Hijrah Aesthetic as a Form of Popular Culture Mimicry in the Contemporary Hijrah Movement in Kudus

Authors

  • Afifah Nur Hayati Universitas Islam Negeri Sunan Kudus

DOI:

https://doi.org/10.14421/jsa.2026.%25x

Abstract

The phenomenon of hijrah among Indonesian Muslim women has shifted from personal spiritual transformation to a social identity increasingly shaped by popular culture and digital spaces. This study analyzes hijrah aesthetics as a form of popular-culture mimicry within the contemporary hijrah movement among Muslim women who visit cafés in Kudus Regency. The research employed a descriptive qualitative approach involving interviewees selected through purposive sampling. Data were collected through in-depth interviews and observations and analyzed using the Miles and Huberman model. The findings reveal that hijrah is not expressed through rejecting popular culture but through adapting fashion, social media, and café culture, which are then imbued with religious meanings. The study further indicates that the hijrah aesthetic represents the aestheticization of piety, in which religious identity is constructed through visual symbols and self-representation in public spaces. This research contributes to the growing literature on contemporary hijrah by showing that popular culture has become an important medium for shaping Muslim women’s identities in the digital era.

Keywords: Hijrah Aesthetic, Popular Culture Mimicry, Contemporary Hijrah, Muslimah Women

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Published

2026-11-09

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Articles

How to Cite

Hijrah Aesthetic as a Form of Popular Culture Mimicry in the Contemporary Hijrah Movement in Kudus. (2026). Jurnal Sosiologi Agama, 20(1), 35-50. https://doi.org/10.14421/jsa.2026.%x