Revealing the Ecstasy of Communication upon using Tik Tok: A Virtual Ethnography in Palopo City, Indonesia
Main Article Content
Abstract
This research uses virtual ethnography to analyze TikTok usage patterns and the phenomenon of communication ecstasy among students in Palopo City. The qualitative field research method employed involves the use of questionnaires, interviews, observation, and documentation. A total of 53 students from universities in Palopo City participated in the questionnaire, and four were selected for further analysis through interviews. Data were analyzed using reduction techniques, presentation, and drawing conclusions. The results reveal that TikTok usage is prevalent among students, with daily use averaging over three hours per day. The purpose of use varies, including entertainment, information seeking, stress relief, hobby expression, and money-making. The phenomenon of communication ecstasy is evident in students' addiction to digital symbols like "like," "comment," "share," and "save." TikTok features enable students to immerse themselves in total simulation, blurring the lines between reality and virtuality, representation and reference, and facilitating the creation of simulacra and hyperreality. The implications suggest that TikTok is significantly altering communication patterns among students, leading to a shift from in-depth, meaningful interactions to more superficial, symbolic exchanges. This shift fosters a pseudo-environment where students can meticulously curate and project an idealized version of themselves, further obscuring the boundaries between authenticity and performance. As a result, the emphasis on visual storytelling and viral trends can lead to a culture of comparison and validation, potentially impacting students' self-esteem and social skills in the long term
Article Details
License
Please find the rights and licenses in Profetik: Jurnal Komunikasi by submitting the article/manuscript of the article, the author(s) agree with this policy. No specific document sign-off is required.
1. License
The non-commercial use of the article will be governed by the Creative Commons Attribution license as currently displayed on Creative Commons Attribution-NonCommercial 4.0 International License

2. Author(s)' Warranties
The author warrants that the article is original, written by stated author(s), has not been published before, contains no unlawful statements, does not infringe the rights of others, is subject to copyright that is vested exclusively in the author and free of any third party rights, and that any necessary written permissions to quote from other sources have been obtained by the author(s).
3. User/Public Rights
Profetik's spirit is to disseminate articles published are as free as possible. Under the Creative Commons license, Profetik permits users to copy, distribute, display, and perform the work for non-commercial purposes only. Users will also need to attribute authors and Profetik on distributing works in the journal and other media of publications. Unless otherwise stated, the authors are public entities as soon as their articles got published.
4. Rights of Authors
Authors retain all their rights to the published works, such as (but not limited to) the following rights;
Copyright and other proprietary rights relating to the article, such as patent rights, The right to use the substance of the article in own future works, including lectures and books, The right to reproduce the article for own purposes, The right to self-archive the article (please read out deposit policy), The right to enter into separate, additional contractual arrangements for the non-exclusive distribution of the article's published version (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal (Profetik: Jurnal Komunikasi).
5. Co-Authorship
If the article was jointly prepared by more than one author, any authors submitting the manuscript warrants that he/she has been authorized by all co-authors to be agreed on this copyright and license notice (agreement) on their behalf, and agrees to inform his/her co-authors of the terms of this policy. Profetik will not be held liable for anything that may arise due to the author(s) internal dispute. Profetik will only communicate with the corresponding author.
6. Royalties
Being an open accessed journal and disseminating articles for free under the Creative Commons license term mentioned, author(s) aware that Profetik entitles the author(s) to no royalties or other fees.
7. Miscellaneous
Profetik will publish the article (or have it published) in the journal if the article’s editorial process is successfully completed. Profetik's editors may modify the article to a style of punctuation, spelling, capitalization, referencing and usage that deems appropriate. The author acknowledges that the article may be published so that it will be publicly accessible and such access will be free of charge for the readers as mentioned in point 3.
References
Agis, D. P. (2021). Penggunaan Aplikasi Tik Tok dan Efeknya Terhadap perilaku keagamaan remaja Islam di kelurahan waydadi baru kecamatan sukarame, Skripsi, Universitas Islam Negeri Raden Intan Lampung.
Akturan, U., Karadeniz, E., Yılmaz, Ö. Ö., Gül, M. Ç., İnelmen, K., & Yılmaz, M. E. (2009). A review of cyber ethnographic research: A research technique to analyze virtual consumer communities. Bogazici Journal, 23(1–2), 1–18.
