Arumi http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1395 2025-02-12T01:57:13Z Adabiyyat:ART

STRATEGI HUMOR PADA ACARA STAND UP COMEDY Utami, Indah Ita Stand Up Comedy is a type of single joke because comedians perform monologue on a stage alone and rely on their gestures. This research is to answer these problems: what are the pragmatic strategy, linguistic strategy, humor function, and the community's response to humor strategies of children comedians in the Stand Up Comedy program? This study uses descriptive qualitative method. This study uses three stages, namely the stage of the data collection, the data analysis stage, and the stage of presenting the results of data analysis. The methods used in the data collection stage are observation and interview. The data analysis phase uses the pragmatic equivalent method. The stage of presenting the results of data analysis uses informal methods. The pragmatic of the strategies that are dominantly used are presuppositions, violation of maxim, and implicature. The dominant strategies of linguistic that are found are nonsense, ridicule, irony, and misunderstanding. The dominant function of humor that is found tends to give an understanding to the community to find solutions to a problem through ways that are conveyed pleasantly. However, the community judges that some of the words uttered tend to give a bad example because they seem impolite and patronizing. Sunan Kalijaga State Islamic University Yogyakarta 2018-12-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1395 10.14421/ajbs.2018.02204 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 2 عدد 2 (2018); 219-245 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 2 No. 2 (2018); 219-245 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 2 No 2 (2018); 219-245 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1395/836 Copyright (c) 2018 indah ita utami http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1398 2025-02-12T01:59:37Z Adabiyyat:ART

ANALISIS STRATEGI PENERJEMAHAN DALAM TERJEMAHAN DĪWĀN AL-IMĀM AL-SYĀFI`Ī Analisis Strategi Penerjemahan dalam Terjemahan Dīwān al-Syāfi`ī Pamungkas, Muhammad Ibnu Akmaliyah, Akmaliyah translation strategy translation Dīwān al-Imām al-Syāfi`ī translation strategy translation dīwān al-Imām al-Syāfi`ī This research aims to describe and analyze the strategy used in translating Dīwān al-Imām al-Syāfi`ī. All analyzed data were taken from the translation of Dīwān al-Imām al-Syāfi`ī using dynamic equivalence technique. The method used in conducting this research is distributional review, starting from describing, filtering, classifying, and analyzing the data. Analysis process starts from choosing the translation strategy used in translating the text, then classify each data based on the strategy. After that, the classified data is being analyzed by stating which strategy category is used and what would probably be the reason for the translator to chose that specific strategy. The result shows that there are four translation strategies used by the translator in translating Dīwān al-Imām al-Syāfi`ī. Those translation strategies are replacing words order (taqdīm wa ta’khīr), loss (inqāṣ), gain (ziyādah), and substitution (tabdīl). For loss and gain strategies, there are another two categories which are avertable and inavertable. Based on the result of the analysis, the researcher then conclude that the main reason for the translator in choosing to use these strategies is the presence of linguistic and non-linguistic differences. Linguistic difference is indicated at patterns of sentence, uslūb and the dilālah between the two languages. As for the non-linguistic difference is related with cultural differences between the two languages. This research aims to describe and analyze the strategy used in translating Dīwān al-Imām al-Syāfi`ī. All analyzed data were taken from the translation of Dīwān al-Imām al-Syāfi`ī using dynamic equivalence technique. The method used in conducting this research is review, starting from describing, filtering, classifying, and analyzing the data. Analysis process starts from choosing the translation strategy used in translating the text, then classify each data based on the strategy. After that, the classified data is being analyzed by stating which strategy category is used and what would probably be the reason for the translator to chose that specific strategy. The result shows that there are four translation strategies used by the translator in translating Dīwān al-Imām al-Syāfi`ī. Those translation strategies are replacing words order (taqdīm wa ta’khīr), loss (inqāṣ), gain (ziyādah), and substitution (tabdīl). For loss and gain strategies, there are another two categories which are avertable and inavertable. Based on the result of the analysis, the researcher then conclude that the main reason for the translator in choosing to use these strategies is the presence of liguistic and non-linguistic differences. Linguistic difference is indicated at uslūb and the structure between the two languages. As for the non-linguistic difference is related with the translation of certain terms in the Arabic culture which cannot be found the similar term in Bahasa Indonesia. Sunan Kalijaga State Islamic University Yogyakarta 2019-06-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1398 10.14421/ajbs.2019.03104 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 3 عدد 1 (2019); 74-95 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 3 No. 1 (2019); 74-95 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 3 No 1 (2019); 74-95 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1398/855 Copyright (c) 2019 Muhammad Ibnu Pamungkas, Akmaliyah Akmaliyah http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1406 2025-02-12T01:57:23Z Adabiyyat:ART

KAJIAN SLANG AUSTRALIA: PROSES MORFOLOGIS DAN PERUBAHAN SEMANTIK Kusumawati, Anggara Jatu This study aims to investigate the formation process slang of Australian English. This research employs a qualitative-descriptive approach. The data of this research are conversation transcripts of Australians consisting three males and one female and being analysed analytically to find the use of slang. Observational technique was used to gather the data. The researcher taped the conversation and transcribed them to make the data analysis easier. Slang is formed into a morphological and semantic process. The morphological processes consist of derivation, clipping, blending, acronym, and alliteration. The semantic process consists of generalization, metaphor, specialization, and arbitrary process. The use of slang affects the society in terms of social and communication function. Knowing this intensely helps non natives to get close and increase more understanding in communicating with Australians. Sunan Kalijaga State Islamic University Yogyakarta 2018-12-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1406 10.14421/ajbs.2018.02205 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 2 عدد 2 (2018); 246-264 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 2 No. 2 (2018); 246-264 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 2 No 2 (2018); 246-264 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1406/840 Copyright (c) 2018 Anggara Jatu Kusumawati http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1456 2025-02-12T01:57:33Z Adabiyyat:ART

KRITIK JUBRAN KHALIL JUBRAN TERHADAP KONSTRUKSI AGAMA DALAM CERPEN “KHALĪL AL-KĀFIR” Nurain, Nurain The material object of this paper is a short story written by Jubran Khalil Jubran, entitled Khalīl al-Kāfir. The formal object is Jubran's criticism of religious construction from the transcendentalist perspective. It aims to answer the question why Jubran criticized religious construction in his writing. As a migrant Arabic writer, who has the experiences of living in the Western and Eastern world, Jubran is able to critically read the construction of religion in the Christian tradition. His criticism is expressed in Khalīl al-Kāfir, which tells his protest and rebellion against the religious leaders as well as the exclusivity and formality of religion which eliminate its spiritual dimension as the soul of human mental enlightenment. The analysis shows that Jubran criticized the sacred authority of priests and monks because of his views that God is immanent and existent everywhere. The immanence of God implies that He is being a power in every human soul. Meanwhile, His existence everywhere emphasizes the over-soul of God's oneness with humans and nature, the oneness of God with all creatures in the universe. Sunan Kalijaga State Islamic University Yogyakarta 2018-12-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1456 10.14421/ajbs.2018.02206 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 2 عدد 2 (2018); 265–286 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 2 No. 2 (2018); 265–286 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 2 No 2 (2018); 265–286 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1456/851 Copyright (c) 2018 Nurain Rafiq http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1477 2025-02-12T02:02:34Z Adabiyyat:ART

MEME POLITIK SETYA NOVANTO SEBAGAI REPRESENTASI DEMOKRASI DIGITAL DI INDONESIA: ANALISIS WACANA KRITIS Andriani, Viena Wanidha critical discourse analysis Setya Novanto’s meme digital democracy ideology political elite Political memes of Setya Novanto (Setnov) are assumed to have constructed critical ideological discourses that reflect the digital democracy in Indonesia. The courage of social media users to strongly criticize the political elite is very interesting to be analyzed. By using Fairclough’s Critical Discourse Analysis (CDA), this article examines how social media memes construct the discourse on Setya Novanto, which ideology is conveyed through the memes, and to whom it is addressed. Also, this study analyzes the socio-ccultural context as the background of these memes. The result of the analysis shows that the political memes of Setya Novanto construct a negative image of him and the people involved in his case. Based on the analysis of the discursive practices, it is found that the ideology is addressed to the government and the people related to the case. Meanwhile, the public response indicates that the distribution of the ideology is both received and supported by the audience. Based on the sociocultural analysis, it is understood that systematic corruption, low public trust to the political elite and government, and the flexibility of online media become the key factors to the emergence of the memes. Sunan Kalijaga State Islamic University Yogyakarta 2019-12-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1477 10.14421/ajbs.2019.03205 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 3 عدد 2 (2019); 231-260 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 3 No. 2 (2019); 231-260 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 3 No 2 (2019); 231-260 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1477/880 Copyright (c) 2019 Ve Andria Wijaya http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1482 2025-02-12T01:59:15Z Adabiyyat:ART

PERKEMBANGAN ‘ILM AL-ṢARF DALAM LEKSIKOLOGI ARAB Ni'mah, Umi Nurun dictionary tajrīd i’lāl binā’ ‘ilm al-ṣarf This paper seeks to discover the relationship between the development of ‘ilm al-ṣarf and of the Arabic lexicography. The analysis is made based on the entries of the Arabic dictionaries—which are the samples of this research. The dictionaries taken as the samples are those produced between the second century (first generation) and the twentieth century of Hijriya. The three concepts of ‘ilm al-ṣarf— tajrīd, i’lāl, and binā—are applied to analyse them. This article aims to trace and elucidate the development of the three concepts as they appear in the dictionaries. Based on the analysis, it is found that ilm al-ṣarf has evolved through time even though its basic principles had been applied from the first edition of the Arabic dictionaries. Sunan Kalijaga State Islamic University Yogyakarta 2019-06-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1482 10.14421/ajbs.2019.03102 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 3 عدد 1 (2019); 26-52 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 3 No. 1 (2019); 26-52 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 3 No 1 (2019); 26-52 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1482/854 Copyright (c) 2019 Umi Nurun Ni'mah http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1488 2025-02-12T01:59:04Z Adabiyyat:ART

RESEPSI SISWA MADRASAH TSANAWIYAH KABUPATEN BANTUL TERHADAP CERPEN REMAJA PADA SURAT KABAR KEDAULATAN RAKYAT RESEPSI SISWA MADRASAH TSANAWIYAH KABUPATEN BANTUL TERHADAP CERPEN REMAJA PADA SURAT KABAR KEDAULATAN RAKYAT Yuniati, Siska Nurgiyantoro, Burhan teen short story Kedaulatan Rakyat student reception teen short story Kedaulatan Rakyat student reception Literary reception encompasses reader’s role in making meaning from literary texts. Student’s reception of teenage short story can give an idea of student’s acceptance of this type of text. This is interesting because students as teenagers are rarely involved in responding to teenage short stories, particularly ones available in newspapers. This research aims to examine the reception of teen short stories in the Kedaulatan Rakyat Newspaper by students of Madrasah Tsanawiyah in Bantul Regency in terms of intellectual and emotional aspects. Respondents in this study are 128 students of MTsN 1 Bantul, MTsN 3 Bantul, MTsN 4 Bantul, MTs Al Falah, and MTs Hasyim Asy'ari. The data were collected using a reception questionnaire focusing on intellectual and emotional aspects. The results of the study are as follows. First, in terms of intellectual aspect, the students’ reception of teen short stories in Kedaulatan Rakyat is high (70.82%), moderate (15.62%), and low (13.58%). Second, in terms of emotional aspect, the students’ reception of teen short stories in this newspaper is high (38.86%), moderate (20.28%), and low (40.86%). Fourth, there is no significant difference between the reception of students from state madrasah and private madrasah. Based on the results of this study, it can be concluded that students of class IX of Madrasah Tsanawiyah, Bantul Regency can understand well the elements of story builders and the structure of short story, language, themes, and conflicts in the short story. Students also understand the logic of the story in the text and feel the tension of the conflict. The new values in the short stories and actions of the main characters are quite acceptable to students. Students are also interested enough to discuss the short stories further. Meanwhile, most students felt less emotional impact and do not feel the tension presented in the short story. Literary reception encompasses reader’s role in making meaning from literary texts. Student’s reception of teenage short story can give an idea of student’s acceptance of this type of text. This is interesting because students as teenagers are rarely involved in responding to teenage short stories, particularly ones available in newspapers. This research aims to examine the reception of teen short stories in the Kedaulatan Rakyat Newspaper by students of Madrasah Tsanawiyah in Bantul Regency in terms of intellectual and emotional aspects. Respondents in this study are 128 students of MTsN 1 Bantul, MTsN 3 Bantul, MTsN 4 Bantul, MTs Al Falah, and MTs Hasyim Asy'ari. The data were collected using a reception questionnaire focusing on intellectual and emotional aspects. The results of the study are as follows. First, in terms of intellectual aspect, the students’ reception of teen short stories in Kedaulatan Rakyat is high (70.82%), moderate (15.62%), and low (13.58%). Second, in terms of emotional aspect, the students’ reception of teen short stories in this newspaper is high (38.86%), moderate (20.28%), and low (40.86%). Fourth, there is no significant difference between the reception of students from state madrasah and private madrasah. Based on the results of this study, it can be concluded that students of class IX of Madrasah Tsanawiyah, Bantul Regency can understand well the elements of story builders and the structure of short story, language, themes, and conflicts in the short story. Students also understand the logic of the story in the text and feel the tension of the conflict. The new values in the short stories and actions of the main characters are quite acceptable to students. Students are also interested enough to discuss the short stories further. Meanwhile, most students felt less emotional impact and do not feel the tension presented in the short story. Sunan Kalijaga State Islamic University Yogyakarta 2019-06-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1488 10.14421/ajbs.2019.03101 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 3 عدد 1 (2019); 1-25 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 3 No. 1 (2019); 1-25 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 3 No 1 (2019); 1-25 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1488/852 Copyright (c) 2019 Siska Yuniati, Burhan Nurgiyantoro http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1500 2025-02-10T04:30:37Z Adabiyyat:ART

