STRATEGI HUMOR PADA ACARA STAND UP COMEDY
Abstract
Stand Up Comedy is a type of single joke because comedians perform monologue on a stage alone and rely on their gestures. This research is to answer these problems: what are the pragmatic strategy, linguistic strategy, humor function, and the community's response to humor strategies of children comedians in the Stand Up Comedy program? This study uses descriptive qualitative method. This study uses three stages, namely the stage of the data collection, the data analysis stage, and the stage of presenting the results of data analysis. The methods used in the data collection stage are observation and interview. The data analysis phase uses the pragmatic equivalent method. The stage of presenting the results of data analysis uses informal methods. The pragmatic of the strategies that are dominantly used are presuppositions, violation of maxim, and implicature. The dominant strategies of linguistic that are found are nonsense, ridicule, irony, and misunderstanding. The dominant function of humor that is found tends to give an understanding to the community to find solutions to a problem through ways that are conveyed pleasantly. However, the community judges that some of the words uttered tend to give a bad example because they seem impolite and patronizing.
Full Text:
PDFReferences
Anjani, Esa Agita. 2013. “Kohesi Dan Koherensi Wacana Stand up Comedy Prancis Dan Indonesia.” Jurnal Kawistara 3 (3). https://doi.org/10.22146/kawistara.5223.
Berger, Arthur Asa. 2005. Pengantar Semiotika: Tanda-Tanda dalam Kebudayaan Kontemporer. Diterjemahkan oleh Dwi Marianto. Yogyakarta: Tiara Wacana yogya. https://openlibrary.telkom university.ac.id/pustaka/25183/pengantar-semiotika-tanda-tanda-dalam-kebudayaan-kontemporer-cet-1.html.
Filani, Ibukun. 2015. “Discourse Types in Stand-up Comedy Performances: An Example of Nigerian Stand-up Comedy.” The European Journal of Humour Research 3 (1): 41–60. https://doi. org/10.7592/EJHR2015.3.1.filani.
Hassaine, Nadia. 2014. “Linguistic Analysis of Verbal Humour in Algerian Stand-up Comedy.” International Journal of English Language and Translation Studies 02 (02): 90–98.
Indosiar. 2017a. Stand Up Comedy Academy 3: Karyn, Medan - Cerita Karyn. https://www.youtube.com/watch?v=tOvYgeeBm_o.
———. 2017b. Stand Up Comedy Academy 3: Karyn, Medan - Cerita Karyn 2. https://www.youtube.com/watch?v=OOMs038Bz3 o&t=103s.
———. 2017c. Stand Up Comedy Academy 3: Karyn, Medan - Perubahan Karyn. https://www.youtube.com/watch?v =JwHTH8Hvpdk.
———. 2017d. Stand Up Comedy Academy 3: Karyn, Medan - Permainan Lama Tergantikan. https://www.youtube.com/watch? v=PnTTZmlIZdA&t=85s.
———. 2017e. Stand Up Comedy Academy 3: Karyn, Medan - Punya Banyak Nenek. https://www.youtube.com/watch?v=qqlVswx Pdpc.
———. 2017f. Stand Up Comedy Academy 3: Karyn, Medan - Tips Menyontek Di Sekolah. https://www.youtube.com/watch?v=3Us MIfrlWcg.
———. 2017g. Stand Up Comedy Academy 3: Karyn, Medan - Kids Jaman Now. https://www.youtube.com/watch?v=sbTYRHJtz40.
———. 2017h. Stand Up Comedy Academy 3: Karyn, Medan - Ibu-Ibu Zaman Sekarang. https://www.youtube.com/watch?v=i9I3XsVk-SM&t=71s.
———. 2017i. Stand Up Comedy Academy 3: Karyn, Medan. https://www.youtube.com/watch?v=euBRX9x8j_0&t=43s.
Kawwami, Afif Musthofa. 2015. “Code Switching Used by the Comics in Stand Up Comedy Show on Metro Tv.” Undergraduate, Malang: Universitas Islam Negeri Maulana Malik Ibrahim. http://etheses.uin-malang.ac.id/3005/.
Koswara, Richard B. 2014. “Penerimaan Penonton Usia Dewasa Terhadap Kekerasan Verbal dalam Lawakan Stand Up Comedy Metro Tv.” Jurnal e-Komunikasi Universitas Kristen Petra 2 (3): 1–10.
Ortmanns, Charlotte. 2015. “Irony’s Potential as Subversive Strategy: A Case Study of Anti-Racist Stand-Up Comedy.” The Maastricht Journal of Liberal Arts 6: 49–63.
Rustono. 1998. “Implikatur Percakapan sebagai Pengungkapan Humor di dalam Wacana Humor Verbal Lisan Berbahasa Indonesia.” Disertasi, Depok: Fakultas Sastra Universitas Indonesia.
Scarpetta, Fabiola, dan Anna Spagnolli. 2009. “The Interactional Context of Humor in Stand-Up Comedy.” Research on Language and Social Interaction 42 (3): 210–30. https://doi.org/10.1080/08351810903089159.
Seizer, Susan. 2011. “On the Uses of Obscenity in Live Stand-Up Comedy.” Anthropological Quarterly 84 (1): 209–34. https://doi. org/10.1353/anq.2011.0001.
Suhadi, M. Agus. 1989. Humor Itu Serius: Pengantar “Ilmu Humor.” Jakarta: Pustakakarya Grafikatama.
Taufiqurrahman, Febri. 2013. “Producing Humour Effect in the Standup Comedy Indonesia by Raditya Dika at ‘Comedy Cafe Kemang’ (July 13th, 2011).” Lantern (Journal on English Language, Culture and Literature) 2 (2): 6–24.
Triandana, Anggi. 2014. “Analisis Wacana Humor dalam Film Kill the Messenger (Studi Kasus Stand-Up Comedy Chris Rock).” Tesis, Yogyakarta: Universitas Gadjah Mada. http://etd.repository. ugm.ac.id/index.php?mod=penelitian_detail⊂=PenelitianDetail&act=view&typ=html&buku_id=71726.
Wijana, I Dewa Putu. 2004. Wacana Kartun dalam Bahasa Indonesia. Yogyakarta: Ombak.
Wijayanti, Asri. 2015. “Analisis Wacana Stand Up Comedy Indonesia Session 4 Kompas TV.” Yogyakarta: Universitas Gadjah Mada. http://etd.repository.ugm.ac.id/index.php?mod=penelitian_detail⊂=PenelitianDetail&act=view&typ=html&buku_id=87517&obyek_id=4.
“YouTube.” t.t. Diakses 20 September 2017. https://www.youtube.com/ watch?v=uaDxva9NKuU&t=373s.
Yule, George. 1996. Pragmatics. New York: Oxford University Press.
Narasumber
Honifah. 2017. 12 September 2017, Desa Balet Baru RT/RW 002/002, Sukowono, Jember.
Indayani, L. 2017. 10 Desember 2017, Jl. Karimata V No. 26, Sumbersari, Jember.
DOI: https://doi.org/10.14421/ajbs.2018.02204
Refbacks
- There are currently no refbacks.
Copyright (c) 2018 indah ita utami
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
ISSN: 2549-1482 (p); 2549-2047 (e)
Adabiyyāt: Jurnal Bahasa dan Sastra, Accreditation Number (Ministry of RTHE/DIKTI): No. 225/E/KPT/2022.
Indexed by:
Adabiyyāt Office:
All Publications by Adabiyyāt: Jurnal Bahasa dan Sastra are licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.