Andrian, A. D., Luik, J. E., & Tjahjo, J. D. W. (2021). Motif masyarakat Indonesia menggunakan aplikasi tiktok selama masa pandemi COVID-19. Jurnal E-Komunikasi, 9(1).
Annur, C. M. (2023). 10 Aplikasi Paling Banyak Diunduh Secara Global pada 2022, TikTok Juaranya | Databoks. Retrieved November 2, 2023, from https://databoks.katadata.co.id/datapublish/2023/08/30/10-aplikasi-paling-banyak-diunduh-secara-global-pada-2022-tiktok-juaranya
Armivilla, K. E. (2023, July 14). Negara Dengan Pengguna TikTok Terbanyak 2023, Indonesia Peringkat 2.
Baudrillard, J. (2004). Masyarakat konsumsi (Wahyunto, Trans.). Kreasi Wacana.
Baudrillard, J., Foss, P., Patton, P., & Beitchman, P. (1983). Simulations. Semiotext (e) New York.
BPS Kota Palopo. (2023). Kota Palopo Dalam Angka 2023. BPS Kota Palopo. Retrieved from https://palopokota.go.id/content/uploads/data/palopo-dalam-angka/Kota-Palopo-Dalam-Angka-2023.pdf
Buana, T., & Maharani, D. (2020). Penggunaan Aplikasi Tik Tok (Versi Terbaru) dan Kreativitas Anak. Jurnal Inovasi, 14(1), 1–10.
Cindy Mutia Annur. (2023, August 30). 10 Aplikasi Paling Banyak Diunduh Secara Global pada 2022, TikTok Juaranya. Retrieved from https://databoks.katadata.co.id/datapublish/2023/08/30/10-aplikasi-paling-banyak-diunduh-secara-global-pada-2022-tiktok-juaranya
Dandi. (2023, January 11). Wawancara Melalui Whatsapp.
Dandi, Nurhidayah, & Thariq. (2023, August 16). Hasil Wawancara.
Debord, G. (2021). The society of the spectacle. Unredacted Word.
Dewa, C. B., & Safitri, L. A. (2021). Pemanfaatan Media Sosial Tiktok Sebagai Media Promosi Industri Kuliner Di Yogyakarta Pada Masa Pandemi Covid-19 (Studi Kasus Akun TikTok Javafoodie). Khasanah Ilmu - Jurnal Pariwisata Dan Budaya, 12(1), 65–71. https://doi.org/10.31294/khi.v12i1.10132
Fahruddin Faiz (Director). (2020). Ngaji Filsafat 64: Jean Baudrillard. Yogyakarta: YouTube.
Haryatmoko. (2007). Etika Komunikasi. Yogyakarta: Kanisius.
Haryatmoko. (2016). Membongkar Rezim Kepastian: Pemikiran Kritis Post-Strukturalis. Yogyakarta: Kanisius.
Hine, C. (2008). Virtual Ethnography: Modes, Varieties, Affordances, dalam Nigel Fileding (ed.) Online Research Methods, California: SAGE Publications.
Humas IAIN Palopo. (n.d.). Mahasiswi KPI IAIN Palopo Juara II Lomba Konten Video Kreatif Cegah Stunting DP3AP2KB Lutra. Retrieved from https://iainpalopo.ac.id/2022/08/25/mahasiswi-kpi-iain-palopo-juara-ii-lomba-konten-video-kreatif-cegah-stunting-dp3ap2kb-lutra/
Jean Baudrillard. (2006). Ekstasi Komunikasi. Yogyakarta: Kreasi Wacana.
Kaye, D. B. V., Chen, X., & Zeng, J. (2021). The co-evolution of two Chinese mobile short video apps: Parallel platformization of Douyin and TikTok. Mobile Media & Communication, 9 (2), 229–253.
Muchtar, K., Nurhasanah, N., & Fakhruroji, M. (2024). Scroll and Shop: Exploring Online Shopping Culture in the Digital Media Era. Profetik: Jurnal Komunikasi, 17(1).
Mufidah, R., & Mufidah, A. (2021). Aplikasi Tik-Tok dan Instagram sebagai Salah Satu Alternatif dalam Media Pembelajaran IPA. Proceeding, 1 (1), 60–69.