KALIMAT TERBELAH BAHASA INDONESIA: KEKHASAN STRUKTUR DAN KEBERMAKNAANNYA Budiman, Arif cleft sentence construction pattern focus presuposition. This article aims to reveal the various patterns of cleft clause in Bahasa Indonesia and their meaning. The research data were taken from Indonesian translation of the Quran. The data here included all the cleft sentences in the source. They were then sorted and analyzed based on theories of cleft sentences of Indonesian and English. The results of the analysis show that the cleft sentences in Bahasa Indonesia are constructed in Predicate (P) – Subject (S), P-S-Adjunct (A), and P-A-S. In these patterns, the cleft sentences are the true cleft sentences. Besides, there are other constructions found, namely: S-P, S-P-A, A-S-P, and S-A-P. However, the sentences in the patterns make pseudo cleft. Both group are similar in terms of the elements and the presuposition they imply. The difference is only in the order in which the pseudo cleft put the focus at the back, or on the right side of the copula, which means the focused and its priority are slightly reduced. In Bahasa Indonesia, cleft sentence is not constituted by two clauses because its clefted constituent can stand by itself as a cleft noun/phrase (for example, “mereka”, “merekalah” or “adalah mereka”), without having to be put as a complement of a clause such as that of its English counterpart (“it is they”). Sunan Kalijaga State Islamic University Yogyakarta 2020-06-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1500 10.14421/ajbs.2020.04102 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 4 عدد 1 (2020); 23-46 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 4 No. 1 (2020); 23-46 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 4 No 1 (2020); 23-46 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1500/903 Copyright (c) 2020 Arif Budiman http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1502 2025-02-12T01:59:26Z Adabiyyat:ART

ANALISIS KONTEKS SITUASI DALAM PUTUSAN KASASI Sugiharyanti, Eni language of law Supreme Court’s decree Systemic Functional Linguistics context of situation One of the specialized varieties of language which is known in human communication is the language of law. This variety of language can be found in some documents such as regulations, bills, and court’s decree. A decree uses special register whose existence is influenced by the context of situation, i.e. the field of discourse, the tenor, and the mode. These three dimensions of the context of situation in a decree released by the Supreme Court are the objects of this research. Conducting research on the context of situation of a text is important because by understanding the context we can understand the whole meaning of a text. The researcher used qualitative research methods to reveal the context of situation of the text of this legal language variety. The primary data are derived from the Supreme Court’s decree Number 210 K/Ag/ 2014, and they are analyzed using Systemic Functional Linguistics theory by Halliday and Eggins to answer the research problems. The research found that the context of the situation consisting of field, tenor and mode plays an important role in the realization of the text. These three dimensions are interrelated to build a discourse of a text. Sunan Kalijaga State Islamic University Yogyakarta 2019-06-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/pdf application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1502 10.14421/ajbs.2019.03103 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 3 عدد 1 (2019); 53-73 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 3 No. 1 (2019); 53-73 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 3 No 1 (2019); 53-73 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1502/853 https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1502/1308 https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1502/1309 Copyright (c) 2019 Eni Sugiharyanti http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1506 2025-02-12T02:00:42Z Adabiyyat:ART

UJARAN KEBENCIAN (KHITĀB AL-KARĀHIYAH) DALAM RUANG KONTESTASI SOSIAL POLITIK ARAB KONTEMPORER Yoyo, Yoyo hate speech socio-politics contemporary Arab world The collapse of most authoritarian rulers in the Arab world in particular and the Middle East in general, was automatically followed by a wider change in the direction of political policy and freedom of expression (hurriyyah al-ta'bīr), channeled through various social media. The freedom of expression does not always have positive implications but is accompanied by the growth of expressions of hatred. Hate speech or khitāb al-karāhiyah contri-butes to the social and political contestation of the Arab Arab World. The research questions in this study are as follow (1) what factors are behind the emergence of hate speech in the Arab world?(2) what is the form and type of hate speech that occurs in the Arab socio-political context? and (3) what is the meaning behind the hate speech? The primary research data were newspapers, journals, related books, and supporting data obtained online. These data were analyzed qualitatively based on the sequence of research formulation. The data analyzed with a socio-pragmatic approach combined with a discourse analysis approach that views language as a social symbol. The results of the study show that (1) hate speech in the context of the Arab World emerged from diverse contexts such as the clash among football supporters, Sunni vs. Shia, and the tensions among rebel groups and the rulers, and the peak of the hate speech occurred during the Arab Spring; (2) though hate speech may be expressed using neutral terms, it essentially refers to a particular discourse; (3) forms of hate speech are contained in the selection of words that are rude, dirty, and hateful; 4) forms of hate speech are expressed in the form of revolutionary slogans. These three forms of hate speech have a referential meaning towards the social facts that occur, namely in the form of the guiding of certain political discourses such as criticism of the Mubarak regime, hatred of certain social groups such as the IM, hatred of political figures, and incitement to commit criminal acts. Sunan Kalijaga State Islamic University Yogyakarta 2019-06-18 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1506 10.14421/ajbs.2019.03106 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 3 عدد 1 (2019); 120-139 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 3 No. 1 (2019); 120-139 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 3 No 1 (2019); 120-139 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1506/857 Copyright (c) 2019 Yoyo http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1516 2025-02-12T01:59:46Z Adabiyyat:ART

KOMPETENSI BERBICARA PRAMUWISATA ARAB DI INDONESIA (STUDI KASUS DI KAWASAN PUNCAK) Misran, Misran tourists guides speaking competence Arabic language Speaking is the most frequently used language competence for tourist guides. They use this competence in order to serve their guests optimally. This study aims to examine Arabic speaking competence of tourist guides in Puncak, West Java. This study uses a qualitative approach with various data collection techniques including participatory observation, indirect observation, and interviews with a number of key informants. The key informants in this research are tourist guides, tourist guide association committee, and tour operators in Puncak area. This study found that language acquisition methods affect the speaking competence of the tourist guide, which may increase over time depending on the intensity of interaction with tourists and language usage. These tourist guides show different levels of language proficiencies including grammar accuracy, different ability to avoid using slang, and involvement in various topics of conversation. Self-taught guides normally have limited abilities in almost all of the above indicators, while guides who studied Arabic either formally or semi-formally tend to be more competent although they cannot avoid using Arabic slang. Meanwhile, guides who learned Arabic from their interactions with native speakers tend to ignore grammar and language accuracy even though they are able to communicate effectively. Sunan Kalijaga State Islamic University Yogyakarta 2019-06-18 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf image/jpeg https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1516 10.14421/ajbs.2019.03105 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 3 عدد 1 (2019); 96-119 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 3 No. 1 (2019); 96-119 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 3 No 1 (2019); 96-119 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1516/856 https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1516/1310 Copyright (c) 2019 Misran Misran http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1532 2025-02-12T02:01:52Z Adabiyyat:ART

KONSTRUKSI MENDUKUNG DAN MENGKRITISI REALITAS PRABOWO SUBIANTO MENJADI MENTERI PERTAHANAN OLEH BEBERAPA MEDIA ONLINE Sukarno, Sukarno Amurwani, Pipiet Palestin the side the interest constructions social reality politics As the only political opponent in the 2019 presidential election, Prabowo Subianto (PS) became the public spotlight after the election and the inauguration of Jokowi as the President of the Republic of Indonesia. This study aims to reveal how the inauguration of PS as the defense minister in the Kabinet Indonesia Maju (the second period of Jokowi’s cabinet) is framed on Indonesian online media. The data were taken from online media texts that contain supports and criticism that surround this political reality. The data are analyzed descriptively and critically using Fairclough’s critical discouse analysis in order to see how language (vocabulary, modality, grammar, and the choice of media sources) is used in the construction of perspectives and attitudes towards the political news by online mass media. The findings of this research show that there are two types of framing constructed by the online media on PS: support and criticism. In terms of support, it is apparent through the claims that PS is the person that the country needs (President Jokowi), while in terms of criticism, PS is framed as the person who approaches Jokowi for the political position. In addition, the study also reveals that the different framing is highly influenced by the media owner’s alignment towards his own corporation, the market orientation, and the sosiopolitical situations in Indonesia. Sunan Kalijaga State Islamic University Yogyakarta 2019-12-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1532 10.14421/ajbs.2019.03201 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 3 عدد 2 (2019); 140-164 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 3 No. 2 (2019); 140-164 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 3 No 2 (2019); 140-164 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1532/858 Copyright (c) 2019 sukarno sukarno http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1539 2025-02-12T02:02:15Z Adabiyyat:ART

MASKULINITAS DAN KESALEHAN DALAM NOVEL PEREMPUAN BERKALUNG SORBAN KARYA ABIDAH EL-KHALIEQY Hidayatullah, Danial Udasmoro, Wening masculinities piety novel Identifying the correlation between masculinities and piety in Abidah El-Khalieqy’s Perempuan Berkalung Sorban [A Woman in a Turban] is a way to understand how gender works within a particular culture. As masculinity is not a monolithic concept, the mode of its correlation with piety varies. Based on the analysis of the characters and their characterizations in the novel, it is found that, from the perspective of the female narrator, the practice of piety leads to victimization and oppression of women when it is inscribed with hegemonic masculinity and vice versa. By applying narratology, this research is able to reveal the discursive practices from the combination of masculinities and piety. Khudori is a new kind of character which shares a positive masculinity dreamt by moslem women although his maculinity resembles the non-hegemonic ones. The other kinds of masculinity in this novel that function as a contrast show that the combination of piety and hegemonic masculinity is not desirable. On a structural side, Khudori is created as a part of the structural aspects which serves as a dramatic functionality that fits him best to be a flat character. Sunan Kalijaga State Islamic University Yogyakarta 2019-12-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1539 10.14421/ajbs.2019.03203 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 3 عدد 2 (2019); 193-212 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 3 No. 2 (2019); 193-212 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 3 No 2 (2019); 193-212 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1539/859 Copyright (c) 2019 Danial Hidayatullah http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1600 2025-02-12T02:02:47Z Adabiyyat:ART

POLARITAS DEIKSIS PERSONA NOVEL SHERLOCK HOLMES: SKANDAL DI BOHEMIA (TINJAUAN PRAGMATIK) Pehala, Ilfan Askul person deixis polarity Sherlock Holmes pragmatic This study aims to determine, analyze, and describe the person deixis and the polarity of the use of the deixis, based on the Yule deixis theory. The deixis analysis in this study is not only looking for the existing deixis persona but also looking at the correlation in the grammatical deixis category in lingual units. The analysis is then connected with the concepts of competence and performance in the linguisic deixis unit to see the concepts of language and thinking of the writers in this novel. It is all the basis of the novelty of this study. This study uses a qualitative descriptive design that is consistent with linguisic research. Data collection techniques were carried out through qualitative methods, that is, the method of distribution using the BUL technique or direct division of data into the lingual unit and the analysis of the Spradely ethnic method to determine the domain, taxonomy, and componential person deixis. The data in this research include the written lingual unit whose marker of reference and types indicates or is recorded as deixis. The main data source is a series of stories from Sir Arthur Conan Doyle’s Sherlock Holmes, particularly A Scandal in Bohemia which consists of three parts. The results of the analysis show that the persona in speech has other functions: as nominating, objective, and genitive markers. The polarity of the person deixis indirectly determines the concept of the author's competence and performance which unconsciously shapes the dominance and strength of the character that determines the centrality of the character and then also the storyline. Sunan Kalijaga State Islamic University Yogyakarta 2019-12-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1600 10.14421/ajbs.2019.03206 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 3 عدد 2 (2019); 261-287 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 3 No. 2 (2019); 261-287 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 3 No 2 (2019); 261-287 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1600/881 Copyright (c) 2019 Ilfan Askul Pehala http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1604 2025-02-12T02:02:24Z Adabiyyat:ART

NARASI KRIMINALITAS DAN KISAH PERCINTAAN DALAM NOVEL TJERITA NONA GAN JAN NIO ATAWA PERTJINTA’AN DALEM RASIA (1914) KARYA TAN BOEN KIM: KAJIAN PASCAKOLONIAL Susanto, Dwi Chinese-Indonesia descendant hybridity ambivalent Crime and romance were common themes in Chinese Indonesian literature during the colonial era. Although this literary genre falls into a subgenre, it aesthetically provides a covert narration of intermixing worlds: East and West. This paper examines the practices of liminality and identity construction in Tan Boen Kim’s Tjerita Nona Gan Jan Nio atawa Pertjinta’an dalem Rasia (1914). The construction of identity in liminal spaces in the novel is interpreted through postcolonial lens, especially based on the concepts of hybridity and ambivalence. The material object of this study is the novel, and the formal object is the meeting of the subjects in the liminal space. The data are collected from the content of the text, the topic, the social context, and other relevant sources. The interpretation technique is performed through deconstructive reading and circular reading between the text and the social context. Based on the analysis, it is found that Tan Boen Kim preserved the moral traditions on the one hand but promoted liberalism on the other hand. It is also found that the author’s attitude in “moderation” (moderate-tradition) position is based upon his choices of cultural construction which is between moderate and tradition—thus making his strategy characterized by ambivalence. Sunan Kalijaga State Islamic University Yogyakarta 2019-12-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1604 10.14421/ajbs.2019.03204 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 3 عدد 2 (2019); 213-230 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 3 No. 2 (2019); 213-230 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 3 No 2 (2019); 213-230 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1604/879 Copyright (c) 2019 Dwi Susanto http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1624 2025-02-10T04:30:26Z Adabiyyat:ART

DR. JEKYLL DAN MR. HYDE: SEBUAH PENGGAMBARAN DUALISME NALURI KEHIDUPAN DAN KEMATIAN Eka Putri Alda, Rizki psychoanalysis life instinct death instinct dualism Victorian era. According to Freud, the life instinct (Eros) and the death instinct (Thanatos) can be compatible despite the fact that the life instinct was purposedly to maintain the continuity of life while the death instinct aims to dispel the life. The purpose of this study is to elaborate the concept of dualism between the life and death instincts in R.L. Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde. The researcher used qualitative research methods to process and analyze the data. The result of this study found that the main character Henry Jekyll had behaviors which contradict the Victorian norms that made he thought he had dualism within. Jekyll did action to separate the bad sides of him by the chemical practices. The fact that both life and death instincts worked collectively made Jekyll’s plans cannot reach its goals. The madness due to the ideal self-concept which had a tendency towards narcissistic pathology was finally destroyed as a result of colliding with reality. This situation resulted Henry Jekyll lost the meaning of his life as the symbol of psychical death, which at the end of the story, it continued with real death of Jekyll's body. Sunan Kalijaga State Islamic University Yogyakarta 2021-03-04 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1624 10.14421/ajbs.2020.04101 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 4 عدد 1 (2020); 1-22 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 4 No. 1 (2020); 1-22 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 4 No 1 (2020); 1-22 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1624/900 https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1624/1311 Copyright (c) 2020 RIZKI EKA PUTRI ALDA http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1656 2025-02-10T04:29:05Z Adabiyyat:ART

PEREPRESENTASIAN LIYAN DALAM NOVEL PERJALANAN UṢFŪR MIN AL-SYARQ KARYA TAUFIQ AL-HAKIM Perepresentasian Liyan Dalam Novel Ushfur Min Ash-Sharq Karya Tawfiq Al-Hakim Apriyono, Hendra representations of others travel literature Uṣfūr min al-Syarq Taufiq al-Hakim Sastra Arab This research is motivated by the imbalance of relations between East and West in Arabic travel literature. The inequality is caused by the representation of the superior (West) and the inferior (East) which is constantly being produced. The novel Uṣfur min al-Syarq by Taufiq al-Hakim as one of Arabic travel literature is considered to offer a different view from other Arabic travel literature by proposing the value of equality between East and West. This research is expected to be able to resolve the problem of inequality in relations between East and West as represented in Arabic travel literature. This research uses another representation strategy from Carl Thompson's travel literary concept which consists of colonial, neo-colonial, and post-colonial strategies. The results of this study found that the representations of the others made by al-Hakim which were dominated by the use of colonial and post-colonial strategies showed that the author occupied two opposing positions. On the one hand, al-Hakim is still trapped in colonial discourse and on the other hand, al-Hakim is not entirely successful in bringing the post-colonial travel agenda to escape from Western hegemony. The equality proposed by al-Hakim regarding the East is inseparable from Western assistance. To realize the equality of the East and the West, al-Hakim used the superiority of the West to face the West in order to defend the East. Penelitian ini dilaterbelakangi oleh ketimpangan relasi antara Timur dan Barat dalam sastra perjalanan Arab. ketidaksetaraan tersebut disebabkan oleh perepresentasian liyan (Barat) superior dan diri (Timur) inferior yang terus-menerus diproduksi. Novel Ushfur Min ash-Sharq karya Tawfiq al-Hakim sebagai salah satu sastra perjalanan Arab dianggap menawarkan pandangan yang berbeda dari literatur perjalanan Arab lainnya dengan mengangkat nilai kesetaraan antara Timur dan Barat. Penelitian ini diharapkan dapat menyelesaikan permasalahan ketimpangan relasi antara Timur dan Barat sebagaimana yang terepresentasi dalan sastra perjalanan Arab. Penelitian ini menggunakan strategi perepresentasian liyan dari konsep sastra perjalanan Carl Thompson yang terdiri dari strategi wacana kolonial, neo-kolonial, dan pascakolonial. Hasil penelitian ini menemukan bahwa perepresentasian liyan yang dilakukan oleh al-Hakim yang didominasi penggunaan strategi wacana kolonial dan pascakolonial menunjukkan bahwa pengarang menempati dua posisi yang berlawanan. Di satu sisi, al-Hakim masih terjebak pada wacana kolonial, di sisi yang lain, al-Hakim tidak sepenuhnya berhasil dalam membawa agenda perjalanan pascakolonial untuk terlepas dari hegemoni Barat. Kesetaraan yang diajukan oleh al-Hakim mengenai Timur tidak terlepas dari bantuan Barat. UNtuk mewujudkan kesetaraan Timur dan Barar, al-Hakim memanfaatkan superioritas Barat untuk menghadapi Barat dalam rangka membela Timur. Sunan Kalijaga State Islamic University Yogyakarta 2020-12-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1656 10.14421/ajbs.2020.04203 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 4 عدد 2 (2020); 191-210 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 4 No. 2 (2020); 191-210 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 4 No 2 (2020); 191-210 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1656/927 https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1656/1312 Copyright (c) 2020 Hendra Apriyono http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1687 2025-02-10T04:28:45Z Adabiyyat:ART

MEMORI, TRAUMA, DAN UPAYA REKONSILIASI PERANG TELUK II DALAM NOVEL SĀ’ATU BAGDĀD KARYA SYAHAD AL-RĀWIY Arofah, Arofah Arif Rokhman, Muh. Baghdad gulf war memory reconciliation trauma Sā’atu Bagdād (2016) is a novel by Syahad al-Rāwiy which captures the dark events of Gulf War II which involved Iraq, Kuwait, the United States, and the United States coalition countries that began in 1990. This novel is divided into two parts, namely the past relating to the life of the main subject during Gulf War II and the future related to post-war life. The problem in this research is how the author reconstructs the memory and trauma that causes the subject's psychological shock and how the subject makes reconciliation efforts on the memory and trauma that befell him. To study this, the analytical descriptive method and the theory of Halbwachs memory, Caruth's trauma, and working through LaCapra were used. The results of this study indicate that the incident of Gulf War II is a personal traumatic memory that becomes the collective memory of the Iraqi people. Traumatic memories are narrated in the events of bunker protection in 1991, embargo sanctions, and subsequent war. The overlapping event caused the subject to experience back trauma, such as flashbacks, war phobia, and diaspora simulations. As for reducing the memory and trauma that continues to rage, the subject does the working-through in two ways: first, efforts to distance and let go of the past through diasporic experience and synchronizing with the new world, and second, to testify by writing novels and finding the right partner. Sunan Kalijaga State Islamic University Yogyakarta 2021-11-11 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1687 10.14421/ajbs.2020.04201 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 4 عدد 2 (2020); 139–164 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 4 No. 2 (2020); 139–164 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 4 No 2 (2020); 139–164 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1687/918 https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1687/1313 Copyright (c) 2020 Arofah Arofah http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1694 2025-02-10T04:31:18Z Adabiyyat:ART

PROBLEMA MESIN PENERJEMAH BERBASIS AI DALAM PROSES PENERJEMAHAN BUKU INGGRIS-INDONESIA DAN SOLUSINYA Untara, Wahyu Setiawan, Teguh AI-based translation translation problems artificial intelligence neural machine translation This research aims to find out the main problems of AI-based translation machine, Google Neural Machine Translation System (GNMT) or Google Translate, during an English-Indonesian book translation process. It also has the objective to find the solutions for the problems. To approach the translation issues, the study uses Christiane Nord’s four translation problems which consists of pragmatic translation problems, convention-related translation problems, linguistic translation problems, and text-specific translation problems. Molina and Albir’s techniques of translation are applied to fix the problems. The study uses qualitative methods to analyze the translation issues. From 5447 translated words, it is found that the main problems of Google Translate during book translation are linguistic translation problems, and there are seven translation techniques involved to deal with the problems. Sunan Kalijaga State Islamic University Yogyakarta 2020-06-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/vnd.openxmlformats-officedocument.wordprocessingml.document https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1694 10.14421/ajbs.2020.04105 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 4 عدد 1 (2020); 92-115 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 4 No. 1 (2020); 92-115 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 4 No 1 (2020); 92-115 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1694/921 https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1694/1314 Copyright (c) 2020 wahyu - untara, Teguh Setiawan http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1724 2025-02-10T04:28:55Z Adabiyyat:ART

PENGAYAAN BAHASA INDONESIA MELALUI ISTILAH BARU TERKAIT COVID-19 PENGAYAAN BAHASA INDONESIA MELALUI ISTILAH BARU TERKAIT COVID-19 Lapasau, Merry New word formations COVID-19 referential Indonesia New word formations COVID-19 referential expressive The present study aims to analyze new word formations in Indonesian related to COVID-19 and identify its function in online newspapers. This research uses a descriptive qualitative approach by adapting generative morphological theories as the framework. The research objects are 32 new word formations found in various texts in online newspapers in Indonesia collected between April 2020 to August 2020. The data were analyzed using the top-down technique distribution method. This method uses a determinant in the language element itself, namely the data selection technique based on specific categories in terms of grammarism in accordance with the natural characteristics of the research data. The study shows that the new word formation in modern Indonesian related to COVID-19 can be obtained by coining roots, compounding, abbreviation, and acronym. Those unique word formations are originated primarily from Indonesian and English. The function of its usage is mainly referential (abbreviation and acronym) and expressive (roots and compounding). We create new words to fulfill the designation needs of new issues that appear in society. Furthermore, the development in society, especially in coping with global health issues, has also contributed to the enrichment of Indonesian vocabulary. The present study aims at analysing new word formations in Indonesian related to COVID-19 and identifying its function in online newspapers. This research uses a descriptive qualitative approach by adapting generative morphological theories as the framework. The research object are 32 new word formations found in various texts in online newspapers in Indonesia collected between April 2020 to August 2020. The data were analyzed using the top down technique distribution method. This method uses a determinant in the language element itself, namely the data selection technique based on certain categories in terms of grammarism in accordance with the natural characteristics of the research data. The result of the study shows that the new word formation in modern Indonesian related to COVID-19 can be obtained by coining roots, compounding, abbreviation, and acronym. Those new word formations are originated mostly from Indonesian and English. The function of its usage is mainly referential (abbreviation and acronym) and expressive (roots and compounding). We create new words to fulfill the designation needs of new issues that appear in society. Furthermore, the development in the society especially in coping with the global health issues nowdays has also contributed to the enrichment of Indonesian vocabulary. Sunan Kalijaga State Islamic University Yogyakarta 2020-12-12 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/vnd.openxmlformats-officedocument.wordprocessingml.document https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1724 10.14421/ajbs.2020.04202 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 4 عدد 2 (2020); 165-190 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 4 No. 2 (2020); 165-190 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 4 No 2 (2020); 165-190 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1724/926 https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1724/1315 Copyright (c) 2020 Merry Lapasau http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1729 2025-02-10T04:25:34Z Adabiyyat:ART

PEMEROLEHAN LEKSIKON PADA ANAK USIA 2 TAHUN HL, Nur Ihsan Takwa, Takwa Samsuddin, Samsuddin form lexicon meaning The forms and meanings of a 2-year-old lexicon are very interesting. The aesthetics are found in the different meanings of similar lexicon forms. The purpose of this study is to explain the forms and purpose of the lexicon of children at age 2. The method used in this research is descriptive qualitative. The subject of this research is 2-year-old children who live in the Sabilambo Village, Kolaka Regency. The object of this study is the lexicon of these children. The data collection techniques are through direct observations, recordings, notes, and interviews. The data were analyzed using a contextual approach. The context approach is used to explain the different meanings of the same lexicon forms. The results showed that the 2-year-old children during the research expressed 65 lexicons in the forms of nouns, verbs, adverbs, adjectives, and pronouns. From these lexicon forms, it is found that there are some similar forms that convey different meanings, and consequently, the understanding of a context is needed to be able to explain the meaning. Sunan Kalijaga State Islamic University Yogyakarta 2021-12-10 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/vnd.openxmlformats-officedocument.wordprocessingml.document https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1729 10.14421/ajbs.2021.05206 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 5 عدد 2 (2021); 244-265 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 5 No. 2 (2021); 244-265 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 5 No 2 (2021); 244-265 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1729/957 https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1729/1316 Copyright (c) 2021 Nur Ihsan HL, Takwa Q, Samsuddin S http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1730 2025-02-10T04:30:48Z Adabiyyat:ART

RESILIENSI PEREMPUAN LAJANG DALAM METROPOP GANJIL-GENAP KARYA ALMIRA BASTARI Intan, Tania resilience single women marriage metropop In the context of Eastern culture, society views single women and men unequally. The demand for immediate marriage in women is greater than that of men. This research was conducted to reveal the resilience of single women represented by the protagonist of the novel Ganjil-Genap (2020) by Almira Bastari. The method used in this research is descriptive-qualitative. Data in the form of words, phrases, and sentences were collected using the listening technique and notes through closed reading. The data are then classified, interpreted, and then analyzed using feminist literary criticism. The theoretical foundation in this research comes from the ideas of Hurlock and Schoon. The results showed that (1) The institution of marriage is still coveted by independent, well-established, and logical female figures because singleness is a social category that is considered problematic. (2) In exercising resilience, women go through the overcoming, steering through, bouncing back, and reaching out stages. (3) The achievement that the female character produces from resilience is turning her position from object to subject. Sunan Kalijaga State Islamic University Yogyakarta 2020-06-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1730 10.14421/ajbs.2020.04103 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 4 عدد 1 (2020); 47-65 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 4 No. 1 (2020); 47-65 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 4 No 1 (2020); 47-65 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1730/904 Copyright (c) 2020 Tania Intan http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1738 2025-02-10T04:27:41Z Adabiyyat:ART