Pirol, A., & Husain, W. (2020). Radical Ideology in Universities: Palopo Students’ Perceptions. Kasetsart: Journal of Social Sciences, 41(2), 231–237.
Postill, J., & Pink, S. (2012). Social Media Ethnography: The Digital Researcher in a Messy Web. Media International Australia, 145(1), 123–134.
Prasanti, D., & Indriani, S. S. (2017). Etika komunikasi dalam Media Sosial bagi Ibu-ibu PKK di Desa Mekarmukti Kab. Bandung Barat (Studi Deskriptif Kualitatif tentang Etika Komunikasi dalam Media Sosial bagi Ibu-ibu PKK di Desa Mekarmukti Kab. Bandung Barat). Profetik: Jurnal Komunikasi, 10 (1), 21–34.
Pratama, S., & Muchlis, M. (2020). Pengaruh Aplikasi Tik Tok Terhadap Ekspresi Komunikasi Mahasiswa Universitas Islam Negeri (Uin) Sunan Ampel Surabaya Tahun 2020. INCARE: International Journal of Educational Resources, 1(2), 102–115. https://doi.org/10.59689/incare.v1i2.64
Pratiwi, P. S. (2021). Moderasi Beragama Dan Media Sosial (Studi Analisis Konten Instagram & Tik-Tok). Jurnal Dakwah Dan Komunikasi, 6 (1), 83–94.
Putri, S. D., & Azeharie, S. (2021). Strategi Pengelolaan Komunikasi dalam Membentuk Personal Branding di Media Sosial Tiktok. Koneksi, 5 (2), 280–288. https://doi.org/10.24912/kn.v5i2.10300
Qin, Y., Omar, B., & Musetti, A. (2022). The Addiction Behavior of Short-Form Video App TikTok: The Information Quality and System Quality Perspective. Frontiers in Psychology, 13, 932805.
Rahmawati, S. (2018). Fenomena Pengguna Aplikasi Tik Tok Dikalangan Mahasiswa, Skripsi, Universitas Pasundan Bandung.
Ratri, D. D. M. (2018). Instagram Sebagai Bentuk Ekstasi Komunikasi Menurut Jean Baudrillard, Skrispi, UGM.
Responden Angket. (2023). Hasil Angket sampai 13/10/2023. Palopo.
Rully, R., Isbandi, F. S., Utomo, A. S., Khairiyah, A. S., & Apriani, W. (2021). Women’s Commodification on Tiktok: A Semiotic Study of “Elbow Sticking’Challenge. Profetik: Jurnal Komunikasi, 14 (2), 238–254.
Sandler, P. (2023). 46th Semi-Annual Taking Stock with Teens® Survey, Fall 2023. Retrieved from Piper Sandler, “46th Semi-Annual Taking Stock with Teens® Survey, Fall 2023,” n.d., https://www.pipersandler.com/sites/default/files/document/TSWT_Fall23_Infographic.pdf.
Sanityastuti, M., Virga, R. L., & Zahra, L. (2024). Understanding Digital Literacy in Religious Content on Social Media: @ generation_muda_nu and@ kuntummagazine Study. Profetik: Jurnal Komunikasi, 17(1).
Sari, D. M., & Mahendra, A. (2021). Fenomena Penggunaan TikTok Pada Mahasiswa UIN Shulthan Thaha Saifuddin Jambi. JIGC (Journal of Islamic Guidance and Counseling), 5 (2), 117–137. https://doi.org/10.30631/jigc.v5i2.54
Sugiyono. (2021). Metode Penelitian Kualitatif. Bandung: Alfabeta.
Thariq. (2023, August 17). Hasil Wawancara.
Triananda, S. F., Dewi, D. A., & Furnamasari, Y. F. (2021). Peranan Media Sosial Terhadap Gaya Hidup Remaja. Jurnal Pendidikan Tambusai, 5(3), 9106–9110.
Vaterlaus, J. M., & Winter, M. (2021). TikTok: An exploratory study of young adults’ uses and gratifications. The Social Science Journal, 1–20.
Wisnu. (2018). Aplikasi Tik Tok Sebagai Media Pembelajaran Bahasa Dan Sastra Indonesia. Pertemuan Ilmiah Bahasa Dan Sastra Indonesia (PIBSI), 431–440.