SUBALTERN DAN NASIONALISME DALAM NOVEL NYAI DASIMA (1960) KARYA S. M. ARDAN HY, Mcfulvia nationalism subaltern Gayatri Spivak deconstruction Nyai Dasima This paper analyzes new meanings as the results of the reception written by S.M. Ardan in Nyai Dasima, which is known to have a central meaning, generally refers to the colonial efforts to liberate Nyai Dasima from colonialism. Recognized as a victim of colonial social structures, Nyai Dasima yearns for liberation by restoring her position, maintaining her identity and self-respect by rebelling against colonial oppression based on indigenous woman nationalism. The theory used in this paper is Gayatri Spivak's critical reading of the subaltern, which refers to “third world women” who are considered unable to speak or have a voice. This analytical method is the deconstruction method to find what Spivak calls “cognitive failure”. The analysis of this paper found that the rebellion and resistance carried out by Nyai Dasima represent an act of liberation from the shackles of colonialism which suppresses subaltern groups, especially women. However, it was found that the exemption offered to Nyai Dasima was parole which in no way refers to a sovereign and privileged subject. Sunan Kalijaga State Islamic University Yogyakarta 2021-06-25 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1738 10.14421/ajbs.2021.05104 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 5 عدد 1 (2021); 78-93 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 5 No. 1 (2021); 78-93 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 5 No 1 (2021); 78-93 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1738/934 Copyright (c) 2021 mcfulvia hy http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1826 2025-02-10T04:31:05Z Adabiyyat:ART

PEREMPUAN MANDIRI DALAM NOVEL BUMI MANUSIA KARYA PRAMUDYA ANANTA TOER DAN DRAMA MUTTER COURAGE UND IHRE KINDER KARYA BERTOLT BRECHT Haryati, Isti independence of female novel drama The purpose of this study to describe and reveal the comparation of the independence of female characters in Pramoedya Ananta Toer’s Bumi Manusia and in Bertolt Brecht’s Mutter Courage und Ihre Kinder. This research is a qualitative descriptive study using the comparative literature method. This research will describe and comprehend the comparison of independent female characters in the Pramudya Ananta Toer’s Bumi Manusia and in Brecht’s Mutter Courage und Ihre Kinder by Bertolt Brecht. The results showed that from the comparison of two independent female character in two literary works, namely novel Bumi Manusia and drama Mutter Courage und Ihre Kinder, it can be concluded that there are many similarities of the two independent female characters despite the difference. Equation (affinity) also showed that the two works were created by different authors are also mutually influence. Drama Mutter Courage und Ihre Kinder by Bertolt Brecht created in 1938 possibly affect Bumi Manusia novel created by Pramoedya Ananta Toer in 1975. Moreover, both authors are communist and they created the two literary works while in exile. Sunan Kalijaga State Islamic University Yogyakarta 2020-06-05 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1826 10.14421/ajbs.2020.04104 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 4 عدد 1 (2020); 66-91 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 4 No. 1 (2020); 66-91 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 4 No 1 (2020); 66-91 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1826/919 Copyright (c) 2020 Isti Haryati http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1844 2025-02-10T04:26:53Z Adabiyyat:ART

AJO “YANG POLITIS”: MENGGUGAT REZIM PARTISI DALAM CERPEN ROBOHNYA SURAU KAMI KARYA A.A. NAVIS Yudhistira Nasution, Ricky arkhe partition distribution of sensible dissensus Jacques Ranciere This study aims to examine partitions and political actions in A.A. Navis’s short story “Robohnya Surau Kami” using Jacques Rancière’s concept of the distribution of the sensible theory. The method used in this study is qualitative descriptive research. It is important to recognize the awareness of the subject as part of the social class. This social class becomes the agent for various imaginary subjects constructed through discourse. The story indicates that there are characters who have been partitioned through the practice of polis and thus making them experience inequalities and restrictions. To escape from these, they need to carry out a political action (disensus; declassification; migration). The results showed that the Grandfather as protagonist was partitioned in the social structure based on his identity as a clergyman. This identity was used as a legitimizing sensibility to partition Grandfather as a “the part that has no part”. The partition that happened to him fits the Archipolitic and Parapolitic concepts. Meanwhile, the dissensus action aimed at declassifying was carried out by Ajo Sidi who created an allegory for Grandfather. In this allegory, Ajo presents a figure of God who challenges the partition regime as dissensus and subjectivating the figure of Haji Saleh/Grandfather as declassification. Based on this, Ajo Sidi can be said to be “the political” subject. Sunan Kalijaga State Islamic University Yogyakarta 2021-05-21 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1844 10.14421/ajbs.2021.05101 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 5 عدد 1 (2021); 1-25 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 5 No. 1 (2021); 1-25 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 5 No 1 (2021); 1-25 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1844/931 Copyright (c) 2021 Ricky Yudhistira Nasution http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1858 2025-02-10T04:25:06Z Adabiyyat:ART

MAKNA GURU DALAM TRADISI ISLAM SASAK: REPRESENTASI LOMBOK DALAM NOVEL SANGGARGURI Satrya HD, Dharma Indonesian novel representation Lombok resistance guru This article discusses the meaning of Lombok in contemporary Indonesian novels with a focus on the novel Sanggarguri. The novel discusses the concept of heterodox teachers in Islam. The novel is presented in the context of opposing orthodox Islamic discourse on the concept of ‘guru’. To discover the concept of ‘guru’ in Sanggarguri, this article applies representation theory with a constructionist approach. With that approach, the novel is assumed not to be a presentation about Lombok, but a representation of Lombok. Data were language, both word and paragraph, both in narrative and metaphorical form. Data analysis was performed using semiotic and discourse methods. The results of the analysis show that the novel Sanggarguri conceptualizes Lombok into a traditional discourse by using the names of flowers (kembang) as stages that exist in Sasak Islamic spirituality. The stages from gadung flower to ‘Sanggar Guri teacher’, a wisdom expert teacher, reveal that the concept of a teacher in heterodox Sasak Islam is open to anyone. It belongs to anyone and anywhere. The concept is different from the concept of ‘guru’ in orthodox Islam promoted by ‘tuan guru’, whose knowledge is connected to Haramain. Therefore, only a few people can become ‘tuan guru’. The discourse of ‘guru’ in Sanggarguri is against the discourse of ‘tuan guru’ on the meaning of ‘guru’. Sunan Kalijaga State Islamic University Yogyakarta 2021-12-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1858 10.14421/ajbs.2021.05204 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 5 عدد 2 (2021); 205-221 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 5 No. 2 (2021); 205-221 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 5 No 2 (2021); 205-221 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1858/955 http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1865 2025-02-10T04:25:23Z Adabiyyat:ART

ANALISIS WACANA KRITIS POLEMIK UU CIPTA KERJA Azizah, Hilma Azmi Triyono, Sulis inclusion exclusion discourse analysis van Leeuwen Job Creation Act This study aims to examine the Theo van Leeuwen model of inclusion and exclusion strategies used by the online media detikcom, KOMPAS.com, Serambinews.com, and CNN Indonesia. This type of research is qualitative research using descriptive methods. The data used in this study are phrases, clauses, and sentences in the four online media companies that address the polemic against the Job Creation Act. The instrument of this research is the researcher himself assisted by other supporting instruments such as books and supporting articles regarding Theo van Leeuwen’s theory. The data collection methods used were reading and note-taking techniques. The analytical method used is the observation method. The advanced technique uses free, engaged listening. The results of the study are as follows (1) inclusion strategy in online media detikcom, KOMPAS.com, Serambinews.com, and CNN Indonesia includes passivation, nominalization, and substitute clauses, (2) exclusion strategy in online media detikcom, KOMPAS.com, Serambinews.com, and CNN Indonesia include objectivation-abstraction, nomination-categorization, nomination-identification, assimilation-individualization, and association-dissociation. Sunan Kalijaga State Islamic University Yogyakarta 2021-12-03 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1865 10.14421/ajbs.2021.05205 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 5 عدد 2 (2021); 222-243 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 5 No. 2 (2021); 222-243 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 5 No 2 (2021); 222-243 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1865/954 Copyright (c) 2021 Hilma Azmi Azizah, Sulis Triyono http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1897 2025-02-10T04:27:31Z Adabiyyat:ART

SOUNDTRACK LA TABKI YA ṢAGHIRĪ DALAM FILM ABṬALU DĪGITAL (ANALISIS SEMIOTIK RIFFATERRE) SOUNDTRACK LA TABKI YA ṢAGHIRĪ DALAM FILM ABṬALU DĪGITAL (Analisis Semiotik Riffaterre) Firdausah, Isyqie Semiotik Riffaterre heuristik hermeneutik hipogram khalifah. Semiotik Riffaterre heuristik hermeneutik hipogram khalifah. This research has “Lā Tabki yā Ṣaghīrī” as a material object, an original soundtrack of Abṭalu Dīgital, a very popular movie in s2000. The song lyric is analyzed by Riffaterre’s Semiotics Theory which introduces two levels of reading.  Based on the analysis of this research, the potential hypogram shows that the parents give advices about reaching for dreams to their child who is in despair. The dream has something to do with raindrops philosophy. The models found are juhdun ‘effort’, amal ‘dream’, alwān ‘colours’, dan hayāh ‘life’. The matrix is “advises about human as khalifatullah in the world”. The actual hypogram is human’s missions as khalifatullah based on verses of al-Quran, hadith of the prophet, and interpretations of some mufassir such as Quraish Shihab and al-Buthi. It then is concluded that khalifah is like raindrop. It emits various colour spectrums, shows beautiful rainbow, and spreads-out love. One raindrop collaborates to another and sticks together to become pulse of the world. This research has “La Tabki ya Ṣaghirī” as a material object, an original soundtrack of Abṭalu Dīgital or more knows as Digimon. This movie is very popular in some Arabic, European, and American countries, even in South East Asia such as Indonesia in 2000’s. The song lyric is then analyzed by Riffaterre’s Semiotics Theory which introduces two levels of reading. First level of reading is a mimesis reading called heuristic. The second one is retroactive reading to search for model, matrix, and hypograms for acquiring the understanding of poetic structure and unity. The results show that heuristic reading to this song lyric is not adequate enough, only then in hermeneutic reading, the understanding of poetic structure and unity is acquired. The potential hypogram shows that the parents give some advices about reaching for dreams to their little child who is in despair. The dream the parents are talking about has something to do with raindrops philosophy. The models found are juhdun ‘effort’, amal ‘dream’, alwān ‘colours’, dan hayāh ‘life’. The matrix is “advises about human as khalifatullah in the world”. The actual hypogram is human’s missions as khalifatullah which are based on verses of al-Quran, hadith of the prophet, and interpretations of some mufassir such as Quraish Shihab and al-Buthi. By this research, it is concluded that khalifah is like raindrop. It emits various colour spectrums, shows beautiful rainbow, and spreads-out love. One raindrop collaborates to another and sticks together to become pulse of the world. Just like humans, they emit tolerance and accept the differences, spread-out rahmat, and collaborate to another as social beings. They show the beauty of the truth that has dimensions of space, time, and diverse perspectives, and become the most important actor in life by giving usefulness. Sunan Kalijaga State Islamic University Yogyakarta 2021-06-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1897 10.14421/ajbs.2021.05103 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 5 عدد 1 (2021); 49-77 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 5 No. 1 (2021); 49-77 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 5 No 1 (2021); 49-77 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1897/933 Copyright (c) 2022 Isyqie Firdausah http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1900 2025-02-10T04:27:21Z Adabiyyat:ART

REPRESENTASI INDONESIA DALAM NOVEL TRILOGI TERJEMAHAN KAYA TUJUH TURUNAN KARYA KEVIN KWAN Nanta Adhitya, Galant Wulandari, Novi representation portrayal of Indonesia translated novel Crazy Rich Asians trilogy The presence of literary works translated from foreign languages in Indonesia enriches the literary readership in region (Adi, 2016). In addition to gaining a wider readership, the understanding of the literary text will improve. Readers who may not fully understand the version in the original language have the opportunity to digest the story thoroughly. The comprehensive understanding becomes more important when dealing with foreign literature talking about Indonesia, such as Kevin Kwan's Crazy Rich Asians trilogy. The trilogy was translated into Bahasa as Kaya Tujuh Turunan (2016), Kekasih Kaya Raya (2017), and Masalah Orang Kaya (2018). This article examines how Indonesia is represented in the trilogy what factors influence the construction. The three novels were analyzed using the representation theory proposed by Stuart Hall with the descriptive-qualitative method. There are two representations of Indonesia, as a nation and as a state. Indonesian is represented of as a nation Chinese-Indonesians with their newly acquired wealth who are obsessed with having white skin and foreign husbands, on the one hand, non-Chinese Indonesians who work as manual due to lack of education on the other hand. Meanwhile, Indonesia as a state is represented as a developing rural country with rich and beautiful natural resources, yet are exploited by other countries and stolen by few government officials, resulting in weak economic and military situation. Sunan Kalijaga State Islamic University Yogyakarta 2021-05-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1900 10.14421/ajbs.2021.05102 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 5 عدد 1 (2021); 26-48 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 5 No. 1 (2021); 26-48 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 5 No 1 (2021); 26-48 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1900/932 Copyright (c) 2021 Galant Nanta Adhitya dan Novi Wulandari http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1910 2022-04-26T06:56:17Z Adabiyyat:ART

SUBALTERNITAS TOKOH DIAH AYU DAN MAHARANI: ANTARA KUTUKAN DAN SENJATA SUBALTERNITAS TOKOH DIAH AYU DAN MAHARANI: ANTARA KUTUKAN DAN SENJATA Irmawati, Irmawati G, Wahyu Gandi subaltern domination representation colonial postcolonial subaltern domination representation colonial postcolonial The story of “Kutukan Dapur” by Eka Kurniawan presents a colonial setting: Dutch colonialism and postcolonialism in the image of two characters, Diah Ayu and Maharani. Maharani is in patriarchal shackles, which is ingrained in her family life and social structure. Meanwhile, Diah Ayu is in the bonds of Dutch colonialism, which is brought back by the author. Both are in a subaltern position but in different conditions. Based on this description, this research asks two questions which are analyzed using Gayatri Spivak's subaltern theory, (1) what the position of Diah Ayu and Maharani in "Kutukan Dapur" short story, and (2) how the subaltern is constructed through the efforts of the two characters to get out of that position is. The method used is qualitative. The narratives are classified and analyzed to understand the subaltern's position and construction and its resistance efforts. This research indicates that Maharani and Diah Ayu are subalterns of Maharani dominated by patriarchy, while Diah Ayu is dominated by Dutch colonialism. Maharani fought back, but only with an idea or ideas. Unlike Diah Ayu, she is able to fight in a real form. However, as the author, Eka is trapped in a biased construction in addition to gender bias and representation. In subaltern studies, representation is only a tool towards more real domination. The two figures seem to be fighting against the power structure (colonial and patriarchal) but are still trapped in the dominance of the other. The story of “Kutukan Dapur” by Eka Kurniawan presents a colonial setting: Dutch colonialism and postcolonialism in the image of two characters, Diah Ayu and Maharani. Maharani is in patriarchal shackles, which is ingrained in her family life and social structure. Meanwhile, Diah Ayu is in the bonds of Dutch colonialism, which is brought back by the author. Both are in a subaltern position but in different conditions. Based on this description, this research asks two questions which are analyzed using Gayatri Spivak's subaltern theory, (1) what the position of Diah Ayu and Maharani in "Kutukan Dapur" short story, and (2) how the subaltern is constructed through the efforts of the two characters to get out of that position is. The method used is qualitative. The narratives are classified and analyzed to understand the subaltern's position and construction and its resistance efforts. This research indicates that Maharani and Diah Ayu are subalterns of Maharani dominated by patriarchy, while Diah Ayu is dominated by Dutch colonialism. Maharani fought back, but only with an idea or ideas. Unlike Diah Ayu, she is able to fight in a real form. However, as the author, Eka is trapped in a biased construction in addition to gender bias and representation. In subaltern studies, representation is only a tool towards more real domination. The two figures seem to be fighting against the power structure (colonial and patriarchal) but are still trapped in the dominance of the other. Sunan Kalijaga State Islamic University Yogyakarta 2021-11-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1910 10.14421/ajbs.2021.05201 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 5 عدد 2 (2021); 133-156 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 5 No. 2 (2021); 133-156 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 5 No 2 (2021); 133-156 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1910/949 Copyright (c) 2021 Irmawati, Wahyu Gandi G

oai:ojs.pkp.sfu.ca:article/1914 2025-02-10T04:24:28Z Adabiyyat:ART

KESALAHAN PENGUCAPAN VOKAL BAHASA INGGRIS MAHASISWA ‘KELAS BERBICARA’ UIN SUNAN GUNUNG DJATI Kesalahan Pengucapan Vokal Bahasa Inggris Mahasiswa 'Kelas Berbicara' UIN Sunan Gunung Djati Munandar, Ilham Indira, Dian Darmayanti, Nani error pronunciation vowel English kesalahan pengucapan vokal bahasa Inggris Error pronunciation is one of the language learning processes. It may happen to all of the language learners, especially in learning a foreign language which the goal is to have more than one language in language skill. This research aims to describe the types of error pronunciation of English vowels which is spoken by ‘Speaking Class’ students in the Language Center of UIN Sunan Gunung Djati. The method used in this research is the descriptive qualitative method. This research uses the combination of vowel theories from Roach, McMahon, and Kelly, as well as the error analysis theory from Brown and Crystal. Based on the result, there are three types of error pronunciation of English, namely vowel addition of [e], [ɪ], [a], [ɜː], [ə]; vowel substitution of [ə], [æ], [uː], [ɔː], [ɪ], [iː], [e], [ʌ], [ɑː], [ɒ], [ɜː], [aɪ], [aʊ], [ɪə], [eɪ], [əʊ], [ɔɪ], [eə], [aʊə]; and vowel omission of [ɪ], [ə], [a], [e]. Error pronunciation is one of the language learning processes. It may happen to all of the language learners, especially in learning a foreign language which the goal is to have more than one language in language skill. This research aims to describe the types of error pronunciation of English vowels which is spoken by ‘Speaking Class’ students in the Language Center of UIN Sunan Gunung Djati. The method used in this research is the descriptive qualitative method. This research uses the combination of vowel theories from Roach, McMahon, and Kelly, as well as the error analysis theory from Brown and Crystal. Based on the result, there are three types of error pronunciation of English, namely vowel addition of [e], [ɪ], [a], [ɜː], [ə]; vowel substitution of [ə], [æ], [uː], [ɔː], [ɪ], [iː], [e], [ʌ], [ɑː], [ɒ], [ɜː], [aɪ], [aʊ], [ɪə], [eɪ], [əʊ], [ɔɪ], [eə], [aʊə]; and vowel omission of [ɪ], [ə], [a], [e]. Sunan Kalijaga State Islamic University Yogyakarta 2021-11-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/vnd.openxmlformats-officedocument.wordprocessingml.document https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1914 10.14421/ajbs.2021.05202 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 5 عدد 2 (2021); 157-177 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 5 No. 2 (2021); 157-177 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 5 No 2 (2021); 157-177 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1914/951 https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1914/1317 Copyright (c) 2021 Ilham Munandar, Dian Indira, Nani Darmayanti http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1918 2025-02-10T04:31:31Z Adabiyyat:ART

US CIVIL WAR MENURUT FORREST CARTER Sudiro, Suryo Abdul Karim, Sayit Juhansar, Juhansar novel history US Civil War historicism Cherokee political interest A novel may reflect the political interests and actions of the author. The author can make a story that is purposed to alter common consciousness. This article uses historicism as an interpretation theory. Historicism is used to avoid careless interpretation. With historicism, the story written in the novel is matched with historical events written in some history books. Forrest Carter writes a lot about US Civil War. He, in purpose, does not write about slavery that is commonly read as the cause of the US Civil War. He writes a lot about the murder of women and children by the northern US army soldiers in southern districts. He also writes a lot about the cooperation of his white character with a Cherokee. Above all written by Forrest Carter, the influence of his life and his political interests are seen.  Sunan Kalijaga State Islamic University Yogyakarta 2020-06-07 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1918 10.14421/ajbs.2020.04106 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 4 عدد 1 (2020); 116-138 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 4 No. 1 (2020); 116-138 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 4 No 1 (2020); 116-138 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1918/925 Copyright (c) 2020 Suryo Sudiro http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1936 2025-02-10T04:16:14Z Adabiyyat:ART

DIMENSI PERSONAL DAN DIMENSI KOLEKTIF DALAM BUDAYA POPULER: KAJIAN PSIKOLOGI ANALITIS DALAM FILM FATE: THE WINX SAGA Afifulloh, M Personal dimension collective dimension Carl Gustav Jung Fate The Winx Saga popular culture This article tries to explore some of the implication of Carl Gustav Jung’s theory of personal dimension and collective dimension as represented by the characters in Fate: The Winx saga. This film is produced by Netflix and released on 22 January 2021. In this research, film is assumed as media to validate Jung’s theory about human psyche. This research is a qualitative descriptive. The data were processed by analyzing, categorizing, and interpreting the visual codes provided by the film. Therefore, the meaning can be theoretically drawn. The result of this study shows that the personal and collective dimensions offered by Jung are owned by the characters in the film. The personal dimension manifests in the Ego in the form of emotions and memories of the past. This personal dimension is represented through the characters such as Bloom, Musa, and Terra. While the collective dimension can be explained through the persona, shadow, anima and animus shared by all the characters in the film. Sunan Kalijaga State Islamic University Yogyakarta 2022-06-22 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1936 10.14421/ajbs.2022.06101 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 6 عدد 1 (2022); 1-18 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 6 No. 1 (2022); 1-18 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 6 No 1 (2022); 1-18 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1936/960 Copyright (c) 2022 M Afifulloh http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1939 2025-02-10T04:27:51Z Adabiyyat:ART

ALIENASI TERHADAP ALAM: KRITIK EKOFEMINIS TERHADAP KARYA BARBARA KINGSOLVER, HOMELAND Susanti Wulandari, Rini ecofeminism women nature domination values alienation This paper aims to present ecofeminist insights into the connection between the domination toward women and nature through reading of Barbara Kingsolver’s short story, Homeland. Environment destruction that has occurred in decades endangers the life on earth. Based on the ecofeminism, the one who gets the worst impact of this devastation is women. Furthermore, the ecofeminists say that there is a very close relation between women and nature.  Clean water, forest, farming, and health become women’s concern. In short, these two ideas let women become aware of the environmental issues. They will take action or speak out whenever environment is mistreated or abused. In Homeland, Kingsolver presents a picture of American Indian descendants life that gives high appreciation to nature embedded in their traditional values and customs through the female characters.  She brings us to the fascinating exploration of the values that shows the connection between domination over women and nature. However, modernism brings about alienation toward her ancestor’s land.   Sunan Kalijaga State Islamic University Yogyakarta 2021-06-27 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1939 10.14421/ajbs.2021.05105 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 5 عدد 1 (2021); 94-114 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 5 No. 1 (2021); 94-114 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 5 No 1 (2021); 94-114 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1939/936 Copyright (c) 2021 Rini Susanti Wulandari http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1941 2025-02-10T04:24:45Z Adabiyyat:ART

SYMBOLIC ANNIHILATION TERHADAP EKSISTENSI PEREMPUAN DALAM SERIAL BRIDGERTON (2020) Putri, Rizqi Auliawati Saktiningrum, Nur symbolic annihilation feminism existentialism Bridgerton This research examines the discrimination traits experienced by three female characters in the Bridgerton series. This research uses the symbolic annihilation concept by Gaye Tuchman and the theory of existentialist feminism by Simone de Beauvoir to describe the discriminatory traits experienced by the three female characters and reveal their resistance efforts to respond to the discrimination. This research uses qualitative descriptive methods to elaborate the findings and the theories. This research finds that women's existence in this series is presented as the party who gets trivialization, omission, and condemnation. Despite being subjected to annihilation traits, the three female characters in this series do not remain silent and accept what has been set by their family and society. Thus, these three female characters take the resistance by staying true to themselves and standing firm in their convictions. The symbolic annihilation they experienced then used as a reference to prove herself that as a woman they can still exist even though being discriminated against by society. Sunan Kalijaga State Islamic University Yogyakarta 2021-11-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1941 10.14421/ajbs.2021.05203 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 5 عدد 2 (2021); 178-204 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 5 No. 2 (2021); 178-204 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 5 No 2 (2021); 178-204 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1941/952 https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1941/1318 Copyright (c) 2021 Rizqi Auliawati Putri, Nur Saktiningrum http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1950 2025-02-10T04:29:35Z Adabiyyat:ART

PRINSIP KESANTUNAN BERBAHASA DALAM EDITORIAL SURAT KABAR HARIAN TRIBUN PEKANBARU (KAJIAN PRAGMATIK) Lestari, Sri Asnawi, Asnawi politeness pragmatics editorial Tribun Pekanbaru Politeness is something that can show a person's ethics or manners in communication, not only in spoken but also in written language. One of the written communication media is newspapers that are always published with editorials, for example, the Tribun Pekanbaru. This newspaper is the object of this study, with the sample taken in the September 2020 editions. This study focuses on one research question: how are the principles of politeness applied in the editorial of the daily newspaper Tribun Pekanbaru? With a pragmatic approach, this study utilizes Leech’s politeness principles maxims. This is a descriptive study that aims not only to collect data and information, but also to describe, analyze, interpret, and conclude the politeness principles contained in the editorial of the daily newspaper Tribun Pekanbaru. This research is expected to increase the reader's knowledge about pragmatic studies, especially regarding aspects of linguistic politeness. The results of the study showed that from 23 editorials in the September 2020 editions of the Tribun Pekanbaru newspaper, 18 data of either compliance or violations of maxims in the principle of politeness in language. Sunan Kalijaga State Islamic University Yogyakarta 2020-12-27 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/vnd.openxmlformats-officedocument.wordprocessingml.document https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1950 10.14421/ajbs.2020.04206 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 4 عدد 2 (2020); 262–282 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 4 No. 2 (2020); 262–282 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 4 No 2 (2020); 262–282 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1950/930 https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1950/1319 Copyright (c) 2020 Sri Lestari, Asnawi Asnawi http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1970 2025-02-10T04:29:15Z Adabiyyat:ART

PERUBAHAN STRUKTUR TEMATIK DALAM PENERJEMAHAN: KAJIAN KESEPADANAN ATAS NASKAH MAHASISWA Perubahan Struktur Tematik dalam Penerjemahan Arif Fudiyartanto, Fuad thematic structure shifts equivalence translation struktur tematik pergeseran kesepadanan teks terjemahan Every translator seeks to find the equivalence of the source text in terms of meaning and style. In practice, translators often need to change the structure of their translations. This kind of techniques or methods of translation is often called shift. Shift can occur in different levels, which can include a clause, sentence, or paragraph level. By analyzing students’ translation using the perspective of Systemic Functional Linguistics by Halliday, this study finds several shifts in terms of theme-rheme classification and theme constituents. Shifts in theme-rheme classification can be categorized into: a) a change from rheme into theme, b) from theme into rheme, c) addition of textual theme, and d) deletion or omission of textual theme. In terms of theme constituents, shifts were found in four categories, namely a) shifts from a morpheme into a word, b) from a word into a phrase, c) from a phrase into a word, and d) from a clause into a word. These shifts have impacts on the meaning of the target texts as opposed to the source texts, at sentence or paragraph level. Setiap penerjemah dituntut menemukan padanan dari makna Bsu ke dalam Bsa secara tepat untuk menjaga prinsip kesetiaan makna dan, jika memungkinkan, gaya. Pada praktiknya karena berbagai pertimbangan seringkali terjadi perubahan struktur teks Bsa jika dibandingkan dengan teks Bsu. Dengan mencermati teks terjemahan mahasiswa, tulisan ini menemukan bahwa struktur tematik Bsa mengalami pergeseran dibandingkan Bsu. Pergeseran tersebut terjadi dalam 2 tataran: pergeseran batasan tema-rema dan pergeseran konstituen tema. Pergeseran batasan tema-rema dapat digolongkan menjadi 4 kategori: a) pergeseran rema menjadi tema, b) pergeseran tema menjadi rema, c) penambahan tema, dan d) pelesapan tema. Adapun pergeseran konstituen tema yang terjadi dapat digolongkan menjadi 4 kategori juga yaitu: a) pergeseran dari morfem menjadi kata, b) pergeseran dari kata menjadi frasa, c) pergeseran dari frasa menjadi kata, dan d) pergeseran dari klausa menjadi kata. Sunan Kalijaga State Islamic University Yogyakarta 2020-12-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1970 10.14421/ajbs.2020.04204 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 4 عدد 2 (2020); 211–243 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 4 No. 2 (2020); 211–243 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 4 No 2 (2020); 211–243 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1970/928 Copyright (c) 2020 Fuad Arif Fudiyartanto http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1979 2025-02-10T04:29:25Z Adabiyyat:ART

ANALISIS WACANA KRITIS PADA CATATAN NAJWA BERJUDUL “TRIAS KORUPTIKA” PERSPEKTIF NORMAN FAIRCLOUGH ANALISIS WACANA KRITIS PADA CATATAN NAJWA BERJUDUL “TRIAS KORUPTIKA” PERSPEKTIF NORMAN FAIRCLOUGH Ummi Habibah, Siti critical discourse analysis catatan Najwa corruption Norman Fairclough critical discourse analysis catatan Najwa corruption Norman Fairclough practices that consist of representation, identity and social relationships, so it is closely related to the context beyond discourse. One of the Catatan Najwa TV Programs entitled “Trias Koruptika” indicates the ideology in the text affected by the social context when the record was created. This study aims to see the construction of ideology and social context behind the writing of the text. This research is qualitative descriptive research. A theory used is a critical analysis of Norman Fairclough’s perspective that includes analysis in three dimensions: analysis of language text, discourse practice, and socio-cultural practice. The results showed that in text analysis, Catatan Najwa voiced disappointment, criticism and built a negative representation of three government institutions due to a corruption case. In the practice of discussion, the ideology can be conveyed and accepted well by society. As for the analysis of socio-cultural practices, the issue of corruption conducted by the supreme court judge and other corruption cases in 2013 had a major role in creating Catatan Najwa: “Trias Koruptika”. Discourse in critical discourse analysis is interpreted as social practices that consist of representation, identity and social relationships, so it is closely related to the context beyond discourse. One of the Catatan Najwa TV Programs entitled “Trias Koruptika” indicates the ideology in the text affected by the social context when the record was created. This study aims to see the construction of ideology and social context behind the writing of the text. This research is qualitative descriptive research. A theory used is a critical analysis of Norman Fairclough’s perspective that includes analysis in three dimensions: analysis of language text, discourse practice, and socio-cultural practice. The results showed that in text analysis, Catatan Najwa voiced disappointment, criticism and built a negative representation of three government institutions due to a corruption case. In the practice of discussion, the ideology can be conveyed and accepted well by society. As for the analysis of socio-cultural practices, the issue of corruption conducted by the supreme court judge and other corruption cases in 2013 had a major role in creating Catatan Najwa: “Trias Koruptika”. Sunan Kalijaga State Islamic University Yogyakarta 2020-12-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1979 10.14421/ajbs.2020.04205 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 4 عدد 2 (2020); 244–261 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 4 No. 2 (2020); 244–261 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 4 No 2 (2020); 244–261 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1979/929 https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1979/1321 Copyright (c) 2020 Siti Ummi Habibah http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1986 2025-02-10T04:14:45Z Adabiyyat:ART

INFERENSI KONTEKS BERDASARKAN ANALISIS RELASI MAKNA WEBTOON “SMILE BRUSH: MY OLD PICTURES” Pehala, Ilfan Askul Zur, Sarjaniah Safei, Nur Hasanah context inference context semantics relation synonymy polysemy The study in this research is oriented to the analysis and description of inferences on the context and a comprehensive understanding of other linguistic variables in the text and discourse in it. The research data are lingual lexical units and phrases that show the relation of synonymy and polysemy meanings in the narrative text of the comic "Smile Brush: My Old Pictures" by Waroo, which can be accessed on the Webtoon platform. The data is processed using descriptive qualitative linguistic research characteristics combined with ethnoscience analysis. Data was occupied by the distribution method using the BUL/Direct Element Sharing technique and coding. The result states that this inference is the conclusion of cognition based on the context built by involving participants, awareness, and over-paradigmatic relations to syntagmatic other ties. This inference is the role of the association of meaning to other linguistic units in understanding the context in terminating inference. The process and conclusion of all these factors and variables show the stimulative, systemic, and holistic linguistic correlation of metafunctions and stratification of linguistic domains. Sunan Kalijaga State Islamic University Yogyakarta 2023-01-09 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1986 10.14421/ajbs.2022.06204 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 6 عدد 2 (2022); 209-237 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 6 No. 2 (2022); 209-237 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 6 No 2 (2022); 209-237 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1986/996 Copyright (c) 2022 Ilfan Askul Pehala http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/1987 2025-02-10T04:28:01Z Adabiyyat:ART

MENILIK MODAL SIMBOLIK HALIMI ZUHDY SEBAGAI SASTRAWAN ARAB DARI INDONESIA Milal, Mukhamad Syaiful symbolic capital cultural capital Halimi Zuhdy Arabic poet from Indonesia This research aims to disclose the symbolic capital of Halimi Zuhdy as an Arabic Poet of Indonesian. Halimi's legitimacy cannot be separated from the symbolic, social and cultural capital he possesses. This research scrutinizes the strategy and legitimacy of Halimi as an Arab Poet from Indonesia. To describe this problem, the researcher uses the literary sociology approach of Pierre Bourdieu, especially concerning the arena of literary production and legitimacy in gaining symbolic capital. Halimi has practical social capital as he was educated at an Islamic boarding school. At the same time, institutionally, Halimi is a caregiver for the Darunnun Islamic boarding school. In Halimi's cultural capital, he has written several Arabic literary works and he has achieved a position as Chair of the Arabic Language and Literature study program and a new position of Deputy Dean the Faculty of Humanities UIN Malang. Meanwhile, in terms of symbolic capital, Halimi was nominated for the Nobel Prize in Literature from Munir Mazid for his achievements. The accumulation of capital built up in the literary arena has made Halimi achieve the position of an Indonesian Arab Poet. The dialectic of knowledge built by Halimi has also accumulated his fame. Sunan Kalijaga State Islamic University Yogyakarta 2021-06-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1987 10.14421/ajbs.2021.05106 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 5 عدد 1 (2021); 115-132 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 5 No. 1 (2021); 115-132 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 5 No 1 (2021); 115-132 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1987/938 https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/1987/1322 Copyright (c) 2021 Mukhamad Syaiful Milal http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/2016 2025-02-10T04:16:48Z Adabiyyat:ART

MARLINA: POLEMIK KE-SUBJEK-AN DALAM SASTRA DAN MEDIA Sholih, Mohammad Badrus author desire Marlina media subject In a literary work, there is the desire of the character in it, and also the desire of the author which is listed and becomes the fulfillment of his desire. For Lacan, the fulfillment of desires is a process to achieve an authentic and whole subject. However, this is a complicated problem when it comes to dealing with and entering into a symbolic order. The film “Marlina The Killer of Four Acts” is one of the films that portray the problematics of the subject in a symbolic order so that it triggers the writer to understand the problem of subjectivity using Jacques Lacan's psychoanalytic theory. There are problems that the author wants to answer regarding the subject of Marlina, namely, 1) how is the image of the desire of the subject of Marlina displayed? 2) what is the desire of the film writer? and 3) what is the correlation with the media apparatus? This research uses the Lacanian psychoanalytic method to find answers to the problems of the subject in Marlina's character. The authors get results in the form of 1) how the image obtained by Marlina is identification in the mirror phase formed by language contaminated by other desires, thus making Marlina have a jouissance to get out of the symbolic order and achieve an authentic subject 2) also how the film's author's desire is a desire contained in the character of Marlina, and 3) how the media becomes a castration of the author's desire that prevents the author from achieving wholeness in his subject. Sunan Kalijaga State Islamic University Yogyakarta 2022-07-13 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/vnd.openxmlformats-officedocument.wordprocessingml.document application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2016 10.14421/ajbs.2022.06104 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 6 عدد 1 (2022); 66-93 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 6 No. 1 (2022); 66-93 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 6 No 1 (2022); 66-93 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2016/963 https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2016/1324 https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2016/1325 Copyright (c) 2022 Mohammad Badrus Sholih http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/2101 2025-02-10T04:16:25Z Adabiyyat:ART

POTRET PERJUANGAN PEREMPUAN OLEH ISRA HADID DAN DEYA RA’AD DALAM A WOMAN IS NO MAN KARYA ETAF RUM Mubarokati, Rihaadatul 'Aisyil Islamic feminism women’s struggle gender equality A Women Is No Man presents the struggle of Isra Hadid and Deya Ra’ad to break the gender hierarchy in the family wrapped in religious dogma and try to regain their rights and freedoms as human women. Religion in this story becomes a legitimator for those main characters’ families to justify the practice of patriarchy in their traditions. Thus, the same oppression experienced by those two main female characters from different generations and growing up in different countries continues. By using the theory of Islamic feminism proposed by Wadud, the struggles experienced by Isra Hadid and Deya Ra’ad show the injustice between men’s and women’s positions in their tradition marginalizing and exploiting women, which does not exist in the understanding of Islam. This study applies the Narratology method to reveal the struggles of the two female characters by re-reading religious texts in reproducing meaning through Amina Wadud’s Islamic feminism. Islamic feminism theory is a theory that focuses on equality between men and women in Islam. Islamic feminism by Wadud tries to explain misconceptions about the status and role of women in Islam through re-reading the Qur’an and Hadith from a woman’s perspective. The results obtained from the study conclude that the inequality in the status and role of women in the Isra and Deya’s family traditions still continues to the next generation, although the intensity is reduced. Sunan Kalijaga State Islamic University Yogyakarta 2022-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2101 10.14421/ajbs.2022.06102 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 6 عدد 1 (2022); 19-41 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 6 No. 1 (2022); 19-41 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 6 No 1 (2022); 19-41 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2101/961 Copyright (c) 2022 Rihaadatul 'Aisyil Mubarokati http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/2123 2025-02-10T04:01:51Z Adabiyyat:ART

IDENTITAS BUDAYA LOMBOK DALAM PUISI INDONESIA Soleh, Dwi Rohman Satrya HD, Dharma - Suharto, V. Teguh cultural identity poetry hybrid This article aims to explain the construction of Lombok's cultural identity in three Indonesian poems. Cultural identity is considered a continuous production. In that approach, identity is a construct. Identity is constructed through language. Language is understood as a sign system. Therefore, the analysis of poetry uses sign analysis and semiotic analysis. In this analysis, signs can only be understood in the context of Lombok culture, in the context of the conceptual map of Indonesian society in Lombok. Signs can only be found in the cultural context of Lombok. The data were gathered from three different Lombok poems. The research result shows that in Perang Gurantang poems, Lombok cultural identity is different from Bali's cultural identity. Moreover, Di Gili Tak Ada yang Mengenal Pagi and Kemidi Rudat poems reveal hybrid cultural identity. Finally, Lombok cultural identity has a multicultural identity that gives respect to the differences between Lombok and Bali cultures. The acceptance of West and Malay-Islam culture forms Lombok cultural identity. Sunan Kalijaga State Islamic University Yogyakarta 2024-06-16 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2123 10.14421/ajbs.2024.080102 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 8 عدد 1 (2024); 25-44 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 8 No. 1 (2024); 25-44 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 8 No 1 (2024); 25-44 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2123/1269 Copyright (c) 2024 Dwi Rohman Soleh, V. Teguh Suharto, Asri Musandi Waraulia, Dharma - Satrya HD http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/2124 2025-02-10T04:18:41Z Adabiyyat:ART

ISLAM, PEREMPUAN, DAN WACANA MODERNITAS DALAM RATU YANG BERSUJUD KARYA MAHDAVI DAN SERIAL JILBAB TRAVELER KARYA ASMA NADIA Susanto, Dwi Nugroho, Miftah Wati, Rianna Islam women literary works modernity discourse The issue of Islam, women, and modernity discourses are common discussions in Indonesian literature. Literary works can be seen as part of an effort to welcome these ideas. This study discusses the literary works of Mahdavi and Asma Nadia in responding to issues of Islam, women, and modernity discourse. This study uses a postcolonial study point of view. The object of this research is Ratu Yang Bersujud (2013) by Mahdavi and Hijab Traveler (2012, 2014, and 2015) series from Asma Nadia. The formal object is the discourse of colonial modernity, Islam, and women. The data of this research are the contents of literary works, colonial discourse, Islam, women, and modernity. The data interpretation technique was carried out by following the binary opposition reading procedure in postcolonial studies. The response to the discourse on women, Islam, and modernity is done by negotiating and at the same time building women's constructions. However, women's voices become ambiguous when the subject is trapped in the discourse of modernity and capitalism through the issue of globalization. Women must continue to play their Islamic identity in entering the arena of modernity. Sunan Kalijaga State Islamic University Yogyakarta 2022-07-23 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/msword https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2124 10.14421/ajbs.2022.06106 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 6 عدد 1 (2022); 117-139 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 6 No. 1 (2022); 117-139 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 6 No 1 (2022); 117-139 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2124/965 https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2124/1326 Copyright (c) 2022 dwi susanto http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/2136 2025-02-10T04:16:36Z Adabiyyat:ART

KARAKTERISTIK VERBA DAN ADJEKTIVA DALAM IKLAN APLIKASI PINJAMAN ONLINE Putra, Dona Aji Karunia verb adjective advertisement syntax Advertisements tend to be packed with strong, persuasive, and emotional language. To be able to create a persuasive and emotional effect, proper linguistic features are needed. This study aims to reveal linguistic features in the form of verbs and adjectives as the main weapon in online loan advertising. In addition, this study also seeks to see the relationship between the use of adjectives in online loan advertisements with the public's view. The research method used is descriptive qualitative. The data in this study are in the form of verbs and adjectives contained in online loan application advertisements. The data sources in this study are online loan advertisements registered with the OJK. The results show that the use of verbs in online loan advertisements tends to achieve interrogative and imperative functions. The use of “cepat”, “aman”, and “mudah” adjectives is intended as a strategy to increase the selling value and attractiveness of loan products. The use of “cepat”, “aman”, and “mudah” adjectives in online loan advertisements tends to describe changes in people's views or mindsets in general, especially in the economic field (loan services). Sunan Kalijaga State Islamic University Yogyakarta 2022-07-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2136 10.14421/ajbs.2022.06103 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 6 عدد 1 (2022); 42-65 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 6 No. 1 (2022); 42-65 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 6 No 1 (2022); 42-65 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2136/962 Copyright (c) 2022 Dona Aji Karunia Putra http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/2153 2025-02-10T04:18:48Z Adabiyyat:ART

LINGUISTIK KOMPUTASI SEBAGAI DISIPLIN ILMU DAN RESPONS AKADEMIK DI LINGKUNGAN PERGURUAN TINGGI DI INDONESIA Musthofa, Musthofa epistemology knowledge computer computational linguistics language natural processing This paper describes an epistemological perspective of a new discipline in applied linguistics studies called "computational linguistics," the challenge and response faced by Indonesian linguists, and his problems in developing it. The analysis is carried out by utilizing epistemological concepts and theories, combined with Gianluca Carnabuci's theory called "knowledge hybridization" and the "challenge and response" theory proposed by Arnold J. Toynbee. The results show that epistemologically, computational linguistics has the validity to be called a scientific discipline. However, the response of Indonesian academics to its existence is still inadequate. This is related to the various challenges they face. For this reason, it is necessary to make multiple efforts to overcome it. Sunan Kalijaga State Islamic University Yogyakarta 2022-07-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2153 10.14421/ajbs.2022.06105 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 6 عدد 1 (2022); 94-116 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 6 No. 1 (2022); 94-116 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 6 No 1 (2022); 94-116 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2153/964 Copyright (c) 2022 Musthofa Musthofa http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/2252 2025-02-10T04:14:57Z Adabiyyat:ART

PLURALITAS MAKNA DALAM “BEN GO TUN” KARYA SAINI K. M. MELALUI SEMIOTIKA BARTHESIAN Lahpan, Neneng Yanti Khozanatu Roland Barthes’ semiotics Ben Go Tun play codes and interpretations This article discusses one of Saini K.M’s drama plays entitled Ben Go Tun (1977), which was published in a book titled Five Witnesses (1999, 2000). The play is regarded as one of the best texts written by this senior playwright, which emphasizes on social problems and inequality in the setting of the New Order Era. Through literature studies and Barthesian's semiotic approach, this paper intends to explore various meanings in the text, in which a literary work is seen as a plural sign system. In its analysis processes, this approach follows a number of steps or procedures that include: 1) the division of the text into units of analysis (lexia), 2) the interpretation of lexias, and 3) a list of codes and their interpretations. Through hermeneutic, semic, symbolic, proairetic, and cultural codes, a number of interpretations are obtained, which illustrate that in the Ben Go Tun manuscript, there are some voices and perspectives in seeing the problems that arise in the story. The drama script is very dynamic in presenting the characters. It also presents various social criticisms with symbols that appear in diverse characters. Sunan Kalijaga State Islamic University Yogyakarta 2022-12-22 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/vnd.openxmlformats-officedocument.wordprocessingml.document https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2252 10.14421/ajbs.2022.06205 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 6 عدد 2 (2022); 238-258 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 6 No. 2 (2022); 238-258 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 6 No 2 (2022); 238-258 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2252/999 https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2252/1327 Copyright (c) 2022 Neneng Yanti Khozanatu Lahpan http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/2277 2025-02-10T04:14:24Z Adabiyyat:ART

CACAT QĀFIYAH DALAM PUISI UMRU’ AL-QAIS (KAJIAN PUISI PERSPEKTIF ILMU Al-QAWĀFI) Patah, Akhmad Ni'mah, Umi Nurun ilmu al-Qawāfī al-Khalil cacat qāfiyah taujīh In general, the quality standard of classical Arabic poetry refers to the formulation of Al-Khalil bin Ahmad al-Farahidi, i.e Ilmu al-‘Arūd̩ wa al-Qawāfī. Even though these standards are so mainstream, in fact, some of the poetry of classical poets do not always live up to those standards, even the poetry of the great ones. This paper focuses on this, especially in terms of qāfiyah (rhymes of poetry), by taking the case of Umru' al-Qais poems as an example. The question that is then attempted to be answered is: how can a qualification be standardized when in fact, it is not fully followed by poets, even the great ones? The results of the discussion show that there are two possibilities. First, how the poets assessed the quality of poetry is different from how al-Farahidi did. Second, Al-Farahidi only took the abundant data available as what to be standardized in a theory. Sunan Kalijaga State Islamic University Yogyakarta 2022-12-14 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2277 10.14421/ajbs.2022.06202 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 6 عدد 2 (2022); 165-185 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 6 No. 2 (2022); 165-185 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 6 No 2 (2022); 165-185 2549-2047 2549-1482 en https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2277/991 Copyright (c) 2022 Akhmad Patah, Umi Nurun Ni'mah http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/2283 2025-02-10T04:15:12Z Adabiyyat:ART

MEMORI TRAUMA PERANG AMBON DALAM NOVEL KEI: KUTEMUKAN CINTA DI TENGAH PERANG KARYA ERNI ALADJAI Hardianti, Sitti Bahasa Indonesia Sastra Indonesia Kei: Kutemukan Cinta di Tengah Perang (2013) is a novel by Erni Aladjai that tells the dark events of the Ambon civil war 1999 that occurred in Ambon (Kei Islands). The problem in this research is how the author reconstructs the memory and trauma of war that caused psychic wounds for the survivors, and how this novel becomes the middle voice. The descriptive analysis method was used to look at the narrative as well as the text that gave rise to the construction of traumatic memory. Meanwhile, for the theory, Cathy Caruth's trauma memory theory is used. The results showed that all the traumatic events of the Ambon civil war that occurred in the Kei islands left psychological scars and traumatic memories for the survivors. This memory is narrated in bombings, massacres, and so on. The survivors were trauma, and the traumatic events were present in the symptoms of nightmares and flashbacks. Meanwhile, this novel can also become a middle voice to voice the other stories of the survivors in the public space. It was realizing that in fact the demands for truth and justice for them have never disappeared buried with the past. Sunan Kalijaga State Islamic University Yogyakarta 2022-12-27 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2283 10.14421/ajbs.2022.06206 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 6 عدد 2 (2022); 259-277 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 6 No. 2 (2022); 259-277 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 6 No 2 (2022); 259-277 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2283/1009 Copyright (c) 2022 Sitti Hardianti http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/2289 2025-02-10T04:14:13Z Adabiyyat:ART

PENULIS PEREMPUAN DAN LOKALITAS DALAM RUBRIK CERPEN JAWA POS TAHUN 2021 Arisandi, Isep Bayu short story locality women writer Jawa Pos This paper is based on short stories by women writers in Jawa Pos in 2021. The problem discussed is the element of locality in the short story. Five short stories became the object of analysis to find the locality setting and locality elements in the short story. The descriptive analysis method is used to find locality in the setting and narrative of the short story. Data from each short story is described to obtain an overview of the short story's background and locality elements. The results of the analysis show that the real place setting is a reflection of the locality identity in the short story. The real place setting in the short story becomes the opening gate for the locality theme, thus establishing a link between the structure and the short story theme. The locality presented by the 5 short stories refers to the forms of tradition, myth, and historical elements. Tradition, myth, and historical elements are tied to the setting of places and events in the short story. This analysis shows that an important real setting is built in a short story that has a locality narrative. Sunan Kalijaga State Islamic University Yogyakarta 2022-12-09 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2289 10.14421/ajbs.2022.06201 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 6 عدد 2 (2022); 140-164 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 6 No. 2 (2022); 140-164 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 6 No 2 (2022); 140-164 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2289/989 Copyright (c) 2022 Isep Bayu Arisandi http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/2322 2025-02-10T04:14:33Z Adabiyyat:ART

METODE INTERPRETASI ZOOSEMIOTIKA SASTRA AL-QUR’AN DAN APLIKASINYA DALAM SURAT AL-MUDDAṠṠIR AYAT KE 50-51 Mushodiq, Muhamad Agus Animal discrimination literature zoosemiotic Al-Qur’an interpretation Discrimination and ill-treatment of animals are still ongoing today. In the Islamic world, this is allegedly the result of a non-holistic interpretation of religious texts. This paper aims to formulate a literature zoosemiotic interpretation method of the Qur'an and apply it to Surah al-Muddaṡṡir verses 50-51. The method is formulated to explore the meaning of animal verses in the Qur'an holistically and proportionally. There are two results of the research in this article. First, the steps of the literary zoosemiotics interpretation method refer to (1) determining the typology of animals in the Qur'an based on literary zoological themes, (2) outlining asbāb al-nuzūl micro-macro and makiyyah-madaniyyah letters. (3) conducting a study of munāsabah al-āyāt, intratextual, and intertextuality, (4) reviewing the results of previous mufasir interpretations, (5) describing the meaning of the word verse with semiotics and balāgah, and (6) efforts find zoosembiology (reciprocity) between the Qur'anic literature and zoology and conclude the relevance between animal literature and human life. Second, based on the new myth, the ḥumur ‘donkeys’ in Surah al-Muddaṡṡir verses 50-51 describes the fanaticism of the tribes and the degree of opposition of the Quraysh to the da'wah of the Prophet Muhammad, not the symbol of ignorance that exists in the old myth. Sunan Kalijaga State Islamic University Yogyakarta 2022-12-14 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2322 10.14421/ajbs.2022.06203 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 6 عدد 2 (2022); 186-208 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 6 No. 2 (2022); 186-208 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 6 No 2 (2022); 186-208 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2322/992 Copyright (c) 2022 Muhamad Agus Mushodiq, Ibnu Burdah, Suja'i Suja'i http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/2423 2025-02-10T04:09:31Z Adabiyyat:ART

QUARTER LIFE CRISIS (QLC): KAJIAN PSIKOLINGUISTIK PADA ALBUM LAGU HINDIA MENARI DENGAN BAYANGAN Hasanah, Dina Fitria Mulyati, Yeti Hadianto, Daris Quarter life mental health lyrics psycholinguistic The issue of mental health has been in the spotlight in this decade, and various media have voiced and given their perspectives, including a singer, Hindia, in the song lyrics of their album Menari dengan Bayangan. The songs specifically portray mental health problems that impact persons in their 20s who are experiencing a quarter-life crisis. In order to examine the truth of this hypothesis, a content analysis research method was chosen which was studied using psycholinguistic theory. Dissected 12 songs and 3 skits from people closest to Hindia which are included in the album entitled Menari dengan Bayangan. The results of the study show,1) the album contains the four stages of quarter life crisis, 2) the lyrics of the songs on the album Menari dengan Bayangan define a quarter-life crisis from the lowest to the last stage that can exceed the crisis in early adulthood, and 3) listeners to songs in the album Menari dengan Bayangan responded positively to every lyric contained in it and helped them to get out of the mental crisis they were facing. Sunan Kalijaga State Islamic University Yogyakarta 2023-06-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2423 10.14421/ajbs.2023.07014 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 7 عدد 1 (2023); 64-82 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 7 No. 1 (2023); 64-82 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 7 No 1 (2023); 64-82 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2423/1129 https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2423/1332 Copyright (c) 2023 DINA FITRIA HASANAH, YETI MULYATI, DARIS HADIANTO http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/2491 2025-02-10T04:09:05Z Adabiyyat:ART

TEKNIK DAN FUNGSI PENERJEMAHAN KATA UMPATAN PADA NOVEL RIḤLAH ILĀ ALLĀH Baking, Aad Nur Sayyidus Syuhuur Sajarwa, Sajarwa swear words translation techniques swear function This study aims to find out the translation techniques of swear words in the novel Riḥlah ilā Allāh by Najib Kaelani and the function of those swear words. The data in this study are in the form of swear words and their translations which are sourced from the novel Riḥlah ilā Allāh and its translation "Meniti Jalan Allah". The used theory for this research is the translation techniques from Molina & Albir’s perspectives, and Swear words functions by Trudgill & Andersson. This research is descriptive and qualitative with the data collection method using the reading and note-taking method. Furthermore, the data analysis technique starts by grouping the data, looking for the techniques used in translating swear words, then determining the function of the swear words that have been collected. The results showed that the swear words in the novel Riḥlah ilā Allāh by Najib Kailani were translated using eight techniques, and have three functions, namely expletive, abusive, and auxiliary. Sunan Kalijaga State Islamic University Yogyakarta 2023-06-14 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2491 10.14421/ajbs.2023.07012 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 7 عدد 1 (2023); 23-40 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 7 No. 1 (2023); 23-40 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 7 No 1 (2023); 23-40 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2491/1127 Copyright (c) 2023 Aad Nur Sayyidus Syuhuur Baking, Sajarwa Sajarwa http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/2535 2025-01-20T15:07:33Z Adabiyyat:ART

KEHIDUPAN MEMBIARA DAN JEBAKAN TAKDIR: SUBJEKTIVITAS ROMO YB MANGUNWIJAYA DALAM PERSPEKTIF SLAVOJ ŽIŽEK Taum, Yoseph Yapi fractures and disorientation symbolic entanglements primordial alienation discursive analysis The monastic life for celibate individuals is not a problem-free life choice. As human beings, individuals who choose the monastic life face various biological, sociological, and psychological upheavals that are not easily overcome. These upheavals can lead to a crisis of faith. This study aims to uncover the issues faced by celibate individuals as depicted in the novel "Romo Rahardi" by YB Mangunwijaya. The study will employ Slavoj Žižek's symbolic discursive theory to unravel the symbolic entanglements that constrain the subjects and reveal the characters' positions in confronting their lives as celibate individuals. This research is a qualitative descriptive study that utilizes a discursive approach. The findings of this research reveal fractures and disorientation in the subjective realm. When Rahadi reaches the age of puberty, he becomes aware of the extraordinary sexual attraction towards the opposite sex, and he views this phenomenon as something good, natural, and positive. However, this awareness becomes a tremendous black hole as Rahadi enters the symbolic order. The celibate lifestyle confines him without the opportunity to explore alternative paths. In the real realm, when Rahadi reflects on the reality of his life as a spiritual person, he discovers a fragmented and incomplete subjective condition that is far from ideal—a primordial and absurd alienation. There exists a homology between Romo Rahadi and Romo YB Mangunwijaya. Sunan Kalijaga State Islamic University Yogyakarta 2023-06-27 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2535 10.14421/ajbs.2023.07011 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 7 عدد 1 (2023); 1-22 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 7 No. 1 (2023); 1-22 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 7 No 1 (2023); 1-22 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2535/1122 Copyright (c) 2023 Yoseph Yapi Taum

oai:ojs.pkp.sfu.ca:article/2551 2025-02-10T04:08:56Z Adabiyyat:ART

RESEPSI PEMBACA SASTRA ARAB DIGITAL: STUDI NOVEL “MIN ‘ĀLAM ĀKHAR” PADA APLIKASI WATTPAD Rohmah, Alfia Kusumawati, Aning Ayu reader response Min 'Ālam Ākhar Wattpad The role of readers in responding to literary works is very important in determining the quality of literary works in the digital world, such as literary works written in the Wattpad application. Based on this, the researcher conducted research on reader reception of Min 'Ālam Ākhar's novel which was uploaded to the Wattpad application by the username Manjiro57 using Stuart Hall's theory which groups receptions into three categories, namely dominant-hegemonic position, negotiated position and oppositional position. The data in this study were obtained from the comments column on Min 'Ālam Ākhar's novel in the Wattpad application which were collected using the note-taking technique based on a purposive sampling technique. The data found were analyzed using descriptive-analytical methods. This research shows that the dominant-hegemonic position is found more often than the negotiated position or oppositional position. The existence of the dominant-hegemonic position means that this novel is enough to attract the attention of readers. The negotiated position can be a suggestion for novel writers to find out how the storyline that the reader wants. In the oppositional position, the readers provided comments related to several storylines which they think did not make sense. Sunan Kalijaga State Islamic University Yogyakarta 2023-06-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2551 10.14421/ajbs.2023.07013 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 7 عدد 1 (2023); 41-63 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 7 No. 1 (2023); 41-63 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 7 No 1 (2023); 41-63 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2551/1128 Copyright (c) 2023 Alfia Rohmah, Aning Ayu Kusumawati http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/2553 2025-02-10T04:09:43Z Adabiyyat:ART

TREN PENELITIAN TERJEMAH BAHASA ARAB DI INDONESIA (SYSTEMATIC LITERATURE REVIEW) Yunianti, Fitria Sari Fajria, Astry Arabic–Indonesian translation Translation research trends in Indonesia Translator training According to Holmes’ Map of Translation Studies, two primary research focuses on translation studies, namely pure and applied translation studies which both emerge 16 sub-research themes. This board research scope is incomparable with the diverse themes of translation studies research, particularly in Arabic translation research in Indonesia. Until now, the research on translation studies has been dominated by descriptive translation and translation criticism. Hence, there is still various research theme that can be explored. This study aims to describe the research trends in Arabic translation research in Indonesia between 2011-2021 by applying a systematic literature review method by operating an academic search engine, “Google Scholar,” with certain Indonesian, English, and Arabic keywords.   The result shows that there are 130 articles on Arabic translation research in Indonesia with six research themes: descriptive translation, translation criticism, non-linguistic descriptive translation, theoretical translation, translation aids, and translator training.  The major theme used in research is descriptive translation, while the least used theme is translation training. By describing the chance and challenge of the importance of research in translator training, this article encourages translation studies scholars to do more research in this field.  Sunan Kalijaga State Islamic University Yogyakarta 2023-06-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2553 10.14421/ajbs.2023.07015 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 7 عدد 1 (2023); 83-109 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 7 No. 1 (2023); 83-109 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 7 No 1 (2023); 83-109 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2553/1130 https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2553/1334 Copyright (c) 2023 Fitria Sari Yunianti, Astry Fajria http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/2559 2026-02-27T12:20:46Z Adabiyyat:ART

MULTILINGUALISME DAN GENDER DALAM LANSKAP LINGUISTIK MULTILINGUALISME DAN GENDER DALAM LANSKAP LINGUISTIK USAHA PANGKAS RAMBUT DI KECAMATAN JOMBANG Fitriawati, Ayu Datang, Frans Asisi multilingualisme gender Lanskap Linguistik (LL) multilingualism gender Linguistic Landscape (LL) In multilingual societies of former Western colonies, modernism is often pinned on English as the international lingua franca, thus shifting the mother tongue/regional language which is considered of lower value. In the discussion of post-structuralism, language use contributes to identity construction, one of which is gender identity. Inequality of gendered cultural expectations in multilingualism is problematic as it reasons gender disparities in the workforce, among many others. Using a mixed method of quantitative and qualitative study, this research investigates patterns of language dominance on public signs belonging to space with the concept of gender segregation, specifically salons/barber shops, in the urban area of Jombang Regency, that is Jombang sub-district, through a Linguistic Landscape (LL) study. In result, all signs with the target market of women, men, and both display the call for modernism through constant use of English and Indonesian language, which notably overrides Javanese as the mother tongue and everyday language of the people. However, multilingualism in women exhibits the “new economic pattern” where education and work opportunities are equal/almost equal. Even so, there appears to be an indication of higher expectations for men to be capable of understanding English than women through significant use of monolingual English signs. Di masyarakat multilingual jajahan bangsa Barat, modernisme seringkali disematkan pada bahasa Inggris sebagai lingua franca internasional hingga bahasa ibu/bahasa daerah yang dianggap memiliki nilai lebih rendah menjadi tergeser. Dalam pembahasan post-strukturalisme, penggunaan bahasa memiliki peran dalam konstruksi identitas, salah satunya identitas gender. Ketimpangan ekspektasi kultural bagi salah satu gender untuk menjadi multilingual merupakan hal yang problematik ketika menjadi salah satu alasan disparitas gender dalam pasar ketenagakerjaan, di samping berbagai lini kehidupan lainnya. Menggunakan metode campuran kuantitatif dan kualitatif, penelitian ini menelisik pola dominasi bahasa pada tanda-tanda publik milik ruang dengan konsep segregasi gender, dalam hal ini usaha pangkas rambut, di kawasan urban Kabupaten Jombang, yaitu kecamatan Jombang, melalui studi Lanskap Linguistik (LL). Hasilnya, baik pada kelompok target pasar perempuan, laki-laki, maupun keduanya, terdapat indikasi kebutuhan untuk menunjukkan modernisme secara konstan melalui penggunaan bahasa Inggris dan bahasa Indonesia yang secara signifikan mengesampingkan bahasa Jawa sebagai bahasa ibu dan bahasa sehari-hari masyarakatnya. Namun, multilingualisme pada perempuan menunjukkan corak ekonomi baru di mana kesempatan berpendidikan dan bekerja telah setara/hampir setara. Meskipun demikian, terdapat ekspektasi yang lebih tinggi bagi laki-laki untuk dapat memahami bahasa Inggris dengan dominasi bahasa Inggris secara monolingual yang lebih banyak dibandingkan perempuan. Sunan Kalijaga State Islamic University Yogyakarta 2024-12-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2024.080206 10.14421/ajbs.2024.080206 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 8 عدد 2 (2024); 277-313 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 8 No. 2 (2024); 277-313 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 8 No 2 (2024); 277-313 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2024.080206/2024.080206 Copyright (c) 2025 Ayu Fitriawati http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/2586 2025-02-10T04:09:55Z Adabiyyat:ART

MENJADI IBU TERBAIK: KONTESTASI WEST & ORIENT MOTHER DALAM TERJEMAHAN LITTLE FIRES EVERYWHERE Kusumaningrum, Ayu Fitri Orientalism latent Orientalism West Orient Orientalism is synonymous with the Western male view of Eastern men and women. The discourse of Orientalism is a masculine discourse that rarely portrays women, especially mothers, as subjects of analysis. The problem of this research lies in the Orientalist discourse in the Indonesian version of the novel "Little Fires Everywhere" by Celeste Ng, which is approached from the viewpoint of women, particularly mothers, resulting in a contest to become the best mother. The mothers in this novel are divided into two categories: the West mother, represented by Elena Richardson, and the Orient mother, represented by Mia Warren. This study aims to reveal the contestation between the West and Orient mothers. This research uses a qualitative method, and the theoretical framework used is Orientalism, as proposed by Edward W. Said. This research found latent Orientalism in the West mother's perspective towards the Orient mother, resulting in competition to become the best mother figure. This research also found that both mothers failed to become the best mothers for their children, whether from the West or the Orient. Sunan Kalijaga State Islamic University Yogyakarta 2023-06-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2586 10.14421/ajbs.2023.07016 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 7 عدد 1 (2023); 110-132 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 7 No. 1 (2023); 110-132 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 7 No 1 (2023); 110-132 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2586/1131 https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2586/1335 Copyright (c) 2023 Ayu Fitri Kusumaningrum http://creativecommons.org/licenses/by-sa/4.0

oai:ojs.pkp.sfu.ca:article/2588 2025-02-10T04:13:05Z Adabiyyat:ART

REPRESENTASI KEKERASAN TERHADAP PEREMPUAN DALAM EKRANISASI NOVEL SEPERTI DENDAM, RINDU HARUS DIBAYAR TUNTAS Febrianto, Diki Tjahjandari, Lily kekerasan perempuan alih wahana Violence against women through narratives and scenes becomes one of the interesting discussions, especially in the novel adapted into the film Seperti Dendam, Rindu Harus Dibayar Tuntas. This research aims to uncover the representation of violence against women in the adaptation process from novel to film. This research is qualitative with a descriptive method. The approach used in this research is to look at the narrative aspects of the novel, relationships, and correlations of violence against women. Violence against women in film uses the concepts of cinematography, vehicle transfer, and narrative, in building visuals of violence against women. The results of this study show the representation of violence against women through Iteung and Rona Merah. Iteung shows the relationship between her childhood and the formation of masculine character in adolescence. This also shows the ecranisation in the form of reduction in the film. Rona Merah provides an image as an object of sexual violence who experiences psychological disorders as a form of trauma in the past. New media other than film are the caricatures on the tailgate of a truck, which are closely related to the problems of men and women. Sunan Kalijaga State Islamic University Yogyakarta 2024-12-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2588 10.14421/ajbs.2023.07022 Adabiyyāt: Jurnal Bahasa dan Sastra; مجلد 7 عدد 2 (2023); 154-177 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol. 7 No. 2 (2023); 154-177 Adabiyyāt: Jurnal Bahasa dan Sastra; Vol 7 No 2 (2023); 154-177 2549-2047 2549-1482 en id https://ejournal.uin-suka.ac.id/adab/Adabiyyat/article/view/2588/1137 Copyright (c) 2023 Diki Febrianto http://creativecommons.org/licenses/by-sa/4.0 58b8c2f10b4a729a392829537158b7f3